Format : Score and Parts
SKU: ST.Y209
ISBN 9790220221118.
Three Tenors.
SKU: ST.Y210
ISBN 9790220221125.
The publication of Regina Celi completes the cycle of four votive antiphons based on the traditional chants of compline, in which the composer Bayan Northcott has imaginatively recreated many of the techniques of medieval and Renaissance music in the context of a contemporary vocal ensemble. Two earlier settings from the sequence, Salve Regina and Alma Redemptoris Mater, have recently been recorded to great acclaim by the Choir of Gonville & Caius College, Cambridge, on Signum SIGCD070. Whether performed by mezzo soprano, three tenors and baritone or full choir (the score may be used for either version) the cumulative effect is of a powerful distillation of the chant, as choral writing of increasing complexity brings the work - and the cycle - to a serene conclusion in F major.
SKU: SU.80400051
Mixed Chorus, 2 Sopranos, Mezzo-Soprano, 3 Tenors, Baritone & Chamber EnsembleDuration: 60:00 Commissioned by: House of Hope Presbyterian ChurchPremiered by: April 24, 25, 27, 1997; St. Paul, MN; Thomas Lancaster, Conductor Copyright 1997Text author: Michael Dennis Browne Published by: Paulus Publications (SP106.pv).
SKU: BA.BA10708
ISBN 9790006564491. 31 x 24.3 cm inches. Key: B-flat major. Text Language: English. Preface: Beeks, Graydon.
Handel composed the “Te Deum†in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname “Chandos Te Deumâ€. Here it is called “Te Deum for Cannons†after the Duke’s stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in “Acis and Galateaâ€, the masque which was composed at almost the same time. Though in many respects this “Te Deum†is reminiscent of the “Utrecht Te Deumâ€, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the “Halle Handel Edition†(BA 10708-01), which offers the first complete scholarly text of the music for the “Te Deumâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BVK02229
ISBN 9783761822296. 25.5 x 18.3 cm inches. Text Language: French, English, German. Preface: Jean-Michel Nectoux.
Handel composed hisTe Deumin B flat major HWV 281 in 1718 for the future Duke of Chandos, which explains the nicknameChandos Te Deum. In this edition, the work is named after the place of its first performance:Te Deum for Cannons.The unusual instrumentation consisting of flute, oboe (one of each), one bassoon, one trumpet, two violins, basso continuo, and choir (one soprano, three tenors, and one bass) might have been a result of the number of musicians available for performance. Incidentally, the masqueAcis und Galatea, composed around the same time, is also scored for three tenors. The work bears some resemblance to theUtrecht Te Deum, however, the intimate scoring results in a chamber music feel.This academic-critical edition reflects the most current research in musical, philological, and historical respects. As the scoring is somewhat unusual and the work's transmission rather complex, the part of the preface dealing with performance practice should be of special interest.
SKU: BR.EB-8874
ISBN 9790004184646. 9 x 12 inches. German / English.
The Three Tenors Are ComingOn the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view with phonetic assistant and text assistant aria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download.
SKU: BR.EB-8876
ISBN 9790004184660. 0 x 0 inches. German / English.
SKU: ST.Y208
ISBN 9790220221101.
This setting of Salve Regina is the first of a cycle entitled Four Votive Antiphons Op. 7, based upon the four chants traditionally sung at Compline through the Church Year, for a vocal consort comprising mezzo-soprano (or countertenor), three tenors (or baritone for third tenor) and baritone.
SKU: BR.EB-8875
ISBN 9790004184653. 9 x 12 inches. German / English.
SKU: ST.Y143
ISBN 9790220218927.
The venerable English pre-Reformation tradition of antiphon settings is here revived by a contemporary composer. Ave Regina Celorum/Alleluia was the first modern work to be specially written for Gothic Voices, experts in the performance of medieval music.
SKU: BT.WA-4075-401
English.
La Donna e Mobile from Verdi’s opera Rigaletto has recently gainedhuge popularity through its performance by the three tenors, Domingo,Pavarotti and Carreras. Add a touch of class to any concert with thisfabulous arrangement.
SKU: HL.49015916
ISBN 9790220124518. UPC: 884088567606. 8.25x11.75x0.375 inches. Italian.
Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I found, as I began an extended exploration of the madrigal as a creative venture, that the richest source lies in the Italian Renaissance.In 1998 I embarked on a project to write a series of madrigals, eventually deciding to collect them in 'books' in the manner of Italian madrigalists, such as Monteverdi or Gesualdo. The Second Book is for an unusual six-part group - the Scandinavian Trio Mediaeval (3 sopranos) and three tenors (John Potter plus two from the Hilliard Ensemble) - and sets Petrarch in the original 14th century Italian. I focused on those sonnets known as the Rima Sparsi (scattered verses) and added one extra Petrarch setting - originally a radiophonic piece (Marconi's Madrigal) for CBC's Marconi Day. Gavin Bryars.
SKU: BT.DHP-1023182-070
La Donna è Mobile from Verdi’s opera Rigoletto has recently gained huge popularity through its performance by the three tenors, Domingo, Pavarotti and Carreras. Add a touch of class to any concert with this fabulous arrangement. La Donna è Mobile ist eine Tenorarie aus der Oper Rigoletto von Giuseppe Verdi. Spätestens nachdem diese Melodie in die Werbung einzog sollte sie eigentlich jedermann bekannt sein. Eindrucksvoll arrangiert für eine variable fünfstimmige Besetzung wurde sie von Lorenzo Bocci. Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. A. Sax. T. Basson Cor Trb Euph. Tuba T. Part 4 Sax. T. Basson Trb Euph. Tuba T. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Una delle arie più amabili e conosciute di Giuseppe Verdi, oggi può essere eseguita da un gruppo di strumenti a fiato con formazione variabile grazie a questo arrangiamento firmato Lorenzo Bocci.
SKU: TM.14773SET
Act III No. 3 Part 2 Quartet. Ping, Pang, Pong, Calaf. Sc pg 352-365. See #14772 for Part 1: Tu che guardi le stelle.
SKU: SU.80400040
Voicing: Soli, Mixed Chorus, Chamber EnMixed Chorus, 2 Sopranos, Mezzo-Soprano, 3 Tenors, Baritone, flute, oboe, clarinet, percussion, harp, organ, 2 violins, viola, cello, bass, Duration: 60:00 Minutes Commissioned by: House of Hope Presbyterian Church Dedication: Premiered by: April 24, 25, 27, 1997; St. Paul, MN; Thomas Lancaster, Conductor Copyright 1997 Publisher: Paulus Publications Text author: Michael Dennis Browne (SP106).
