The Performing Percussionist Solo Album

'Tall Stories for Short Pianists' is an album of a dozen approachable Piano solos along with 5 duets (for pupil and teacher) pitched at the younger Pianist. Each piece connects with a tale or story (some will be more immediately familiar than others) while the level of difficulty starts at ABRSM Prep Test/Trinity College Initial with a couple nudging Grade 3.While in some cases the technical and reading difficulties have been kept to a minimum other pieces include hand-positon changes hand-crossing isolated high/low notes or brief chromatic features in order to widen the interest. The intrepid Pianist is warmly invited to take up a commanding presenceat the Piano (or Keyboard) and perform with authority!Mark Tanner's compositions encompass an impressively wide range of attractive styles. A number of his pieces written or adapted for a variety of instruments feature in current ABRSM TCL and LCM exam syllabuses drawing from a growing oeuvre (60 volumes) of music published by Spartan Press. You will find a few of his pieces within an appealing new ABRSM series due to appear later in 2016: 'Piano Star'. Mark's 'Scapes' series was shortlisted for the 'Best Print Resource' Award at the 2015 Music Teacher Awards and he is co-author of ABRSM's Teaching Notes an informative book to support the latest Piano syllabus. His thought-provoking book 'The Mindful Pianist' was published by Faber Music in 2016.

by Schwantner Schuller and Bach-This latest work in the “Master Class” series presents a comprehensive interpretive analysis and performance guide of three major works for solo marimba by San Francisco Symphony Principal Percussionist Jack Van Geem.Van Geem's well-thought-out approach to learning Velocities by Joseph Schwantner helps solve many of the difficult 4-mallet technical issues of this most notable composition for solo marimba. His extensive theoreticalanalysis of Three Small Adventures by Gunther Schuller aids in a greater musical approach to this and other contemporary works for marimba. Van Geem provides his personal edition including dynamics phrasing andarticulations to J. S. Bach's Fuga in G minor. Van Geem outlines his philosophy of solo marimba technique and how mallet position increases a player's accuracy and provides an important aid in memorization. This in-depthpublication covers topics such as sticking options beating spots hand & arm postures memorization practicing learning the art of triaging and more.

Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties