Format : Score and Parts
SKU: AP.36-50105080
ISBN 9781621561057. UPC: 659359749827. English.
Karl King wrote more than marches. He embraced the music of his day and incorporated it into his own writing. This delightful rag is dedicated to his friend Charles Rozell, ragtime drummer.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HH.HH597-SOL
ISBN 9790708213123.
After the positive reviews of Animal Jazz, the composer was encouraged to write a sequel of pieces that would provide more of a challenge to the player, using diverse key signatures, a wider use of the piano keyboard range and more complex rhythms. Diving into musical genres from around the world I've come up with this colourful and eclectic collection, where you can find influences from blues, jump jive, ragtime, latin, disco, funk and classical music. In Who’s Harry, we’re transported to Africa with an afrobeat groove, reportedly invented by Tony Allen, the Nigerian drummer with Fela Kuti·s band. Jump Jive Jellyfish, as the title suggests, has a lively jump jive feel. The well-known Cuban dance style of Cha-cha-cha is gracefully danced by the Chickens, while our Penguins are enjoying a parade with a ragtime flavour. In Brazil, the Alpacas are holidaying and dancing to a jazz-style samba.
SKU: FJ.B1097S
English.
Chopsticks in a slow rock style? Yes, it works! And you'll have trouble getting this one out of your head after you play it. The percussion parts are written to be played the way a set drummer would drive a rock band. A great groove! (1:30).
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: CL.032-4126-01
Introduce your band and audiences to a little 2-beat and some jazz history with this easy to prepare arrangement of this great jazz standard. Originally a ragtime piano piece, That's-A-Plenty is most commonly associated with Dixieland music. This arrangement now makes it available to jazz bands at the medium-easy level. There's lots of fun for all the sections, including some smeared notes for the bones and some short solis for the saxes. The drummer gets some tom-tom work a la Gene Krupa, and while there are no improvised solos, one (or all) of the trumpets gets to do a written out call and response solo back and forth with the rest of the band. This one is a guaranteed crowd pleaser!
