Format : Octavo
SKU: MN.50-7053
UPC: 688670570537. Scripture: Psalms 100.
A combination of two traditional texts: Psalm 100, All creatures that on earth do dwell, and Flower Carol from Piae Cantiones, 1582 as translated in the Oxford Book of Carols. The composer opens the setting with the OLD HUNDREDTH tune set in a triple meter, then quickly moves to an original melody as the Flower Carol text begins. This anthem can be used as a way to combine youth or children choirs with adult choirs. A creative setting.
SKU: C4.9790902260473
ISBN 9790902260473. 8.27 x 11.7 inches.
Forming part of the A Distant Music anthology, Praise: Psalms and Prayers 1 showcases 20 sacred choral works by Australian composers, most published here for the first time.Containing a variety of accompanied and unaccompanied works, Praise: Psalms and Prayers 1 offers choirs access to quality Australian sacred music. Settings include texts from the Book of Psalms, well-known prayers as well as a spiritual poem by Australian Erica Jolly.The 90-page volume covers a range of abilities and variety of compositional styles.
SKU: CA.4007204
ISBN 9790007170516. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Schumann assesed in 1837 that Psalm 42 was the highest point that he [Mendelssohn] reached as a composer for the church. Indeed the highest point recent church music has reached at all. This work is now available in carus music, the choir app! Score available separately - see item CA.4007200.
SKU: MN.50-7043
UPC: 688670570438. Scripture: Psalms 29:1-2.
The text for this composition is a combination of a text by Carl P. Daw, Jr. and Psalm 29:1-2. The composer has written a singable hymn tune that may be used by choir or congregation. The piece begins with a choral fanfare followed by a majestic setting of the hymn, with a contrasting middle section. Brass parts available separately.
SKU: CA.314390
ISBN 9790007176037. Key: E flat major. Language: German.
SKU: MN.80-820
UPC: 688670808203. Scripture: Wisdom 16:20; Psalms 78.
This communion processional has texts based on Wisdom 16:20 and Psalm 78, and is set for SATB choir, Assembly, piano or organ, optional violin (or other C instrument) and guitar. It has its roots in Panem de caelo (Bread from heaven), one of seven communion antiphons in the Graduale Romanum that are suggested for general use at communion. Guitar plays from the choir score.
SKU: CA.3107649
Key: C major / a minor. Language: German/English.
The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.
SKU: CA.3107615
SKU: CA.134900
ISBN 9790007003081. Key: G major. Language: Latin.
SKU: CA.708300
ISBN 9790007013738. Key: C minor. Language: German.
SKU: CA.707900
ISBN 9790007013691. Key: A minor. Language: German.
SKU: CA.1018819
ISBN 9790007189785. Language: German.
Score and parts available separately - see item CA.1018800.
SKU: CA.3107605
ISBN 9790007044916. Key: C major / a minor. Language: German/English.
The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score available separately - see item CA.3107600.
SKU: CA.1018805
ISBN 9790007021665. Language: German.
Score available separately - see item CA.1018800.
SKU: CA.3101705
ISBN 9790007042110. Key: A major. Language: German/English.
Score available separately - see item CA.3101700.
SKU: CA.3107607
ISBN 9790007044923. Key: C major / a minor. Language: German/English.
SKU: CA.3107609
ISBN 9790007044930. Key: C major / a minor. Language: German/English.
The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.
SKU: CA.3107611
ISBN 9790007044947. Key: C major / a minor. Language: German/English.
SKU: CA.3107612
ISBN 9790007044954. Key: C major / a minor. Language: German/English.
SKU: CA.3107613
ISBN 9790007044961. Key: C major / a minor. Language: German/English.
SKU: CA.3107619
ISBN 9790007134082. Key: C major / a minor. Language: German/English.
SKU: CA.3105107
ISBN 9790007244989. Key: C major. Language: German/English.
The original occasion for the composition of Cantata BWV 51 is not known. The unusual festive scoring with trumpet and solo soprano, and the virtuoso demands of these parts seem to indicate a special occasion, such as New Year, a town council election or the birthday of a prominent person. Bach only added the liturgical designation of the 15th Sunday after Trinity to the titlepage of his score later. The text is directed to the praise of God and thanks for the goodness he has shown, combined with a plea for support in the future. The chorale verse Sei Lob und Preis mit Ehren is not a typically straightforward four-part setting, but is incorporated into an instrumental trio movement. Together with the following Alleluja, it forms a brilliant concertante conclusion to the work. New, revised edition. Score available separately - see item CA.3105100.
SKU: HL.35027330
UPC: 884088501211. 5x5 inches.
Uses: Trinity Sunday, GeneralScripture: Psalm 150; Psalm 43:4From our Cathedral Series comes an anthem of unbounded jubilation. Mixed meter and exciting syncopations fill the theme while articulating passages from the Psalms. The contrasting middle section is filled with expressive harmonies and lush choral writing. The piece ends with antiphonal voices echoing their praise and adoration.