Volume 7 - Miles Davis

These jazz classics represent a slice of Mile?s illustrious career, from 1957 to 1964, during which Miles was at the apex of his popularity. As an example of Miles unparalleled influence as a trumpeter, composer and band leader, several of his sidemen Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins and Wayne Shorter have all had play-a-longs of their own compositions presented here in this series! Commemorating the 50th play-a-long in the series, here are the classic tunes Miles Davis made famous. Pianists and everyone else interested in piano voicings/comping, now have the extra advantage of being able to purchase all of Mark Levine?s piano comping transcribed note-for-note in the Volume 50 Transcribed Piano Voicings book! Rhythm section is Mark Levine, piano Todd Coolman, bass and Steve Davis, drums. All Blues - Nardis - So What - Eighty-One - Freddie Freeloader - Joshua - Milestones (New) - Blue In Green - Seven Steps To Heaven

Updated Edition-If you ever needed proof that a magazine can have a love affair with a musician you're holding it in your hands. For DownBeat the preeminent publication of the jazz world Miles Dewey Davis was one of its most cherished subjects. Since it began covering the jazz scene in 1939 no other artist has been more diligently chronicled in its pages than Davis.The beauty of this collection is seeing the development of an artist over time. The reviews of his music go from quietly introducing a new talent to revering perhaps the greatest jazz artist of his generation. The feature articles begin with a very young very polite Davis lamenting I've worked so little. Icould probably tell you where I was playing any night in the last three years. As he develops the interviews show Davis gaining confidence and stature showing swagger and becoming the over-the-top say-it-like-it-is showman that made every interview an event.The Miles Davis Reader compiles more than 200 news stories feature articles and reviews by some of the greatest writers in jazz into one volume. It delivers a patchwork of his words and music - in the moment as they happened. With several lengthy features added along with a dozen new photographs this new edition is a beautiful series of snapshots a year-by-year ride through the many phases of Davis as an artist and as a man.

Trumpet Play-Along Volume 6-With the Trumpet Play-Along Series you can learn to play your favourite songs on the Trumpet quickly and easily. Just follow the printed music listen to the included sound-alike recordings and hear how the Trumpet should sound and then play along using the separate backing tracks. This volume includes 8 Miles Davis favourites: Airegin Bye Bye Blackbird Doxy E.S.P. Half Nelson Move So What and Summertime.

Jazz Play Along Volume 7-Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period.

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Making music on Skype' Impossible' No, here is a printed world premiere for two violins composed by a violin playing globetrotter. The title Miles and More says it all and you will not be disappointed. Aleksey Igudeman's duets range from the Distance Indication to Miles Davis. Performance tips and short stories about the origin of these miniature pieces complete this extraordinary volume. Us Two That's Why In the Moscow Airport Way up in the Skype Turkish Smiles Yodelling in Cancun Could You Play That Again' Fever of Passion Double Trouble Life

Jouez 8 chansons de jazz blues avec un groupe professionnel. Partitions pour instruments en Do, Sib, Mib et clef de Fa.
Inclus un CD avec 2 pistes par chansons:
- Piste démo complète
- Piste playback avec possibilité de séparer les parties de piano, basse et saxophone.
Vous pouvez aussi ajuster le tempo des chansons sans en changer la tonalité.
/ Jazz / Partition CD /

Intermediate/Advanced. The BLUES are BACK!! The blues are the basis of much modern music, and this volume highlights many of the different ways the blues are approached in jazz. There are a variety of feels, grooves, and tempos which will give you a good workout on the blues progression.
Rhythm Section: John Stetch (p). Rufus Reid (b). Akira Tana (d)

Jazz Piano Solos Series Volume 5-Jazz Piano Solos Series Volume 5: Cool Jazz contains sheet music for 24 tunes from the '50s and '60s jazz cats who invented cool including All Blues (Miles Davis George Benson) A Ballad (Gerry Mulligan Stan Getz) Con Alma (Dizzy Gillespie Stan Getz) and more.

The Harmonic Approach. Beginning where the previous book finished, the acclaimed tutor Barry Finnerty has created yet another classic Serious Jazz Book for jazz soloists of all instruments. Barry Finnerty has worked as a recording artist with jazz legends like Miles Davis, The Brecker Brothers and the Crusaders. Taking the musical talents of virtuosi like these as his inspiration, he explains the key to better improvisation through a melodic approach to chord changes, how they interact and how they are used in context. Finnerty describes the possible uses and harmonic functions of a single note, not just to enhance your playing ability, but to show you the possibilities inherent in a different, harmonic approach to looking at particular notes. He also goes into detail on how to achieve melodic command of all the possible extensions and alterations of chords, as well as variations on common chord progressions. The Serious Jazz Book 2 will also help you effectively and practically apply the harmonic knowledge that you learned in the first volume. Not only this, but Finnerty features a great number of melodic examples that use all the chords and progressions previously learned. In this way, Finnerty expands upon and develops his previous edition to create an acclaimed guide to playing Serious Jazz as a solo musician

Un volume fondamental dans l'étude de l'improvisation.John Laporta, professeur émérite à la Berklee School of Music, a enregistré avec les plus grands (Kenny Clarke, Miles Davis, Dizzie Gillespie, Woody Herman, Charles Mingus...)

Un volume fondamental dans l'étude de l'improvisation.John Laporta, professeur émérite à la Berklee School of Music, a enregistré avec les plus grands (Kenny Clarke, Miles Davis, Dizzie Gillespie, Woody Herman, Charles Mingus...)