Tangos - Score

Matthiesen Bill (Edtd). Par MATTHIESEN BILL. Un échantillonneur étonnant de piano romantique les solos dès les premiers jours du tango. Voici la première grande collection de musique ancienne de tango jamais publiée à l'extérieur de l'Argentine. Cette anthologie présente 42 scores fac-similé de piano dans un large éventail de styles de tango trouvé au XIXe siècle l'Argentine et l'Uruguay. Sélections comprennent des classiques de l'Argentine et l'Uruguay compositeurs plus célèbres guardia vieja (vieille garde), écrits druring années de formation du tango entre 1900 et 1920. Bon nombre de ces pièces évoquent parallèles musicales avec des chiffons piano américains de la même époque. Ces merveilleuses tangos début incarnent la profondeur émotionnelle complète et la complexité rythmique de ce genre fascinant, mais sont accessibles aux joueurs de capacités variées. / Niveau : Intermédiaire / Latin American - Solos / Recueil / Piano

One of the most well-known tangos throughout the world Libertango (as arranged here by Paul Murtha) will give your young players a chance to learn this important and engaging musical style. Solidly scored for the entire ensemble.

for Cello and Piano-George A. Speckert has arranged the loveliest Argentine tangos for Cello with Piano accompaniment. Among them are such classics as El choclo gems by Eduardo Arolas and Rosendo Mendizabal and lesser known titles such as El d a que me quieras by Carlos Gardel simple but effective for the cellist concise and stylistically apt for the pianist.The arranger George A. Speckert is a composer writer and teacher in the field of multimedia productions and e-learning. He gained a reputation with simple but sonorous arrangements for variable string ensembles.- The loveliest tangos for Cello and Piano.- Effective recitalpieces.Contents:Pantaleon; Libertango [Astor Piazzolla]El Enrerriano [Rosendo Mendizábal]Odeon [Ernesto Nazareth]Derecho viejo [Eduardo Arolas]El choclo [Ángel Villoldo]El d a que me quieas [Carlos Gardel]

This serious festival work relies heavily on various elements of the tango set in a more contemporary framework. While the title mainly refers to the way various tangos come and go (through multiple transitional devices) it also references the opening and closing sections which include a 'phantom sound' through the use of mild dissonance and sudden dynamic changes that seemingly appear out of nowhere. Highly creative and unique!

You may not recognize this by the title but Libertango is one of the most well-known tangos throughout the world. Written with sultry lines for the saxes and rhythmic punctuations in the brass this distinctive arrangementdeserves a place in your library. Includes solo for alto sax.

One of the classic tangos from Argentinian composer Astor Piazzolla Libertango has attained worldwide popularity and remains one of his most popular works. Arranged here in a sensuous Latin rock style this version features the woodwinds on the main melodic lines and also a brief solo for trumpet with nicely crafted background figures throughout. Sure to appeal to a wide range of audiences.

Astor Piazzolla (1921-1992) was the extraordinary grandmaster of the Argentinean Tango.He composed over 330 tangos with Libertango being one of the most famous. With this arrangement, we have the pleasure of introducing you to our new composer-arranger Bart Picqueur.

It has been said that you can see Buenos Aires while listening to Astor Piazzolla’s music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango which createdmany problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance the tango at the highest level.VeranoPorteno (Summer of Buenos Aires) is the first of four tangos that Piazzolla wrote about the seasons of Buenos Aires.. SATB A Cappella

Instrument : string ensemble Type : score and parts Nombre de Pages : 32 Das Angebot an klassischer Literatur für Orchester, Kammer- und Schulensembles ist reichhaltig. Dagegen sucht der Musikerzieher oft vergebens nach populärer Musik, die seinem Ensemble Spaß macht. Die Reihe Modern Strings bietet Stücke aus verschiedenen Stilbereichen (Rock, Jazz, Pop) in anspruchsvollem, aber durchaus realisierbarem Schwierigkeitsgrad. Die Kompositionen können in variabler Besetzung gespielt werden, vom Streichquartett bis zum Streichorchester. Content : Blues Tango - Evening Shadows

Par PARILLA JUAN. Méthode de flamenco pour Instruments mélodiques étudie certains du flamenco principal ' palos ': TANGOS, SOLEÁ, BULERÍA, SEGUIRIYAS et ALEGRÍAS et TANGUILLOS. L'étude de chaque ' palo ' se compose de:-l'explication des différentes mesures applicables et les accompagnements claps différents. -Exercices articulations, de mesure, de prévision et de rythme. -Un thème mélodique, composé par l'auteur de ' Juan Parrilla ', qui contribuera à l'élève d'appliquer les choses apprises dans les exercices anciens accompagnés à la guitare, percussions et palmas. Il existe deux versions audio pour le thème mélodique, avec and sans les flûte. Cette méthode comprend également tous les scores dans les différentes clefs utilisés par la plupart des instruments mélodiques : clef de clef ' F ' ' G ' Transposing pour instruments dans ' B ' Transposing plat pour instruments dans ' E ' plat comprend un CD avec tous les exercices 6 thèmes mélodiques avec deux versions audio (flûte accompagnement et accompagnement sans les flûte). Texte en anglais et en espagnol. / Niveau : Débutant / Flamenco - Methods / Méthode / Instruments en Sib

With Online Audio-As one can easily imagine it would be very hard for a Guitar student to start reading the scores of the traditional choro repertoire most of them with large number of technical difficulties. It would be much better if theycould start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner.That is the main goal of this book. It has 13 studies (in the 13 morecommonly used keys for the choro Guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros there are polkas maxixes Brazilian tangos and xotis. The more used and characteristicrhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution all studies were composed with only two voices (melody and bass) and with no chords (although harmoniesare quite evident due to the choro melodic particularities). An audio download available online contains all 13 studies.