The Dove

21 Original Guitar Solos By The Legendary Croatian Composer. Par UROS DOJCINOVIC. Guitare classique, notation standard uniquement (aucune tablature, non d'un accompagnement, paroles ni chords diagrammes) guitare normale de réglage et ce titre est notamment pas un enregistrement de CD. Le contenu publié de la plus grande croate XIX siècle guitare compositeur et interprète, Ivan Padovec, biographie complète, collection de tous connu des photos et pièces solos non publiées sans numéro d'opus. Ils vont de ses compositions didactiques plues faciles, courtes, faites pour ses nombreux élèves de guitare, un certain nombre de miniatures, de danses et de thèmes, avec des variations d'une difficulté technique moyenne et enfin quelques morceaux pour les joueurs plus avancés. L'ensemble de la collection est basé sur la musique, qui, depuis plus de 120 ans, était totalement inconnue à l'extérieur du pays de Padovec, Croatie (ancienne République yougoslave), et surtout perdu ou oublié et jamais publié. Présente des notes biographiques, ainsi que des portraits de Padovec et des autres illustrations, avec toutes les pièces dans sa propre manuscrit ou l'écriture de ses clo... / Niveau : Intermédiaire à Avancé / Classic - Solos / Tablatures / Guitare Tablatures Classique

Il s'agit de la première édition du XIXe siècle guitariste et compositeur de Ivan Padovec deuxième Concertino pour guitare de reception terz, 2 violons, alto et violoncelle. Les manuscrits ont été découverts dans la collection de Karl Scheit, un des plus importants enseignants de guitare et éditeurs dans la seconde moitié du XXe siècle. La couverture de l'édition est une reproduction des couleurs du manuscrit original. / Guitare Classique

Dawn’s Dove for solo recorder was composed in 1994. It was first performed by John Turner who commissioned it at a concert in honour of the sixtieth birthday of the composer Anthony Gilbert to whom the piece is dedicated.It is not a literal birdsong but I hope it captures the spirit of jubilant dawn chorus - as well as the softer sounds of a dove which does not get up as early as other birds! I wrote it while I was writing my opera 'The Wildman' and the epilogue of that opera is introduced by a piccolo solo which is very like Dawn's Dove - they share material. In the opera it signifies early morning.Part way through Dawn’s Dove the tempo becomes steadier and Iquote from a beautiful work of Anthony Gilbert his 'Towards Asavari’ for piano and ensemble. At the end of that work there is a trumpet solo which outlines the Indian raga on which the piece is based. My quote alludes to that.The unfolding melodic line of Dawn’s Dove is sometimes inflected by microtones; the piece lasts between two and three minutes.

Par DOVE JONATHAN. Into Thy Hands contains two prayers of St. Edmund, beautifully set for a cappella choir by Jonathan Dove. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit. The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. / Musique religieuse / Recueil / Piano, Chant et Guitare

Par DOVE JONATHAN. The Monster in the Maze (El Monstre al Laberint), an opera for children, young people and adults by Jonathan Dove. (Taiwanese translation) / Opéra-opérette / Répertoire / Opéra

Who Killed Cock Robin is a dramatic characterful setting by one of Britain’s most talented young composers Jonathan Dove. With a flawless feel for choral and vocal textures Dove fully exploits the drama and wit of the text to produce an immensely rewarding and approachable work.  Arranged for unaccompanied SATB choir. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array ofvaried styles.

Par DOVE JONATHAN. Sweet are the uses of adversity for SATB a cappella by Jonathan Dove. / Choral Music / Répertoire / Voix Mixtes

(New Edition)-The sacred images of the dove are found throughout scripture. This creative text connects the dots between the dove of peace and the Holy Spirit being sent forth to comfort and encourage. A lyric melody rises slowly with an expressive contour populated at times with lush harmonies and a flowing impressionistic piano accompaniment. The sensitive orchestration supports the anthem's noble arch. Innovative concept! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.

From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content : IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366 Ilia's recitative and aria, Act I [1] Quando avran fine omai?Padre, germani, addio! Elettra's aria, Act I [2] Tutte nel cor vi sento Ilia's aria, Act II [3] Se il padre perdei Elettra's aria and marcia, Act II [4] Idol mio, se ritroso altro amante?Odo da lunge armonioso suono Ilia's aria, Act III [5] Zeffiretti lusinghieri Elettra's aria, Act III [6] D'Oreste, d'Ajace DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384 Konstanze's aria, Act I [7] ach ich liebte Blonde's aria, Act II [8] Durch Zärtlichkeit und Schmeicheln Konstanze's recitative and aria, Act II [9] Welcher Wechsel herrscht in meiner Seele?Traurigkeit Konstanze's aria, Act II [10] Martern aller Arten Blonde's rondo, Act II [11] Welche Wonne, welche Lust LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492 Cherubino's aria, Act I [12] Non sò più cosa son, cosa faccio Countess Almaviva's aria, Act II [13] Porgi, amor Cherubino's arietta, Act II [14] Voi che sapete Susanna's aria, Act II [15] Venite, inginocchiatevi! Countess Almaviva's recitative and aria, Act III [16] E Susanna non vien??Dove sono?Ah! Se almen la mia costanza Barbarina's cavatina, Act IV [17] L'ho perduta! Me mechina! Susanna's recitative and aria, Act IV [18] Giunse al fin il momento?Deh vieni, non tardar DON GIOVANNI K527 Donna Elvira's aria, Act I [19] Ah! Fuggi il traditor! Donna Anna's aria, Act I [20] Or sai chi l'onore Zerlina's aria, Act I [21] Batti, batti Zerlina's aria, Act II [22] Vedrai, carino Donna Elvira's recitative and aria, Act II [23] In quali eccessi Mi tradì Donna Anna's recitative and aria (rondò), Act II [24] Crudele??Troppo mi spiace?Non mi dir COSÌ FAN TUTTE K588 Dorabella's recitative and aria, Act I / Scene 3 [25] Ah scostati?Smanie implacabili Despina's aria, Act I / Scene 3 [26] In uomini, in soldati Fiordiligi's recitative and aria, Act I / Scene 3 [27] Temerari, sortite?Come scoglio?Rispettate, anime ingrate Despina's aria, At II / Scene 1 [28] Una donna a quindici anni?Dee in un momento Fiordiligi's rondò, Act II / Sce [29] Per pietà, ben mio, perdona?A chi mai mancò Dorabella's aria, Act II / Scene 3 [30] È amore un ladroncello DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620 The Queen of the Night's recitative and aria, Act I [31] O zitt're nicht, mein lieber Sohn!?Zum Leiden bin ich auserkoren The Queen of the Night's aria [32] Der Hölle Rache Pamina's aria, Act II [33] Ach, ich fühl's LA CLEMENZA DI TITO K621 Vitellia's aria, Act I [34] Deh se piacer mi vuoi?Che ceicamente crede Servilia's aria-minuet, Act II [35] S'altro che lagrime Vitellia's recitative obbligato and rondò, Act II [36] Ecco il punto, O Vitellia?Non più di fiori vaghe catene

Commissioned by The Bach Choir in memory of Leopold de Rothschild (1927-2012), a singing member of the Choir for 50 years and Chairman for 23 years. Following his resignation as a singer Leo became the Choir's President, a position he held until his death - over this extraordinary period of devotion to the Choir he became a friend to vast numbers of his fellow singers, and gave unstintingly of his time and wisdomFirst performance 10 June 2014 in the Royal Festival Hall, London, by The Bach Choir, the Philharmonia Orchestra, and The Young Singers, a choir formed by The Bach Choir in partnership with the Tri-borough Music Hub, conducted by David Hill.cFor more on Jonathan Dove, please click on his name, above ... / Chant Et Piano

Now by Jonathan Dove arranged for mixed voices with piano or organ accompaniment.