SKU: BT.SCHBB4000668
SKU: A2.GMP014
ISBN 979-0-58039-013-4. 8.5x11 inches.
This volume features nine theme-and-variation sets composed in the early through mid-nineteenth century by Jan Ladislav Dussek (1760-1812), Otto Dresel (1826-90), and American composers of the early nineteenth century. Based on a variety of popular songs and dances of the period, as well as on original themes, these highly virtuosic pieces are ideal concert repertoire.
SKU: HL.49003486
ISBN 9790001034272. UPC: 073999353303. 9.0x12.0x0.23 inches.
String orchestra piano, piano reduction for two pianos. Theme * First Variation: Melancholie * Second Variation: Sanguinic * Third Variation: Phlegmatic * Fourth Variation: Choleric.
SKU: HL.48180885
UPC: 888680857677. 9.0x12.0x0.076 inches.
For trumpet and piano.
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SKU: PR.ZM18130
UPC: 680160648962.
SKU: PR.ZM27410
UPC: 680160652686.
SKU: HL.132954
UPC: 884088977887.
SKU: KJ.GB893F
Festive Variations on Lasst uns Erfreuen, is based freely on the German chorale melody more commonly known as All Creatures of Our God and King. In five variations, this work begins with an Allegro introduction in 6/8, followed by a serene statement of the theme. The first variation reflects the 6/8 optimism of the introduction. The second has a more majestic texture in 3/4 time, featuring brass and percussion. The third variation is a scherzo, fairly fragmentary and more disjunct than the others. This is the most academic of the variations. The fourth is a gentle ballad freely based on the first four notes of the melody. The fifth variation returns to the complete melody, found in a fugato with variations within. Before the work concludes, the original introduction and theme are restated in their first form, followed by a coda based on the introductory motive.
SKU: SU.00220551
This CD Sheet Music™ collection makes available over 200 works for flute with piano accompaniment by over 80 composers from the Baroque, Classical and Romantic periods. Works include: Adam (Hongroise), Anderson (Three Cadenzas for Mozart's Flute Concerto No. 2), CPE Bach (5 Sonatas), JCF Bach (Sonata Nos. 1&2), JS Bach (Sonatas, BWV 1030-1035), Barrère (Nocturne), Beethoven (6 Themes with Variations), Bizet (Minuet from L'Arlésienne), Blavet (Les Tendres Badinages), Booth (In the Woods at Evensong), Boulenger (D'un matin de Printemp, Briccialdi (Il Carnevale di Venezia, Bergmüller (Chanson), Busoni (Album Leaf), Caix d'Hervelois (La Bagatelle,Musette), Catherine (Arabesque), Daquin (Rigaudon), Debussy (Le Petit Berger, Rêverie, Arabesque No. 2), Donjon (Adagio Nobile, Invocation, Offertoire), Doppler (Fantaisie Pastorale Hongroise), Duvernoy (Intermezzo), Enesco (Cantabile & Presto), Fauré Berceuse, Sicilienne), Foote (3 Pieces for Flute & Piano), Gabriel-Marie (La Cinquantaine), Ganne (Andante & Scherzo), Gluck (Aria from Orphée, Ballet from Armide), Godard (The Idylle), Gossec (Timbourin), Graupner (Sonata Nos. 1&2), Grétry (Air lent), Griffes (Poem), Hahn (Variations on a Theme by Mozart), Handel (Sonata Nos. 1-7, Sonata Nos. 1-3 for Flute & Continuo), Hotteterre (Échos), Hullmandel (Menuet Champêtre), Kirchhoff (Rigaudon), Köhler (Valse Allemande), Krieger (Bourrée), Kuhlau (Divertimento Nos. 1-6, Grand Solo Nos. 1-3), Kuhnau (Gavotte and Bourrée), Latour (Theme in G major), Locatelli (3 Sonatas), Loeillet (Adagio, Gavotte), Lully (20 Pieces for Flute & Keyboard), Maganini (Sérénade), Marais (Les Folies d'Espagne), Marcello (Cantabile, Largo, Massenet (Meditation from Thaïs), Matheson (Sonata Nos. 1-12), Mendelssohn (Scherzo from A Midsummer Night's Dream), Molique (Andante), Moszkowski (Spanish Dances), Mouquet (La Flute de Pan), Mozart (Concerto Nos. 1&2, Sonata Nos. 1-6), Müthel Sonata in D), Offenbach (Barcarolle from The Tales of Hoffmann), Pergolesi (Aria), Pessard )Andalouse), Popp (Birdsong), Quantz (Sonata Nos. 1-6, Concerto in G), Rameau (La Livri), Reger (Burleske, Menuet and Gigue, Romance), Reinecke (Concerto for Flute in D, Sonata in E), Rheinberger (Rhapsodie), Rietz (Sonata), Rimsky-Korsakov (Flight of the Bumblebee), Sacchini (Andantino galante from Dardanus), Saint-Saëns (Romance, Odelette), A. Scarlatti (Minuet), Schers (Sarabande), Schubert (Introduction & Variations on a Theme), Schumann (Humming Song), Tafanel (Andante, Pastoral and Scherzettino, Telemann (Dolce, The Trusty Music Maker, Tosti (Good Bye), Verdi (La Traviata), Vivaldi (Sonata in C), Weber (Adagio), and more. Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: CF.FAS83
ISBN 9780825894572. UPC: 798408094577. 9 x 12 inches. Key: D major.
Williamsburg Variations takes an original theme reminiscent of songs from early nineteenth-century America, and develops it over several variations into a variety of styles. A great introduction to the idea of theme and variations, this will make your developing orchestra sound great at any festival.This composition was inspired by a visit to Colonial Williamsburg, Virginia. The opening theme is reminiscent of a hymn of the eighteenth century with a hint of Chester in mm. 5 and 15. The variations are indicative of the hustle and bustle of colonial life that required a strong work ethic to survive, and the fife and drums variation shows a glimpse of Yankee Doodle in mm. 34-44. The theme should be played as a legato chorale. The variations are to be played with energy and the D Major Key will enhance that style. In mm. 34-44 the viola, cello and bass quarter notes should be short and accented to imitate field drums.The unison violins are the fifes in this fife-and-drum section. The final variation at m. 52 is a combination of three prior melodies so all lines are equally important.The melodic and moving parts create interest in all the instruments and should provide for an excellent festival or contest piece. I hope your students enjoy playing this music.
