Symphony No. 3

Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre

Ce songbook contient toutes les chansons du 5ème album de Katie Melua, Secret Symphony, arrangées par Mike Batt pour piano, voix et guitare. / Variétés / Partition /

The vocal score of Choral Symphony by Australian composer Carl Vine. Scored for SATB choir organ and orchestra Carl Vine’s Choral Symphonysets four ancient hymns in exotic languages that have not been spoken for thousands of years: ‘Enuma Elish’ an Akkadian creation myth describing the creation of the world from primeval chaos and three Homeric Hymns  to the Earth the Moon and the Sun (in Greek 'Epic Dialect'). The vocal writing in this 26-minute symphony (Vine’s sixth) is homophonic throughout reflecting the composer’s wish for the workto ‘revel in the power of the human community’. 

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Unfinished-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Per Nørgård Third Symphony - A Short Introduction by Jørgen I. Jensen. Analyse of Per Nørgård 3. SymphonyTranslation into English: John Bergsagel

Jay Bocook is always our first choice for well-crafted arrangements of orchestral masterworks. His catalog of outstanding adaptations continues to dominate Grade 2 and 3 contest lists. This new edition of the Brahms' famousSymphony No. 1 can also be used as an inspiring graduation processional.

Instrument : flute Nombre de Pages : 72 In this volume, the teacher Robert Winn from the Cologne Academy of Music has compiled a collection of 133 tunes which shall spur on and encourage flutists to listen to and play also music composed for other instruments as well as different styles. From the repertoire for strings, piano or voice, symphonic music, chamber music, solo literature and operas, he has compiled a repertoire that shall contribute to the discovery of elements which are imperative to the development of the performer's interpretive skills and the flute sound. The ideas presented in the present edition are the result of his experience as a flutist in major international symphony orchestras and chamber music ensembles as well as a studio musician. Content : Chapter 1 / Kapitel 1: The Words. Der Text - 1. Franz Schubert An Sylvia - 2. Willibald Gluck Che farò senza Euridice (Orfeo ed Euridice) - 3. Johann Strauß (Sohn) Trinke Liebchen (Die Fledermaus) - 4. Charles Hubert Parry Jerusalem - 5. Johann Strauß (Sohn) Brüderlein und Schwesterlein (Die Fledermaus) - 6. George Gershwin Summertime (Porgy and Bess) - 7. F. Loewe / A. Lerner On the Street where you live (My Fair Lady) - 8. Georges Bizet L’amour est un oiseau (Carmen) - 9. M. Cowan / B. Paterson Waltzing Matilda - Chapter 2 / Kapitel 2: Major and Minor. Dur und Moll - 10. Traditional Russian Melody - 11. Edvard Grieg Solveigs Song op. 55/2 (Peer Gynt) - 12. Edward Elgar Pomp and Circumstance March No. 4 - 13. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 1st movement - 14. Johannes Brahms Double Concerto op. 102, 2nd movement - 15. Pjotr I. Tschaikowsky Swan Lake Ballet op. 20 - 16. Adolphe Adam Giselle - 17. Felix Mendelssohn Bartholdy Song without Words op. 30/3 - 18. Anonymus Londonderry Air - 19. Pjotr I. Tschaikowsky Barcarole op. 37/6 (The Seasons) - 20. Antonín Dvorák Symphony from the New World op. 95, 2nd movement - 21. Modest Mussorgsky Bydlo (Pictures at an Exhibition) - 22. Giuseppe Verdi Slaves Chorus (Nabucco) - 23. Robert Schumann Symphony No. 4 op. 120, 2nd movement . - 24. Traditional Greensleeves - 25. Giuseppe Verdi Lacrimosa (Requiem) - 26. Felix Mendelssohn Bartholdy Song without Words op. 109 - 27. Giuseppe Verdi Paragi, o cara (La Traviata) - 28. César Franck Symphony, 2nd movement - 29. Richard Strauss Horn Concerto No. 1 op. 11, 1st movement - 30. Wolfgang Amadeus Mozart Piano Concerto KV 491, 1st movement - 31. Johann Joachim Quantz Trio Sonata in G minor - 32. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 33. Léo Delibes Coppélia - 34. Nino Rota Speak softly Love (The Godfather) - Chapter 3 / Kapitel 3: Melody and harmony. Melodie und Harmonie - 35. Gabriel Fauré Chanson d'amour - 36. Felix Mendelssohn Bartholdy Symphony No. 4 / Italian Symphony op. 90, 3rd movement - 37. Nikolai Rimski-Korsakow Scheherazade - 38. Antonín Dvoqák Cello Concerto op. 104, 1st movement - 39. Felix Mendelssohn Bartholdy Hebrides Overture - 40. Giacomo Puccini Madame Butterfly - 41. Carl Maria von Weber Leise, leise, fromme Weise (Der Freischütz) - 42. Georges Bizet Carmen - 43. Fritz Kreisler Liebesleid - 44. Wolfgang Amadeus Mozart Clarinet Concerto KV 622, 2nd movement - 45. Johannes Brahms String Quartet op. 67, 2nd movement - 46. Georges Bizet La fleur que tu m’avais jetée (Carmen) - 47. Robert Schumann Piano Quintet op. 44, 1st movement - 48. Franz Schubert Arpeggione Sonata D 821, 1st movement - 49. David Gates If - 50. Johann Strauß (Sohn) Overture (Die Fledermaus) - 51. Camille Saint-Saëns The Swan (Carnival of the Animals) - 52. W. A. Mozart (Arr. R. Winn) Concerto for Flute and Harp KV 299, 2nd movement - 53. Max Bruch Violin Concerto op. 26, 2nd movement - 54. Johann Sebastian Bach Air (Suite for Orchestra No. 3 in D major BWV 1068) - 55. César Franck Sonata for Violin and Piano, 1st movement - 56. Johann Sebastian Bach Concerto in F minor for Harpsichord and Strings BWV 1056, 2nd movement - 57. Ludwig van Beethoven Romance in F major op. 50 - 58. Franz Schubert Arpeggione Sonata D 821, 2nd movement - 59. Robert Schumann Träumerei (Kinderszenen) - 60. Igor Strawinsky Firebird Suite - 61. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 62. Ruggero Leoncavallo Vesti la Giubba (Pagliacci) - 63. Claude Debussy La fille aux cheveux de lin - 64. Carl Reinecke Sonata op. 167, 2nd movement (Undine) - 65. Robert Schumann Romanze op. 94/2 - 66. Maurice Ravel Pavane pour une infante défunte - Chapter 4 / Kapitel 4: Top register. Das obere Register - 67. Johannes Brahms Hungarian Dance No. 1 - 68. Pjotr I. Tschaikowsky Waltz of Flowers (Nutcracker Suite) - 69. Giuseppe Verdi Amami, Alfredo (La Traviata) - 70. Harold Arlen Somewhere over the Rainbow - 71. Wolfgang Amadeus Mozart Dieses Bildnis ist bezaubernd schön (The Magic Flute) - 72. Hector Berlioz Overture (Le Carnaval Romain) - 73. J. S. Bach / Ch. Gounod Ave Maria (after Bach’s Prelude No. 1, Welltempered Clavier 1) - 74. Pietro Mascagni Intermezzo (Cavalleria Rusticana) - 75. Niccolo Paganini Cantabile - 76. Georges Bizet La foule prosternée (Pearl Fishers) - 77. Gaetano Donizetti Verranno a te sull’aure (Lucia di Lammermoor) - 78. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74, 1st movement - 79. Gaetano Donizetti Il dolce suono (Lucia di Lammermoor) - 80. Giacomo Puccini O mio babbino (Gianni Schicchi) - 81. Johannes Brahms Sonata for Violin and Piano in G major op. 78, 1st movement - 82. Charles Gounod Petite symphony, 2nd movement - 83. Modest Mussorgsky Night on a bare Mountain - 84. Igor Stravinsky Rite of Spring - 85. Johannes Brahms Symphony No. 3 op. 90, 2nd movement - 86. Johannes Brahms Symphony No. 3 op. 90, 3rd movement - 87. Igor Stravinsky Firebird Suite - 88. Edvard Grieg Piano Concerto op. 16, 3rd movement - Chapter 5 / Kapitel 5: Imagination and Realization. Idee und Realisation - 89. Edward Elgar Salut d'amour - 90. Wolfgang Amadeus Mozart Flute Quartet KV 285, 2nd movement - 91. Richard Strauss Don Juan op. 20 - 92. Hector Berlioz Symphonie Fantastique, 1st movement - 93. Frédéric Chopin Nocturne op. 9/2 - 94. Sergej Rachmaninow Piano Concerto No. 2 op. 18, 1st movement - 95. Pjotr I. Tschaikowsky Symphony No. 6 / Pathetic Symphony op. 74 - 96. Giuseppe Verdi Overture (Giovanna d'Arco) - 97. Maurice Ravel Piano Concerto, 2nd movement - 98. Giacomo Puccini E lucevan le stelle (Tosca) - 99. Johannes Brahms Piano Concerto No. 2 op. 83, 3rd movement - 100. Edvard Grieg Åses Tod op. 41/1 (Peer Gynt) - 101. César Franck Sonata for Violin and Piano, 2nd movement - 102. Frédéric Chopin Waltz op. 69/1 - 103. Aram Khatchaturian Spartacus Ballet. - 104. Aram Khatchaturian Violin Concerto, 2nd movement - 105. Johannes Brahms Intermezzo - 106. Sergej Rachmaninow Piano Concerto No. 2, 2nd movement - 107. Sergej Rachmaninow Piano Concerto No. 2, 3rd movement - 108. Jules Massenet Méditation (Thaïs) - 109. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 110. Johannes Brahms Violin Concerto op. 77, 2nd movement - 111. Pjotr I. Tschaikowsky Symphony No. 4 op. 36, 2nd movement - 112. Giuseppe Verdi Overture (Il Forza del Destino) - 113. Felix Mendelssohn Bartholdy Violin Concerto op. 64, 2nd movement - 114. César Franck Sonata for Violin and Piano, 1st movement - 115. Giacomo Puccini Nessun dorma (Turandot) - 116. Richard Strauss Im Abendrot (Four last Songs) - 117. Pjotr I. Tschaikowsky Rococo Variations op. 33 - 118. Sergej Rachmaninow Symphony No. 2 op. 27, 1st movement - 119. Pjotr I. Tschaikowsky Violin Concerto op. 35, 2nd movement - 120. Anton Bruckner Symphony No. 7, 1st movement - 121. Claude Debussy (Arr. R. Winn) Rêverie - 122. Claude Debussy Prélude à l’après-midi d’un faune - 123. Jean Sibelius Violin Concerto op. 47, 1st movement - 124. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 125. Sergej Rachmaninow Vocalise op. 34/14 - 126. Alexander Borodin String Quartet No. 2, 3rd movement. - 127. Joaquín Rodrigo Concierto de Aranjuez, 2nd movement - 128. Sergej Rachmaninow Symphony No. 2 op. 27, 3rd movement - 129. Aram Khatchaturian Spartacus Ballet. - 130. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 131. Nikolai Rimski-Korsakow Scheherazade - 132. Pjotr I. Tschaikowsky Overture (Romeo et Juliette) - 133. Maurice Ravel Daphnis et Chloé (Suite No. 2)

The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre