Tunes from 17th Century Scotland Arranged for Flatpicking Guitar

A lively and wide-ranging collection of great tunes from all around England, suitable for playing on piano accordion, melodeon and other squeezeboxes!

Included are many well-established favourites for dance bands and informal sessions, plus some lesser-known gems and recent compositions. Reels, jigs, hornpipes and slow airs drawn from the 17th Century to the present day, with chord suggestions, background information on the tunes and detailed guidance on how to get the best out of this vibrant music. / Musiques du monde / Partition CD / Agrafé /

With Online Audio-Originating from the 17th century the Mandolin has a fascinating and varied history. This versatile instrument was a favourite of Mozart's and has been used extensively in classical and traditional music around the world forgenerations. In recent years the Mandolin has enjoyed renewed popularity thanks to artists such as Jack White Muse The Lumineers Mumford And Sons and Arcade Fire. 50 Tunes For Mandolin contains 50Bluegrass Old Time and Celtic tunes that are perfect for ensembles families or individuals. The Mandolin classics in this collection vary in difficulty from simple to advanced providing players with an enjoyable repertoire thatwill grow with them as they refine their musical technique. The pieces in this book are designed for flatpicking on the Mandolin. This style of playing prevalent in Celtic and Bluegrass music features fast soloing with asingle flat pick. All parts are written in both Mandolin tablature and standard notation. 50 Tunes For Mandolin includes access to online audio tracks featuring every tune in the book recorded by a fullband.

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

This delightful collection of tunes from Playford's great 17th-century anthology The Dancing Master is a valuable addition to the recorder repertoire. For the convenience of teachers and as a guide for less experienced players the tunes have been carefully graded according to the notes they use and to their relative difficulty within the group. In playing these terrific country dance tunes students can develop their technique in a fun way. This edition includes selections for the ABRSM Descant Recorder examinations grades 2 and 3.

Par FARKAS FERENC. The musical material for these pieces was taken from the 17th century Kulcsar Melodiarium (Sarospatak, 1770), Novak Melodiarium (Sarospatak) and Patak Melodiarium (1798). Both the Latin and the Hungarian versions of these short character pieces were set to music. The cycle provides a good picture of the lives of the maturing students.The tunes reflect the many bonds that tied 18th century Hungarian music to the European musical culture of the time, while they also show signs of typical Hungarian character./ Feuillet / Choeur Mixte

THE JACOBEAN COLLECTION, Volume I: 18 Pieces for alto recorder and keyboard, ed. Larry Bernstein. This anthology fills an important gap in two ways: there is relatively little easy music for alto and continuo, and practically nothing from the 17th century. Dances by Horne, Adson and Dowland, some very lively masque tunes, and a magnificent set of variations, Dr. Bull's Ground. Score and part

The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost providing a comprehensive volume for this extended liturgical period. The pieces—largely based on well-known hymn tunes—vary in style and length suiting a range of purposes from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part of the church year.34 pieces for manuals and pedals suitablefor use from Lent through to PentecostSeven brand-new commissions by important names such as David Briggs Naji Hakim and Francis JacksonA variety of musical forms including preludes toccatas fanfares and variationsCovers 17th to 21st centuries from major historic organ composers including Scheidt Mendelssohn and Reger through 20th-century luminaries Harris and Leighton to contemporary figures such as Malcolm Riley David Bednall and Christopher TamblingOriginal organ compositions plus new arrangements of favourites from Handel's Messiah and J. S. Bach's St Matthew PassionAn index of hymn tunes and pieces arranged in liturgical order

In this DVD performance Ronn McFarlane plays a number of his own Lute compositions a well as music of the 16th and 17th centuries.From the Middle Ages through the Age of Enlightenment lutenists wrote andperformed their own music along with the popular music of their time. By the end of the 18th century this tradition was broken as the Lute gradually fell out of favor. Reviving the centuries-old tradition of lutenist-composers Ronn's work points the way to the Lute's future. While treasuring the Lute music of the past he also creates new music for the 10-course lute blending ancient and modern styles. Like many ancient works for the lute his musictreads the borderline between classical and popular music.The sum of his own musical experience Ronn McFarlane's new music reveals the Lute for what it is: a timeless instrument responsive to poetic music makingof any century. Ronn McFarlane also discourses on the history and playing techniques of the Lute and the tradition of the lutenist performing his own compositions in conjunction with popular tunes of the times. Hispieces are often quite modern in harmonic and rhythmic structure-yet lie exceptionally well on this ancient instrument.