Trumpet Tune (Organ Solo)

Throughout the years the sound of the trumpet has been symbolic of great entrances and celebrations. That sound is featured in this work and may be played by the organist or a trumpet soloist. Truly a festive work this is a joyful and exciting piece which is advanced in difficulty. Perfect for wedding processionals!

The Trumpet enjoys a popularity today probably not exceeded in any other period of its long history as a solo instrument. During the 17th and 18th cenuries it was accorded special treatment by composers such as Purcell Handel and Bach. This book gathers together some of the most popular and some less well known pieces in celebration of the trumpet. Thirteen fabulous Solos for Trumpet with Piano or Organ accompaniment.

Organ score with solo parts In C B-Flat E-Flat F.The series ?Organ Plus One? contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements.The editions include solo parts in C Bb Eb and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists.The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and are fun to play for church services musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee success for both organists and instrumentalists.The contents of the volumes correspond to the seasons of the church year:- Advent/Christmas- Passion/Easter- Epiphany/Whitsun/Pentecost- Death and Eternity/Funerals- Praise and Thanks- Divine Service- Communion- Special Services (baptisms/weddings)

The Boosey Brass Method- Trumpet/Cornet Book 1 is a fantastic way to start playing your Trumpet and has been designed to be used in lessons and all the playing in-between! Each level contains a wide variety of solo and ensemble music for you to add to your playing repertoire and also to build confidence by playing with others. The Boosey Brass Method will help you learn to play your instrument and learn to make music! The flexible ensemble arrangements are suitable for any number of players in mixed instrument groups which is also important for classes with a mix of ability age and experience. Everything is fully and plainly explained allowing fordetailed class interaction or private study. There are breathing and rhythm exercises musical activities such as quizzes and clapping games all to help improvising and composing. This method is set into carefully considered portions; stages which allowed for structured progress without being too formal and rigid. With all the activities each stage is fun and suitably challenging to yield the best results from students. There are invaluable Audio CDs containing performances demonstrations backing tracks and listening activities. These give perfect examples of how things should sound as well as helping to inspire and motivate students on to bigger and better things! This versatile volume has been specifically written for Trumpet or Cornet in B-flat and everything is covered here from holding your instrument and first notes to playing a tune solo together in an ensemble and beyond!

Ten hymns arranged for solo trompet with an accompaniment suitable for piano organ or other keyboard instrument. Includes such famous hymn tunes as Aberystwyth and Maccabeus together with other less well known melodies. Words are included in the accompaniment part.

These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for violinists of grade 1 to 2 standard. Features easy Violin solos with Piano accompaniment.ChristopherTambling (b.1964) studied the Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with GeoffreyWebber and David Sanger and was Organist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth inScotland also taking on roles of Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know - Violin Book Two includes Autumn from ‘The Four Seasons’ Ave Verum Corpus Daisy Daisy Give Me Joy In My Heart Greensleeves Land Of Hope And Glory Morning Has Broken Ode To Joy From ‘Choral Symphony’ Skye Boat Song Swing low Sweet Chariot To Sylvia Trumpet Minuet Panis Angelicus Pavan and Widdecombe Fair.

Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire de la personne et l'enseignement de groupe plus facile, plus intégrée et plus efficace. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que le développement technique et musicalité. / Saxophone Et Piano

This work was commissioned by St Dunstan's College South-East London for the celebration of its centenary in 1988. It is an anthem and uses a setting of Psalm 100. The work has three main sections (fast-slow-fast) and is essentially jubilant in nature. After a brief instrumental introduction the choir enters using as its text the first two verses of the Psalm. This reaches a climax on the word singing after which the music subsides into the serene key of C major for female voices only to sing a reflective tune on the words Know ye surrounded by various counter melodies on solo horn and trumpet. Male voices then take over this tune (inverted) and the final comment isleft to unaccompanied choir leaving sopranos on a held low D. At this point the last section begins. The mood is set by Organ and Percussion the style takes off its hat to minimalism with multi-layered textures underpinning the choral unison on the word Enter. Eventually the tonality heads towards G major and a reprise of the opening music with a coda full of energetic exuberance.