A Stitch in Time

Stitched manuscript paper in A4 format. Idea for use in the classroom or for your own creations! Get all those burning ideas down on paper for all to see. / Tout Instrument

Par . Looking for a fun and easy way to learn your favorite Disney songs? Look no further than the Hal Leonard Disney Hits Super Easy Songbook! With simplified arrangements of everyone's favorite tunes from timeless classics like The Lion King and Aladdin to modern favorites like Frozen and Moana, this book is perfect for beginners of all ages. With no page turns, simple right-hand melodies, letter names inside each note, and basic left-hand chord diagrams, you'll be playing along to your favorite Disney songs in no time! Songs include: For the First Time in Forever · He's a Pirate · How Far I'll Go · I Just Can't Wait to Be King · Into the Unknown · Love Is an Open Door · Nobody like U · The Place Where Lost Things Go · Remember Me (Ernesto de la Cruz) · Speechless · Spirit · We Don't Talk About Bruno · When Will My Life Begin? · You'll Be in My Heart (Pop Version) · You're Welcome · and more. / Niveau : Facile / Date parution : 2023-10-31/ Recueil / Piano

Celebrating the 100th Anniversary of Disney. What better way to celebrate the 100th anniversary of Disney than with 100 magical songs in a beautiful, collectible hardcover edition? Beginning with a foreword by composer and Disney legend Alan Menken, and a preface by Walt Disney Records Supervising Producer and Music Historian Randy Thornton, and featuring colorful art throughout, Disney 100 Songs will take you on a century-long musical journey through 60 feature films, theme park attractions, and television shows. Each song is presented with melody, lyrics, and chords so everyone will be able to sing and play these beloved favorites. Songs include: Baby Mine · Be Our Guest · Beauty and the Beast · Bella Notte · Bibbidi-Bobbidi-Boo (The Magic Song) · Breaking Free · Can You Feel the Love Tonight · Chim Chim Cher-ee · Do You Want to Build a Snowman? · For the First Time in Forever · Friend like Me · Hakuna Matata · How Far I'll Go · I've Got No Strings · The Incredits · Into the Unknown · Lava · Let It Go · The Place Where Lost Things Go · Reflection · Remember Me (Ernesto de la Cruz) · Seize the Day · Speechless · A Spoonful of Sugar · Supercalifragilisticexpialidocious · That's How You Know · Under the Sea · We Don't Talk About Bruno · We're All in This Together · Who's Afraid of the Big Bad Wolf? · Wild Uncharted Waters · Winnie the Pooh · You'll Be in My Heart (Pop Version)* · You've Got a Friend in Me · and more!

Instrumental Play-Along-This volume in the Hal Leonard Instrumental Play-Along series contains a dozen hot contemporary hits arranged specially for the Trombone and complete with downloadable backing tracks to play along to.Songs include: Adventure of a Lifetime Budapest Die a Happy Man Ex's

Instrumental Play-Along-This volume in the Hal Leonard Instrumental Play-Along series contains a dozen hot contemporary hits arranged specially for the Viola and complete with downloadable backing tracks to play along to. Songs include: Adventure of a Lifetime Budapest Die a Happy Man Ex's

Instrumental Play-Along-This volume in the Hal Leonard Instrumental Play-Along series contains a dozen hot contemporary hits arranged specially for the Horn and complete with downloadable backing tracks to play along to.Songs include: Adventure of a Lifetime Budapest Die a Happy Man Ex's

Instrumental Play-Along-This volume in the Hal Leonard Instrumental Play-Along series contains a dozen hot contemporary hits arranged specially for the Violin and complete with downloadable backing tracks to play along to. Songs include: Adventure of a Lifetime Budapest Die a Happy Man Ex\'s

Monteverdi, Claudio Combattimento di Tancredi e Clorinda (from “Madrigali Guerrieri e Amorosi. Libro VIII”) Author: Claudio Monteverdi (1567-1643) Editor: Andrea Bornstein Publication Date: 2002 Collana: Odhecaton Edition: Set of Parts (Voices, Vl I-II, Vla, Vc, Cb, Bc) Pages: pp. 52 Size: 210x297 mm Binding: Saddle stitching ISMN: 979-0-2153-1042-1 Codice: ODH 14B

from Lilo and Stitch-Hang onto your surfboards! This Hawaiian-flavored song is the highlight of the Walt Disney Pictures' animated musical hit Lilo and Stitch. A Hawaiian pronunciation guide is included.Available separately: SATB SAB 2-Part and ShowTrax. Performance Time: Approx. 3:10.

Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'