Step One: Play Piano: Piano: Instrumental Tutor

Step One: Play Keyboard Chords. 140 essential chords in all 12 keys in clear photographs and handy keyboard diagrams. A complete resource for the beginning pianist or synthesizer player. The CD contains all the music examples and tunes played by professional musicians.

Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire de la personne et l'enseignement de groupe plus facile, plus intégrée et plus efficace. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que le développement technique et musicalité. / Saxophone Et Piano

The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Trombone is a fun way to get started playing on your own. Using excerpts from over 160 well-known songs from the Beatles and Disney to Elvis and Taylor Swift, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes audio tracks for demonstration, plus video instruction by trombone teacher Matthew Shephard. This book includes everything you need to know, including: how to put the trombone together; reading music on the staff; playing notes; developing your sound; instrument care; demonstration audio tracks; video instruction and demonstration; trombone talk: specific hints just for trombone players; toolboxes: the tools you need to keep growing on your instrument. The price of this book includes access to audio and video online, for downloador streaming, using the unique code found inside. Includes PLAYBACK , amulti-functional audio player that allows you to slow down audio without changing pitch, setloop points, change keys, and pan left or right-available exclusively from Hal Leonard. / Date parution : 2022-05-31/ Méthode / Trombone

Sixteen easy-to-play piano arrangements by Stephen Duro, complete with chord symbols and lyrics. With this book you will find yourself playing today's most popular Irish music in no time. Don't forget to check out the other titles in the excellent I Can Play That! series. / Piano / 48 pages / Partition

Un Moment In Time, Crazy, ai-je dit vous dernièrement, Roméo et Juliette plus neuf chansons d'amour plus mémorables, arrangés par Stephen Duro pour Piano facile avec les paroles et les symboles de la corde. / Piano / 48 pages / Partition

inspiring confidence to play by touch-Richard Smith's Don't LOOK At The Keys! teaches students how to play by touch feeling their way around the keyboard using various 'signposts' whilst keeping their eyes on the music. Designed to make sight reading easier and more effective the books in this innovative series contain a progressive set of imaginative pieces to take students and teachers step by step through the technique. This is not just another sight reading book. Don't LOOK At The Keys! contains actual practice pieces as well as instructions that demonstrate how toplay Piano by touch. It instructs and develops the skill and confidence to look at the music instead of the hands and helps those students who commit pieces to memory or play by ear then wonder where to look while playing. This is the first of three books in the series. Book One is in two parts; hands separate and hands together all pieces have both hands in a five finger position each of which is illustrated at the top together with the key (all keys are on the Grades 1 & 2 sight reading syllabus). The pieces in Book Two are within an octave in both hands and Book Three beyond this range.  

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.

Arcadia is a work for Violin Soprano Saxophone and Piano inspired by the painting 'Pastoral for E.W.' by John Craxton. As a painter John was sometimes dubbed a 'neo-Romantic' but much preferred the term'Arcadian' - hence the title of the piece. Pastoral for E.W. was painted in 1948 in St John's Wood after one of John's early trips to the island of Crete and is a homage to Peter Watson (co-founder of the magazine 'Horizon' andthe Institute of Contemporary Arts) who was one of John's early mentors.In a letter in 1986 John recounted that: '‘Pastoral for P.W.’: was a celebration of the power of music. My sister (the distinguished oboist JanetCraxton) was learning the oboe on the same floor at the time and the house was full of her scales and exercises coupled with my discovery that goats which seem to be daemonic willful and undisciplined are held in thrall by thesound of a flute - or have I gone a step further and frozen them into my geometry with a paint brush? I suppose the flautist was in origin myself but a very emblematic me!' Ian Collins in his book 'John Craxton' (2011Lund Humphries) says of Pastoral for E.W.: 'A pipe-player and a herd of goats are held in a rugged grid of semi-cubist triangles. While references to Dionysus and Orpheus may be noted it is essentially a fanfare for the ongoinglife light and landscape of Greece'. The music of Arcadia is also Grecian in inspiration. The traditional folk melodies Skaros Epirotikos Vari Pogonisio Ouzak To Tragoudhi Tis Xentias and Pentozalis - Pentozalis arepresent in Arcadia after I researched the type of music that John would have heard in Crete in the late 1940's. In a letter of 3rd May 1984 John said that he was also listening to Stravinsky's Symphony in 3 Movements 'over andover again at the same time when I first started the painting' and aspects of the beginning of the last section of Arcadia (Allegro Moderato) pay homage to the Stravinsky in an attempt to create something of the aural landscape