The Best Standards Ever Volume 1 (A-L): Piano Vocal and Guitar: Mixed Songbook

73 all-time favorites standards including: Manhattan - Misty - Moonlight in Vermont - Old Devil Moon - Put On a Happy Face - People Will Say We're in Love - September Song - Smoke Gets in Your Eyes - Stormy Weather - A Sunday Kind of Love - The Way You Look Tonight - What'll I Do? - Where or When - and many more.

Finally, the most popular arrangements by Carsten Gerlitz are available in an anthology for bar piano!


`Best Of Piano Lounge` contains the 30 most beautiful titles of the previous twelve volumes, offering wonderful pieces to suit everyone's taste ? from jazz and swing standards via musical and film melodies to pop and rock ballads. Each one of them in easily playable and fresh arrangements for the piano.

The perfect first step for pianists into the world of the bar piano. / Partition /

13 Jazz Standards for mixed choir (SATB)-With his series Jazz Im Chor Christoph Schönherr began a new genre twenty years ago with Gustav Bosse publishers. Despite numerous imitators his arrangements still retain their freshness. Barenreiter have now brought together the most attractive and frequently sung pieces in a single volume.Any choir interested in jazz now has everything together in one publication: energetic jazz standards heart-rending ballads and joyful gospel numbers. These are always challenging songs which are good to master and never miss the mark. A collection of lasting value which is always worth revisiting.Most songs are arranged for SATB with a couple for SAATB and onefor SSAB.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre

30 Popular Songs From The Piano Lounge Instrument : piano Type : songbook Nombre de Pages : 120 Finally, the most popular arrangements by Carsten Gerlitz are available in an anthology for bar piano! Best Of Piano Lounge contains the 30 most beautiful titles of the previous twelve volumes, offering wonderful pieces to suit everyone's taste - from jazz and swing standards via musical and film melodies to pop and rock ballads. Each one of them in easily playable and fresh arrangements for the piano. The perfect first step for pianists into the world of the bar piano. Content : Georgia On My Mind - Dream A Little Dream Of Me - Somethin' Stupid - Petite Fleur - Summertime - Those Were The Days - Fly Me To The Moon - Without You - For Your Eyes Only - Sally Gardens - Aquarius - Loch Lomond - Jessie - Misty - The Shadow Of Your Smile - You'll Never Walk Alone - Mandy - As Time Goes By - Plaisir d'amour - Mack The Knife - The Entertainer - Angels - Just The Way You Are - Can You Feel The Love Tonight - Easy - Leningrad - Au clair de la lune - Angie - New York, New York - Over The Rainbow