SKU: HL.48184897
UPC: 888680859589. 9.0x12.0x0.289 inches.
French composer, Jean-Louis Florentz (1947-2004) was a prolific student of Olivier Messiaen. Standing on the Sun, composed in 1990, is an exciting addition to the Organ repertoire. Florentz's music is described as having a strong, evocative power which keeps the clarity of the French style. A typical performance of Standing on the Sun, Ressurection song for Organ, lasts about 25 minutes. It is a virtuosic and modern piece, yet provides organists with an exciting, alternative performance work. For all advanced organists seeking to vary their repertoire, Florentz's Standing on the Sun makes for an exciting addition to the repertoire..
SKU: HL.14028367
14.5x10.25x0.434 inches.
English Organist and composer Henry Smart was one of a family of accomplished musicians active in the 19th century. During his lifetime, Smart was widely considered to be one of the premiere composers in British history, but that popularity was not sustained in the years since his death. He is best known now for the hymn tune Regent Square which is sung to Angels From the Realms of Glory.This Organ Postlude In C reveals Smart to have been an accomplished composer with an excellent understanding of his instrument and undoubtedly of the musical tastes of his era.
SKU: LO.30-3420L
UPC: 000308146677.
Celebrate the joy of Christ's resurrection with this outstanding medley of Easter tunes. The handbell arrangement can stand on its own or the optional brass and organ parts can be added for a more dramatic presentation. This selection is perfect for showcasing your bell ensemble on Easter Sunday and makes a dazzling inclusion in spring handbell festivals.
SKU: ST.EC66
ISBN 9780852499726.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript ?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. EECM66 contains Advent, Christmas, Epiphany and Lenten hymns from Add. MS 29996, and 22 pieces from other sources. Three appendices include intabulated pieces, plainchant melodies, and hymns and faburdens.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
SKU: ST.EC65
ISBN 9780852499719.
EECM65 and EECM66 revisit the repertoire of the ground-breaking volumes 6 and 10 in the series, Early Tudor Organ Music, in the light of 60 years of continuing research and deeper understanding of the surviving corpus. Some 109 works are brought together here, in the order in which they appear in each manuscript ?? British Library Additional MS 29996 accounting for three-quarters of the content, plus 22 works from other sources. There are settings for the Office (antiphons, hymns, the Te Deum and Magnificat) and Mass ordinary and propers (particularly the Offertory).The format is of the same dimensions as other EECM volumes, although presented in landscape for more practical use. Containing music exclusively from Add. MS 29996, EECM65 includes updated composer biographies compiled by David Mateer, and introductory notes for the two volumes on cantus firmus techniques and metrical structure, counterpoint and musica ficta, alternatim practice, and an historical account of the early English organ.In addition to numerous anonymous titles, composers found in these volumes include Avery Burnett, Robert Coxsun, William Kyrton, Thomas Preston, John Redford, Philip ap Rhys, Edmund Strowger, Thomas Tallis, John Thorne, Robert White and Richard Wynslate.
SKU: CA.3105449
ISBN 9790007145897. Language: German/English. Text: Lehms, Georg Christian. Text by Georg Christian Lehms.
The cantata Widerstehe doch der Sunde BWV 54 is now one of Johann Sebastian Bach's most popular solo cantatas. The short text, which comprises three movements, comes from a 1711 collection of cantata texts by the Darmstadt court poet Christian Lehms, and warns in drastic terms that no sinner will inherit the kingdom of God. It is certainly no coincidence that Bach allocated this text to an alto voice, then often regarded as a symbol for the repentant sinner. The cantata comes from Bach's Weimar period and only survives in a fair copy of the score by Johann Gottfried Walther (music text ) and Johann Tobias Krebs (vocal text underlay). This didn't 't present any difficulties in preparing an edition. In Lehms' word book the cantata is allocated to Oculi Sunday (the third Sunday in Lent), but can also readily be sung on other occasions in the church year. Score and part available separately - see item CA.3105400.
SKU: KJ.W75TC
ISBN 9780849771156.
First Place for Jazz is a comprehensive jazz curriculum built from the ground up - essential for implementing the jazz ensemble curriculum. The book is divided into three sections by key: Concert Bb, F, and Eb. Within each section the major, Mixolydian, Dorian, and blues scales and correlated chords of that key are introduced through Jazz Starters, Rhythm Section Spotlights, and Rhythm Sectionals. These enrichments prepare students to play each of the 12 original grade 1-2 Jazz Ensemble Charts and Lead Sheets. Suitable for group or individual instruction, this unique organization, combined with a host of innovative features including Kjos Interactive Practice Studio and availability in SmartMusic, will provide bands with the tools it will need.
About First Place for Jazz
All First Place for Jazz selections feature moderate ranges, notated rhythm section parts, and open solo sections.
