Three Spanish Pieces

This set includes score and four parts. Please note that these pieces may be played by more than four cellos if desired. To facilitate this each cello part is also available separately. Three Spanish Pieces was originally published in 1977 by Oxford University Press. Duration: c.7-8 minutes.

50 Easy Pieces from 5 Centuries. Par . For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order. The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required. Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. / Niveau : Très facile / Date parution : 2021-12-09/ Recueil / Piano

Antón Garc a Abril is a Spanish composer and musician and has composed as many orchestral works as he has chamber and vocal pieces.Tres Canciones Espanolas simply translated as Three Spanish Songs has been expertly arranged for Vocal and Piano.

Spanish pianist and composer Isaac Albéniz (1860-1909) was a child prodigy. He passed the Piano entrance exam for the Paris Conservatoire at age seven but he was refused entry due to his young age. He composed many works containing Spanish influence Three Pieces for Saxophone Quartet being no exception. When he was 16 Albéniz studied at the Leipzig Conservatory and the Royal Conservatory of Brussels. His concert career saw him perform all over the world. The Three Pieces are 1) Love Song 2) Berceuse and 3) Summer. This collection adapted for Saxophone Quartet by Marcel Mule is asublime addition to the ensemble's repertoire.

New and Well-Known Pieces - Leicht. Par COLES PAUL. Vol. 2 of Paul Coles’ “Classical Guitar Album“ contains 28 easy and well-known pieces for the developing guitarist. Our author used accessible keys for all pieces and many classical guitar techniques so that practicing – whether in class or at home – is easy and makes fun. He also introduces playing techniques from different styles such as Flamenco. All three volumes include helpful playing instructions, fingering suggestions for both hands as well as a glossary of technical terms. / Recueil / Guitare

By Gaspar Sanz Arranged For Uke-This volume contains 20 pieces by the famous Baroque guitarist Gaspar Sanz (1640 - 1710) arranged specially for the Ukulele. Sanz' works are tuneful and memorable with fiery cross-rhythms and cascading scalepassages. He published three books of Guitar music.The baroque Guitar could be viewed as a close relative of the Ukulele. Indeed the two instruments have much in common. The smaller four-course Guitar actually had thesame tuning as the Ukulele for example although it was largely double-strung.Sanz enjoyed playing scales in the campanella style with the notes of a scale set out on different strings sonically overlappingslightly in the style of little bells. This is a technique the Ukulele excels at and is used to good effect in these arrangements.Sanz' music for baroque Guitar transfers exceptionally well to the Ukulele asthese arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the Ukulele just as the little instrument can bring a freshness to these old but lively pieces. Includesaccess to online audio.

Romantic piano music is particulary suitable for awakening and encouraging the pupil's desire to play with expression. In Volumes 2 and 3 of 'The European Piano Method' (ED 7931, 7932, 7933) this expressive, cantabile playing is particularly encouraged. The two romantic supplementary books are specifically intended to further these qualities.
All the great masters of the Romantic era, from Schubert to Reger, are represented by small yet typical pieces. There are no pieces from Schumann's 'Album for the Young' as the complete album is essential teaching material. / Partition /

George Gershwin's works incorporate elements of jazz, creating a rich style that is unmistakably American. This volume contains 18 pieces, including songs later published for solo piano, seven preludes for piano, and more. / Piano

Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language rooted in the traditional sounds of Spain has not managed to reach a large audience outside the Iberian peninsula although he is often called ?a musician of European stature?.The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end all available sources in the libraries of Astorga Barcelona San Lorenzo de el Escoreal Felanitx/Mallorca Jaca and Montserrat have been examined and newly evaluated.If Cabanilles?s oeuvre consists primarily of tientos organ hymns and versets the third and final volume contains three versos three pasacalles two galliards two toccatas and such special forms as Paseos de tercer tono Diferencias de Fol as and a Jácara.Final volume of the three-volume Urtext editionNew selection of pieces and musical formsExtensive trilingual Foreword (Ger/Eng/Sp) on the works sources and previous editions as well as notes on registration and contemporary organ building

June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano

Schmitz: Mini-Tango Tangissimo! It's not only our legs, but our fingers, too, that find the tango rhythm irresistible! Manfred Schmitz proves this in all 34 pieces of his Mini Tango. From the first Tango charlatán to the closing Adios Tango, a South American flair wafts through the pieces ? and their titles, which are also printed in Spanish. In the tangos for piano duet, the two parts are of equal difficulty. Altogether the palette ranges from very easy to medium difficulty. Tangissimo is a rewarding complement to the previous Mini Jazz (DV 31091-93) and Mini Rock (DV 31101 ? 03), both of which are published in three books. Table des matières 01 Parrot Tango 02 Penguin Tango 03 Evening Tango 04 Morning Tango 05 Little Tango Method I 06 Little Tango Method II 07 Sad Tango 08 Tango for Manuela 09 Tango for Pedro 10 Tell me a Story, Tango 11 Tango for TWO 12 ango on the Rainbow 13 Solo for ... 14 Little Tango Dream 15 Lonely dancing Girl 16 Tango for Elise 17 Tango Prelude I 18 Tango Scene 19 Tango-Intermezzo 20 Tango Fantasy 21 Melancholy Tango 22 Tango Aurora 23 Tango Serenade I 24 Tango Festival I 25 Tango Prelude II 26 Goodbye, Argentina 27 Tango Serenade II 28 Tango under a starry Sky 29 Tango Festival II 30 The Tango Pianist 31 Jasmine 32 Spring Tango 33 Black Rose 34 Farewell Tango

Amistad (the Spanish word for friendship) is a brief set of three pieces for two Flutes composed by Simon Holt in May 2013. It takes its form from the three syllables of the word a-mi-stad. Thefirst piece begins on the note A and the second piece on E (-mi-) and the final movement has four sections of equal length which take the individual letters as their respective starting points; S (Eb/D#) T (B) the return of Aand then D. Simon Holt has won numerous awards throughout his career for his compositions such as the Ivor Novello Classical Award and the British Composer Award. Having collaborated with the London Sinfoniettaand the Nash Ensemble Amistad is one in a long line of expertly composed and musically brilliant works. The piece as a whole is about 6 minutes long.

Book Six of In Recital with Christmas Favorites? reinforces concepts such as rhythmic patterns of dotted eighth notes triplets and sixteenth notes; pieces in simple compound and mixed meters ornamentation consisting of grace notes and trills. Technical challenges encompass one- and two-octave scales octaves rolled chords and hand-over-hand configurations. A delightful inclusion in this volume are three well-known Spanish carols. Early intermediate arrangements by Bober Brown Costley McLean Olson and Schultz.The accompanying CD contains full performances as well as play-along tracks.

'The award winning wind and brass tutor series. Learn As You Play provides everything you need from the first lesson up to grade three. A well structured course of exercises studies and pieces ensures a good grounding in technique and musicianship. Also available in Dutch French German and Spanish language editions.The edition is part of the ABRSM syllabus (grade 1 2 3).

Mike Seeger's important survey of 19th and 20th century banjo styles teaches old-time pieces and traditional techniques. Each lesson features a complete performance of each song (played on a different banjo) detailed instruction and historical commentary. This is the second volume and here Seeger concentrates on two and three finger chord accompaniment and picking styles. Songs include: Flop Eared Mule Lost Gander The Sailor and the Soldier American Spanish Fandango The Last of Callahan Lady Gay and more!