Trio Sonata for Flute, Violin and Continuo BWV 1038

Sonata per il Flauto, Violino e Basso. Trio fürs Clavier mit einer Violine oder Flöte. Deux oeuvres extraites de Musikalisches Vielerley publié par Carl Philipp Emanuel Bach.Edition : Hamburg, M.C. Bock, 1770oeuvres publiées en partition.La sonate peut de jouer, soit avec une flûte, un violon et une basse continue - soit avec une flûte et un clavecin.Le trio peut se jouer soit avec une flûte et un clavecin - soit avec un violon et un clavecin. / Flûte Traversière Et Clavecin, Oeuvres Pour Instruments Divers Ad Libitum Dont La Flûte Traversière, Sonates En Trio Pour Violon Et Instruments Divers, Violon Et Clavecin, Clavecin Et Violon / 28 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano

Triosonate c-Moll für Flöte Violine und Basso Continuo-Trio Sonata in C minor for Flute Violin and Basso Continuo.

Composed in Berlin in 1747 Carl Philipp Emanuel Bach's Trio Sonata In A Minor Wq.148 is a superb work for chamber group. For Flute Violin (or Oboe) and Continuo - Piano (or Cembalo) with Cello (or Bassoon) - this work is ideal for recital or concert performance.Available here is the score with Flute Violin (or Oboe) and Cello (or Bassoon) parts.

Johann Sebastian Bach's Trio Sonatas - Volume 1 arranged for Flute and Violin with Piano accompaniment also includes part for Cello ad lib.

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

7 Canzons ? Tarquinio Merula
Sonata concertate, from Libro terzo, op. 12
for 2 recorders (violins) and b.c.
Edited by Joachim Arndt and Claudia Schweitzer, score and parts
Perfectly structured and joyful chamber music of Early Italian Baroque
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

Georg Phillipp Telemann's Trio Sonata In G for Flute Violin and Continuo edited and arranged by Karl Grebe.

Scheibe’s three sonatas for flute (or violin) and obbligato harpsichord were published by Haffner in the late 1750’s but were probably composed much earlier; they contain a significant quantity of elaborate imitative writing that is out of character with Scheibe’s later music. Although rooted in the same tradition as the sonatas for flute and obbligato harpsichord by J.S. Bach C.P.E Bach and composers at Berlin court of Frederick the Great these are more substantial works each having four movements in the traditional slow-fast-slow-fast scheme. For the most part they are trio sonatas the right hand of the harpsichord acting as the secondtreble voice but several movements feature idiomatic writing for the keyboard. Also interesting is the large amount of ornamentation called for particularly in the harpsichord part. While Scheibe disapproved of the excessive embellishments that Bach actually wrote into his melody lines these sonatas are nonetheless heavily ornamented albeit through the insertion of notational symbols; in addition to turns and mordents Scheibe uses no less than three different trill symbols!

G. Ph. Telemann's Trio Sonata in E Minor for Flute Violin and Continuo. Also suitable for Oboe.