Format : Score and Parts
SKU: HL.14043068
6.75x9.75x0.105 inches.
The Song Sung True was expertly composed by Judith Weir . The piece was commissioned by Lawyers' Music, in memory of Helen M. Sibthorp , singer and promenader. The first performance of The Song Sung True was on the 4th December 2013, at St Lawrence Jewry, London, performed by London Lawyers' Chorus and conducted by Christopher Oakley. Judith Weir is a British composer, best known for her Operas and Theatrical works, although she has also achieved international recognition for her Orchestral and Chamber works. Weir 's music is often created from ideas from medieval history, as well as the traditional stories and music of her native Scotland.
SKU: HL.14047918
ISBN 9781783059348. 9.25x12.0x0.45 inches.
Kaija Saariaho's True Fire for Baritone Solo and Orchestra was commissioned by the Los Angeles Philharmonic Orchestra, NDR Sinfonieorchester, BBC Symphony Orchestra and Orchestre national de France.
The world premiere took place on 14 May 2015 at the Walt Disney Concert Hall, Los Angeles, performed by Gerald Finley (Baritone), with the Los Angeles Philharmonic Orchestra, conducted by Maestro Gustavo Dudamel.
SKU: HL.283938
UPC: 888680796761. 5.0x5.0x0.185 inches.
The husband and wife songwriting team of Kristen Anderson-Lopez and Robert Lopez composed brand-new songs for the 2017 debut of Frozen on Broadway. True Love highlights the plight of the heartbroken Anna at her most vulnerable, giving your choir a chance to sing a sweeping, lyrical lament with meaning.
SKU: CA.1632607
ISBN 9790007108120. Language: all languages.
Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II lineaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it. This impression was the starting point for a creative work which has since become a kind of a project to which I will dedicate myself throughout my life. Since that time of my first discovery (in which hundreds of pages of sketches and a published excerpt of a score of a syntagma have been composed, namely << monstrueuse vecut dans le cadre >> la memoire) I have attempted to develop a new musical system that encompasses all the parameters of composition. All of these works which I have composed are independent from this enormous project, but at the same time they form the experimental laboratory for the all-encompassing musical system towards which I am working and developing: a new system of determining pitches, metre, dynamics, musical diction, manner of performance, etc. With << monstrueuse vecut dans le cadre >> la memoire it appears that the research for this project has been concluded. After the two large cycles << Les Georgiques >> on texts from Claude Simon and << Tristram Shandy >> from Laurence Sterne, both employing techniques from my work with Albiach's texts, I could finally compose this work, which was originally conceived for voice and 6 instrumental groups - the system was mastered, so to speak. Anne-Marie Albiach's establishes the genetic code for the piece, without the words having to be spoken.. Her text is, in the true sense of the word, measured from one syntagma (syntactical element), from one void (space) to another, and this results in temporal structures of ensemble texture. This is opposed to another texture, which is the temporal measurement of a recitation of the text by the author: her voice, using the range of her voice, is the viola solo - a recitation, in its unique individuality, on which the cold, typographical structure of the ensemble superimposed. Every time I read a text of Anne-Marie Albiach, it seems to me that she is saying that which I do. An extremely rare coincidence, like that with the violist Odile Auboin, the soloist, who I think works in the same manner and has the same approach to things. Score available separately - see item CA.1632600.
SKU: CF.CM9567
ISBN 9781491153642. UPC: 680160911141. 6.75 x 10.5 inches. Key: A major. English. Traditional with additional lyrics by Michael John Trotta.
Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble. Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike. Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble. Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike. Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.Conceived as a work for emerging choirs looking for a positive message that affords opportunities to develop musical skills within appropriate ranges, this work is easy to learn, fun to sing, and offers many options for the growing choral ensemble.Whether chosen for its close harmonies, optional a cappella middle section or rhythmic vigor, Whatever Is True is a favorite with choirs and audiences alike.Optional claps and stops afford opportunities to underscore the rhythmic intensity of the final section whether performed a cappella or with the piano accompaniment.
SKU: FG.55011-874-4
Tiina Myllärinen's (b. 1979) (Bad) Dreams come true for strings quartet (2022) was composed when war broke out in Europe. The composer tells: The shock, and the daily news barrage of battles could not help making an impression on my work and its material. I wondered what dreams and plans people had in Ukraine before the war, and how everything became a nightmare in a single night. Terror, fear and tension found their way into the work, along with memories of life in the past and dreams of a different future. The work is dedicated to the people of Ukraine; to the dreams that will hopefully soon come true.This product includes the full score and a set of parts.Tiina Myllärinen’s music has been described as cheerfully inquisitive, vigorous and original. Her works include Squarcio for ensemble, the orchestral what? (2010) and Traces (2013, commissioned by the Pro Musica Foundation and premiered at the Helsinki Music Centre on 5 June 2014) and Three Songs for voice, guitar and cello (2007).
SKU: BT.MUSAM1000868
ISBN 9781849385893.
This great songbook features a selection of the best music from Season 1 of the hit show Glee. Re-live all the great moments as a group of ragtag performers is transformed into a Show Choir Nationalscompetingteam.Features time-proven classics as well as modern hits, including the Bill Withers soul classic, Lean On Me, My Life Would Suck Without You by Kelly Clarkson, Cyndi Lauper's hit, TrueColoursand the hit single, Don't Stop Believin', originally by Journey.
SKU: OU.9780193566033
ISBN 9780193566033. Other inches.
For SATB and piano Mack Wilberg has arranged the well-loved Irish folk melody Londonderry Air, setting to it the words of Howard A. Walter's poem 'I would be true'. Alternative words to the second and third verses by David Warner are also included.
