Thème Et 6 Variations (HINDEMITH PAUL)

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Le répertoire solo pour Tuba prend forme dans les années 1950, avec la Sonata de Paul Hindemith et le Concerto de Ralph Vaughan Williams. Bien que ce répertoire se soit considérablement développé dans les cinquante dernières années, il reste encore relativement restreint. James Curnow l'a enrichi d'une Fantaisie en thème et variations qui permet au tubiste de dévoiler la palette sonore et la technique instrumentale dans un environnement plaisant. / Tuba Et Piano / 24 pages / niveau : Moyen / Partition

Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and piano Nombre de Pages : 64 The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable lining for cold weather. Second movement with a tricky rhythm to which one has to creep up carefully in order to master it. In the last movement which consists of two variations on an already fully developed rondo movement...' Hindemith shows again the wide range of his compositional and formal brilliance. New edition based on the text of the Hindemith Complete Edition.

Variations Edition : study score Instrumentation : Orchestra Date of Composition: 1932 Duration : 23' Date of Publications : 30/06/1976 Number of Pages : 72 Contenu Thema • Erste Variation • Zweite Variation • Dritte Variation • Vierte Variation • Fünfte Variation • Letzte Variation

Edition : piano reduction with solo part Instrumentation : viola d'amore and chamber orchestra Date of Composition: 1927/30 Duration : 19' Date of Publications : 19/12/1983 Number of Pages : 37 Contenu - Mäßig schnell, majestätisch - Doppelt so schnell - Langsam - Sehr zart und ruhig - Im Hauptzeitmaß - Variation, Sehr langsam, frei im Zeitmaß - Lebhaft, wie früher