Vivaldi A. - Concerti In Sol Min. Rv 531 - Conducteur

Music Minus One Flute-BOCCHERINI Concerto in D major VIVALDI Concerto No. 2 in G minor 'La Notte' MOZART Andante for Flute and Strings On one album MMO we bring you two classic concerti of the Italian Baroque and one classical 'goodie' from Mozart. Boccherini's D-major concerto is magical Vivaldi's 'La Notte' is a well-known concerto full of its composer's trademarks and Mozart's well-known Andante for strings is a lovely work. A magnificent collection of music which will bring you years of enjoyment. Includes a high-quality printed music score and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Performed by Jeffery Zook flute Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn

Par VIVALDI ANTONIO. L'Estro Armonico' Concerti Op. 3 Solo Violin and Piano/ Répertoire / Conducteur

RV429 RV435 RV440-Three wonderful Baroque flute concerto classics from Antonio Vivaldi. The RV435 G-major concerto comes from the famous Opus 10 collection and all three of these works represent Vivaldi at his height. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel and a second performance in full stereo minus the soloist. Performed by Vaclave Sykora flute Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens

Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale