Trio For Horn, Violin, And Piano

Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a work of considerable significance within the composer?s output. Up until now the work was believed to have a strong emotional connection to the death of his mother three months earlier.However Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio movement some twelve years earlier in 1853 and that it was originally intended for solo piano. This piano movement is printed in the appendix.This Urtext edition offers notonly the standard instrumentation of violin horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.The introduction (Eng/Ger) describes the compositional process includes information on the performance and publication history of the work and offers comments on performance practice. A critical commentary with facsimile pages of the manuscript rounds off this pioneering edition.Appendix with the 1853 piano version of the trio movementIncludes alternative parts for violoncello and viola

This is an exciting chamber work for Horn Violin and Piano composed by John McCabe in 1967. This expressive and adventurous work will provide an enjoyable challenge for your chamber group.The Horn in F and Violin parts are included on separate inserts.

Six Pieces for Horn Violin and Piano by Hans Abrahamsen. Programme Note  My ’6 Pieces for horn violin and piano’ was written in 1984 as a commission from the Danish Radio for a concert where Ligeti’s Horn Trio should receive its Danish premiere played by Danish musicians. My trio is based on my work ’Studies for Piano’. While I wrote these studies I tried to ’conjure up’ instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by ’screening them’ so that their partsand moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared beginning with a steadyly hesitating ’Serenade’ in slow-motion followed by the ’Arabesque’ which hardly gets started before it stops. Then ’Blues’ a melancholy melody and ’Marcia Funebre’ like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn a melody that disappears in the chords of the piano. Before the last movement ’For the Children’ is a large ’Scherzo misterioso’. Hans Abrahamsen

Commissioned by Chamberosity, Eric Ewazen's Trio for Horn, Violin, and Piano pays homage to Brahms' work for the same instruments. Ewazen's four movements are modeled after the Brahms, with a slow-fast-slow-fast scheme. A mysterious first movement accumulates depth and momentum, then returns to the gentle world of the opening. The second movement is a rip-roaring scherzo, with melodies tossed between the violin and horn. The melancholy third movement features long lyric melodies, and the final movement, following an austere introduction, turns into a grand fugue, full of life and excitement. For advanced performers. / Partitions classique / Ensemble et orchestre / Musique de chambre / THEODORE PRESSER COMPANY

Haydn’s charming and sole Piano Quintet is for such an unusual combination of instruments - two Horns and Piano trio - that hardly any musicians are familiar with it. Horn players will get theirmoney’s worth in this very early work by Haydn (ca. 1765) and pianists and String players are also kept busy. Our edition is based on the flawless musical text in the Haydn Complete Edition. We hope that a greatmany Horn players will discover our edition and that the work will finally be able to emerge from the shadows!

Includes alternative parts for Viola and Cello as well as Piano Violin and Horn.

Near Still Distant Still - Original Version for Violin French Horn and Piano was composed by Pelle Gudmundsen-Holmgreen in 2005.The present Horn Trio is an adaption of material used earlier in Near and far / Nær og Fjern(decet 1987) which is an adaption of material used earlier in the original trio ENCOUNTERS AND DREAMS (vl/cor/perc 1979)

Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon