Swing Standards - Tenor Saxophone

Mark Vega?s Jazz Solo Series for Eb instruments, including Tenor Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.

Standards for Tenor Sax-Glenn Zottola is best known as a brilliant swinging trumpeter who occasionally doubles on alto sax. On this special project he is heard as a talented tenor saxophonist who draws on the sounds and styles of Lester Young and Coleman Hawkins finding his own voice somewhere in between. Glenn sounds quite at home playing with the vintage rhythm sections yet gives the music his own special twist. We've transposed Glenn's every note enabling the at-home player to study and emulate these improvised solos. The sheet music also contains the original melody line of these classic standards plus chords and an alto sax part so that both Bb and Eb saxes can play these great standardswith equal enjoyment with an all-star rhythm section. Includes: Body and Soul · Embraceable You · Oh Lady Be Good · You Go to My Head · and more.

15 great solo etudes for jazz style and improvisation [with a new appendix included]-Intermediate Jazz Conception is another addition to the popular series of etude books created by Jim Snidero featuring some of the finest jazz musicians in the world. This book/cd set includes 15 etudes based on standards modal tunes and blues demonstrated Ted Nash on tenor sax with the incredibly swinging rhythm section of Dave Hazeltine on piano Peter Washington on Bass and Kenny Washington on Drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation including a scales syllabus nomenclature and over 95 lines and ideas extracted for the study of improvisation!The recording features two separate versions of each etude; one with the soloistand rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes play with or without the soloist on the cd and learn about both jazz style and improvisation from some of the best.

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

Par BERCOVITZ.M / MINEAU.T. Les titres de ce recueil sont issus du grand répertoire des Standards de Jazz et de Blues. La première partie présente tous les thèmes, tels que joués par le saxophoniste ténor sur le CD audio fourni avec ce recueil. La seconde partie offre à l'instrumentiste les clés pour une improvisation réussie. Au début de chaque partie, une notice pédagogique donne des pistes de travail à explorer ainsi que des conseils sur la manière d'utiliser au mieux ce livre. / Rép International / Recueil / Saxophone Ténor et Clarinette en Sib

Swing Renaissance-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier der Standardsatz plus Ergänzerstimmen. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass;Klavier (Akkordbezifferung und Text) Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello. Hier der Doppelband mit Shakin’ Boogie Woogie (Salomon) und Swing Renaissance (Peche).