SKU: ST.LS4
ISBN 9790220205729.
CONTENTS Cease these false sports (solo and 5-part) Disdain me still (E - E) Far from triumphing court (D - E) From silent night (D - E) Galliard to Lachrimae (lute solo) Go nightly cares (C - D) If my complaints (C - E) If that a sinner's sighs (G - G) In darkness let me dwell (C - E) In this trembling shadow cast (F sharp - E flat) Lady if you so spite me (G - F) Lasso vita mia (D - E) Love those beams (F sharp - G) My heart and tongue were twins (A - A) Shall I strive with words to move (E - D) Stay time awhile thy flying (E - D) Sweet stay awhile (E - E) Tell me true love (D - D) Thou mighty God (D - E) To ask for all thy love (E - G) Up merry mates (solo voices and 4-part) Welcome black night (solo voice and 5-part chorus) Were every thought and eye (G - G) When David's life (E - E) When the poor cripple (E - E) Where sin sore wounding (A - G).
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
SKU: SP.TS180
ISBN 9781585604623. UPC: 649571101800.
Variety lies at the core of 83 Classified Piano Solos published by Santorella Publications. It combines eighty-three songs from seven different genres to form an incredibly unique product. From Hymns to Marches, Waltzes to Folk songs and Classics to Boogie, 83 Classified Piano Solos has everything that a beginning piano student needs. Boredom is a major obstacle to learning which students and teachers have encountered. They have found it extremely difficult to maintain interest when using a single resource. Often, supplemental materials are needed to keep study interesting and exciting since it is nearly impossible to find adequately diverse books. This adds a significant and unnecessary financial burden on both parties. 83 Classified Piano Solos from Santorella Publications is different. This best-selling easy piano title eliminates the need for costly supplemental materials while exploring many composers in varied genres and keeping study fun and interesting. To take full advantage of the variety, we strongly urge that you jump around from section to section and explore all that 83 Classified Piano Solos has to offer. This Jonathon Robbins best seller from Santorella Publications includes a performance CD which serves as a great tool for the beginning student. He or she can listen to a performance of each piece performed at the appropriate tempos, dynamics and stylings, then emulate this during their own performance, practice or study sessions. Just take a look at the incredibly diverse range of titles found in this great Santorella title: WALTZES - WALTZ (From, The Sleeping Beauty) - Tchaikovsky - EMPEROR WALTZ - Strauss - WALTZ IN A MINOR - Chopin, WALTZ IN Bb - Schubert - WALTZ IN C - Schubert - WALTZ IN C - Brahms - WAVES OF THE DANUBE - Ivanovici - WALTZ OF THE FLOWERS (From, The Nutcracker) - Tchaikovsky COWBOY MUSIC RED RIVER VALLEY - HOME ON THE RANGE - POOR, LONESOME COWBOY - GOOD BYE OLD PAINT - BIG ROCK CANDY MOUNTAIN - I'D LIKE TO BE IN TEXAS - THE COLORADO TRAIL - TO BURY ME NOT ON THE LONE PRAIRIE - WHOOPIE TI-YI-YO! (Git Along Little Dogies!) HYMNS ABIDE WITH ME - I NEED THEE EVERY HOUR - WHAT A FRIEND WE HAVE IN JESUS - ETERNAL FATHER - STRONG TO SAVE - HEAR OUR PRAYER - O LORD - I LOVE TO TELL THE STORY - ROCK OF AGES - COME, THOU ALMIGHTY KING - MY FAITH LOOKS UP TO THEE - NEARER, MY GOD TO THEE - HE LEADETH ME - ALL HAIL THE POWER OF JESUS' NAME - HOLY, HOLY, HOLY - SWEET HOUR OF PRAYER - IN THE SWEET BYE AND BYE - FAITH OF OUR FATHERS FOLK MUSIC BILLYBOY - ALOUETTE - ON TOP OF OLD SMOKY - CRAWDAD SONG - TURKEY IN THE STRAW - THE FARMER IN THE DELL - SKIP TO MY LOU - SHE'LL BE COMIN''ROUND THE MOUNTAIN - PUT YOUR LITTLE FOOT - JOHN PEEL - OH, WHERE HAS MY LITTLE DOG GONE - MARY HAD A LITTLE LAMB - FOR HE'S A JOLLY GOOD FELLOW - POLLY WOLLY DOODLE MARCHES THE STARS AND STRIPES FOREVER - AMERICAN PATROL - MARCH OF THE PRIESTS (From, Athalia) - GRAND MARCH (From the Opera, Aida) - DIXIE - THE MARINES' HYMN - SOLDIER'S CHORUS (From the Opera, Faust) - HAIL TO THE CHIEF - ANCHORS AWEIGH - THE THUNDERER CLASSICS CRADLE SONG - Brahms - TURKISH MARCH (From, The Ruins of Athens) - Beethoven, NOCTURNE IN F - Chopin - MINUET IN G - Bach - MUSETTE - Bach - FANTASIE IMPROMTU - Chopin - GAITE PARISIENNE (Can Can) - Offenbach - THEME FROM SURPRISE SYMPHONY - Haydn - MARCHE MILITAIRE - Schubert - UNFINISHED SYMPHONY THEME - Schubert - LARGO (From the Opera, Xerxes) - Handel - TOREADOR SONG (From the Opera, Carmen) - Bizet - JUNE - Tchaikovsky - BRIDAL CHORUS (From the Opera, Lohengrin) - Wagner - BARCAROLLE (From, The Tales of Hoffman) - Offenbach, HALLELUJAH CHORUS (From, The Messiah) - Handel - LA DONNA E MOBILE (From the Opera, Rigoletto) - Verdi. BOOGIE WOOGIES (Jonathon Robbins) BOOGIE WOOGIE BLUES - DOODLIN'- RIDE THE BOOGIE WOOGIE TRAIN - THE LAZY BOOGIE WOOGIE - ONE NOTE BOOGIE - MR. BOOGIE WOOGIE - THE NON-STOP BOOGIE - THE HORSE BACK BOOGIE.
SKU: BT.DHP-1135393-140
9x12 inches. English-German-French-Dutch.
This work brings fragments from three of Giuseppe Verdi’s operas together in a single composition. Opening the work is the Triumphal March from Aida. Next come two notable motifs from La forza del destino, before the famous Anvil Chorus from Il Trovatore. Wil van der Beek’s arrangement for concert band is a rousing hit with opera melodies that everyone knows and loves. In dit werk heeft Wil van der Beek een aantal beroemde fragmenten samengevoegd uit een drietal opera’s van deze Italiaanse componist. Hij start met de Triomfmars uit A da (maat 1-84). Daarna volgen een tweetal markante motieven uit La forza del destino (maat 85-140). Tenslotte weerklinkt het bekende Zigeunerkoor, ook wel Aambeeldkoor genoemd (maat 141-193) uit Il Trovatore. Verdi op zijn best! In diesem Werk treffen Fragmente aus drei bekannten Opern von Giuseppe Verdi aufeinander. Den Auftakt macht der Triumphmarsch aus Aida. Danach folgen zwei markante Motive aus La forza del destino, bevor der berühmte Zigeunerchor aus Il trovatore erklingt. Wil van der Beeks Arrangement für Blasorchester ist ein stimmiges Wiederhören“ mit Opernmelodien, die jeder kennt und liebt. Cette oeuvre rassemble trois fragments de trois célèbres opéras de Giuseppe Verdi. L’éclatante ouverture est donnée par la Marche triomphale extrait d’A da, suivie par deux motifs distincts de La force du destin, auxquels succèdent le célèbre refrain gitan du Trouvère. L’arrangement pour orchestre d’harmonie de Wil van der Beek est une scintillante reprise de cette incontournable musique d’opéra, connue et aimée de tous. Questo brano raggruppa tre frammenti di altrettante celebri opere di Giuseppe Verdi. La spumeggiante apertura è assicurata dalla Marcia Trionfale estratta dall’Aida, seguita da due motivi distinti da La forza del destino che anticipa il celebre refrain del Coro dei Gitani da Il Trovatore. L’arrangiamento per banda di Wil van der Beek è una riuscita rivisitazione di questa intramontabile musica operistica, conosciuta e apprezzata da tutti.
SKU: BT.DHP-1135393-010
SKU: BT.DHP-1115078-030
This three-part Easy Baroque Suite has been written for flexible instrumentation, making it possible for almost any instrument to participate. Robert van Beringen made sure the level of difficulty was appropriate for youth and school bands. The suite combines the Voluntary by Jeremiah Clarke, Menuett by Johann Krieger, Spring from Vivaldi’s Four Seasons and the Hallelujah Chorus from Handel’s Messiah. Een écht barokconcert geven? Met deze suite voor een driestemmige variabele bezetting kan het! Robert van Beringen schreef een arrangement dat hij niet alleen qua bezetting aanpaste maar ook qua moeilijkheid geschikt maakte voor jeugdorkesten.Easy Baroque Suite is een arrangement van Voluntary van Jeremiah Clarke, Menuett van Johann Krieger, Lente uit de Vier jaargetijden van Vivaldi en de Hallelujah Chorus uit de Messiah van Handel.Eine dreistimmig variable Besetzung kann mit dieser Suite ein kleines Barock-Konzert aufführen: In seiner nicht nur besetzungstechnisch, sondern auch vom Schwierigkeitsgrad Jugendblasorchestern angepassten Suite verarbeitete Robert van Beringen das Voluntary von Jeremiah Clarke, ein Menuett von Johann Krieger, den Frühling aus Vivaldis Vier Jahreszeiten und den Hallelujah Chorus aus Händels Messiah. Tout ensemble instrumentation variable pourra remarquablement s’illustrer avec cette suite trois voix de style baroque, qui rassemble les thèmes suivants, Voluntary (Jeremiah Clarke), Menuet (Johann Krieger), Le Printemps (Antonio Vivaldi) et l’Hallelujah Chorus extrait du Messie de Haendel, dans un arrangement facile réalisé par Robert van Beringen. Una suite a tre voci, composta dai seguenti temi: Voluntary (Jeremiah Clarke), Menuett (Johann Krieger), La Primavera (Antonio Vivaldi) e l’Hallelujah Chorus, estratto dal Messia di Haendel.
SKU: BT.DHP-1115078-216
