Par THOMAS MACE. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation - moderate to advanced. / Niveau : Intermédiaire / Recueil / Guitare
SKU: OT.28104
ISBN 9789655051100. 8.27 x 11.69 inches.
Daniel Akiva Alma i Vida i Korason Sephardic Anthology for voice and guitar The 18 songs of the collection Alma i Vida i Korason include romansas, cantigas, life cycle songs and original music composed to poems by Avner Perez, a journey in Ladino song from the Middle Ages through the 21st century. Alma i Vida i Korason was recently recorded by Sivan Goldman, soprano and Daniel Akiva, guitar, together with a special series of short videos filmed at the Ralli Museum in Caesarea, Israel. For further information, please visit the YouTube and Spotify channels of the composer. Contents: 1. A la una Naci yo 2. Kisa Agora el Amor 3. Durme Durme Mi Andjeliko 4. Morena me Yaman 5. La Serena 6. Durme Durme Mi Alma Donzeya 7. Noches Noches 8. Mama Yo no Tengo Visto 9. Ya Abasha La Novia 10. Esta Noche 11. Ya Viene El Kativo 12. Komo La Roza 13. Ay Linda Amiga 14. El Prisionero 15. Kantiga de Kune Para Selanik 16. Puncha Puncha 17. Durme Hermozo Hiziko 18. Sirkiji Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have earned international acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies of lute with Jonathan Rubin and composition with Jean Ballisa at the Geneva Conservatorium in Switzerland. In 1986 he founded the Music Department at the WIZO High School for the Arts in Haifa which he headed for over thirty years. As part of his work at WIZO High School, he developed a method for teaching free improvisation which has been incorporated into the music program at the school. He also served as the Artistic Director of the Guitar Gems Festival from 2006-2018. Mr. Akiva has performed in concerts as a guitarist and lutenist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. Akiva's work Psalms for guitar solo was awarded the ACUM prize for composition in 1990, and his string quartet Ciclos was awarded the ACUM prize for composition in 2002. In 2006 his CD Hope, recorded with Laurel Zucker (flute) and Ronit Widmann-Levy (soprano) was awarded the Amazon prize. In 2017 Akiva was awarded the Prime Minister's Prize for composers in Israel. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. A large part of his oeuvre has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue throughout the years with poets and writers Amnon Shemesh, Rivka Miriam, and Avner Perez. 105 pages, softcover.
SKU: HL.14047483
ISBN 9788850725601. UPC: 888680975883. 9.0x12.0x0.154 inches.
Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.
SKU: BA.BA04589-01
ISBN 9790006451272. 33.1 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05044-01
ISBN 9790006462575. 33 x 25.5 cm inches.
SKU: BA.BA05086-41
ISBN 9790006494385. 24.1 x 18 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: BA.BA05052-41
ISBN 9790006462742. 24.5 x 17.7 cm inches.
SKU: BA.BA07568
ISBN 9790006558285. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
The new scholarly-critical edition of the score of Rameau’s “ballet hroïque†Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc gnreux, Les Incas du Prou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the “ballet hroïque†was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Prou and Les Sauvages (1751–73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau’s central stage works for use also in concert performance.
SKU: BA.BA05522
ISBN 9790006472178. 33 x 26 cm inches.
For performance material refer to BA 5601-5603.
