Very Special Sacred Songs: Organ: Instrumental Album

Par NIX BRAD. Sing and Celebrate 10! honors the tenth anniversary of this outstanding series for sacred, younger elementary choirs! This special, multi-purpose volume contains 2 Mini-Musicals or 10 Stand-Alone Anthems for use throughout the church year. Each mini-musical provides five songs with age-appropriate scripts plus flexible suggestions for sets, props, staging, costumes, and cast assignments. The songs in each mini-musical may also be sung separately as individual anthems. Sing and Celebrate 10! comes packed with creative lesson plans, teaching resources, and rehearsal planning ideas necessary for building a successful, engaging choir program-in one value-packed Book with digital download access! Digital downloads include accompaniment and performance tracks, reproducible singers\' pages, supplemental teaching resources, and colorful PDF song charts for projection options. Like every volume in the series, Sing and Celebrate 10! promises to nurture the musical and spiritual growth of your singers to last a lifetime. Included in this volume are Creation Celebration! (General Mini-Musical) and The Greatest Gift of All (Christmas Mini-Musical). Also available in the Sing and Celebrate! series: the original Sing and Celebrate! (35028238), Sing and Celebrate 2! (35028755), Sing and Celebrate 3! (35029219), Sing and Celebrate 4! (35029809), Sing and Celebrate 5! (35030476), Sing and Celebrate 6! (35031059), Sing and Celebrate 7! (35031739), Sing and Celebrate 8! (35032293), Sing and Celebrate 9! (00295391) / Date parution : 2022-06-14/ Recueil / Choeur à L\'Unisson

19 of the Best and Most Beloved Hymns & Spirituals-Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns & Spirituals is a truly special collection of gospel favorites drawn from the traditions of many faiths and cultures.Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns & Spirituals brings a delightful mix of treasured worship songs songs of praise and petition hymns of joy and thanksgiving spirituals that have given strength and endurance through life's journeys and challenges.Solemn and sacred songs are presented with glorious melodies and inspirational lyrics. Light-hearted and jubilant songs celebrate blessings received and the anticipation of heaven's?golden shore.? But there are sad numbers too that recall trials and suffering the oppression of slavery and bondage and the sustaining faith to overcome.Hallelujah Ukulele: 19 Of The Best And Most Beloved Hymns & Spirituals contains basic melodies with notes and tablature exciting creative harmonies chord symbols and large easy-to-read diagrams and selected solos and lyrics.If you've never tried gospel songs on your ukulele now is the time. You're in for a great treat a rich and rewarding experience to enjoy personally and to share with family and friends.

Das Liederspiel. Par HUMPERDINCK ENGELBERT. When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin. Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric” Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]”. She enclosed the corresponding verses with the letter and “for fun” also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April. This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment” (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note (E flat) instead of on the four notes of the chord.” The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form. / Niveau : Intermédiaire / Répertoire / 2 Voix et Piano