Werke fur Orgel - Works for Organ

Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres pour orgue par Carl Philipp Emanuel Bach dans l'édition Wiener Urtext contient toutes les oeuvres écrites par le compositeur à l'exception des sonates plusieurs mouvements pour orgue: préludes, fugues, trio, choral arrangements et des pièces pour horloge musicale. Les fugues, en particulier, prouver que C. Ph. E. Bach était un élève attentif de son père. La musique théoricien Friedrich Wilhelm Marpurg apprécié ces fugues tant qu'il a inclus certains d'entre eux à titre d'exemples dans ses écrits théoriques. Les pièces pour horloge musicale sont une sélection variée de pièces dans le style galant qui ont été initialement écrits pour instruments mécaniques et qui sont les meilleurs pour être exécutée sur l'orgue. En collaboration avec les Sonates pour orgue publiés dans le vol. 1, c'est probablement la collection la plus complète des oeuvres de Bach, fils aîné de seconde qui peut être effectué sur l'orgue. / Orgue

[Sämtliche Orgel- und Clavierwerke - Band 2] / Classique / Editeurs : Siegbert Rampe

[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /

[Sämtliche Freie Orgel- und Clavierwerke] / Classique / Editeur : Siegbert Rampe / Partition / Cartonné / Plats de carton / Edition Urtext

When Reubke died in 1858 at the age of only 24 his achievements included two monumental works (a Piano sonata and an Organ sonata) and a few smaller compositions including a Trio for Organ. This Urtext edition brings together the two Organ works in a new edition: the Organ sonata is also known by the title of the 94th Psalm whose words inspired its content. The Sonata whose style and virtuosity show the influence of Liszt is one of the greatest Organ works of the whole Romantic period. The Trio a musically charming but technically less demanding piece should represent a welcome addition to the teaching repertoire forOrgan. The only original documents remaining for these works are the first editions. In this new edition we have attempted to correct obvious mistakes in the first impression and to offer cautious suggestions for improvements in dubious instances.

Max Reger's Free Organ Pieces-Volumes 3 and 4 in our Complete Edition - are short works of various levels of difficulty. They are a real find for all organists who have not felt sufficiently proficient to tackle the technical demands of the monumental organ fantasias. Some of these intentionally simple and clearly-structured works might even contain elements which Gould lead to a revised conception of Reger's works better suited to our times.

First Urtext edition of the complete works of L?on Bo?llmann in 7 volumes.Reflects current scholarship; draws on newly discovered sources.Detailed foreword and critical commentary (Fr/Eng/Ger)Catalogue of available sources as well as facsimile pages of the manuscript included.L?on Bo?llmann (1862 1897) was a student of Ecole Niedermeyer and held the position of Titular Organist at the Church of Saint-Vincent-de-Paul Paris. Continuing in the tradition of Saint-Sa?ns Franck and Gigout his compositional output reflects the elegant and sophisticated domain of the ???Belle Epoque???.This new volume containsthose of Bo?llmann???s works that were transcribed for Organ and Harmonium by his contemporaries as well as works by composers of the time which were arranged by Bo?llmann. The edition includes a detailed foreword (Fr/Eng/Ger) with advice on performance practice and facsimile pages of the manuscript as well as a critical commentary (Fr/Eng/Ger).

Music for Jon Laukvik’s Historical Performance Practice in Organ Playing: An Introduction based on selected organ works of the 16th–18th centuries./ Répertoire / Orgue

Organ Works Vol.1 (complete) (Urtext) Works published during his lifetime and intended for publication.org

[Neue Ausgabe sämtlicher Orgelwerke - Band 1-5 komplett] / Classique / Editeur : Christoph Albrecht / 5 partitions en un coffret / Cartonné / Plats de carton /

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

[Sämtliche Werke für Clavier (Orgel) - Band 2] / Classique / Editeur : Siegbert Rampe / Partition / Cartonné / Plats de carton / Edition Urtext / 1ère édition