Spring Cantata

Cantata. Par TIPPETT MICHAEL SIR. Adapté pour les écoles secondaires, le choeur et instrumentistes jouent un rôle égal dans ce travail important. Textes merveilleusement pittoresques de Christopher Fry sont avec imagination définies par Tippett pour créer une éclairage Description des saisons. Egalement le mouvements courts wich composent ce con de travail être effectuée individuellement./ Répertoire / Choeur et Instruments Divers

This cantata for SATB with brass quintet or organ comprises five very attractive settings of E. E. Cummings poems.

Vecné evangelium / The Eternal Gospel Cantata for Solo Voices Mixed Chorus and Orchestra Leoš Janácek’s great oratorio “The Eternal Gospel” for soprano tenor mixed chorus and orchestra is based on a medieval legend in which an angel announces the coming of the Kingdom of Love on Earth to a Cistercian monk Joachim of Flora. Janácek set the text as a dramatic scene with two characters. The chorus unfolds as a contrasting foil to the two main figures until the final climax when the people sing “Alleluia” and receive the message of the brotherhood of all creation. The Eternal Gospel occupies aspecial place in Janácek’s œuvre. The dream-like atmosphere and emotional force of this twenty-minute cantata cast an unusually powerful spell. It originated during a time of turmoil: Janácek wrote it in spring 1914 on the eve of the First World War and the première took place in Prague in February 1917. In 1924 Janácek revised the cantata yet again for a festive performance on the occasion of his seventieth birthday. The vocal score has been prepared by Leoš Faltus one of the two editors of the volume for the Janácek Complete Edition (series B/volume 4). - Urtext Janacek Complete Edition - Full score (BA6860) and vocal score (BA6860-90) available for sale - Performance material (BA6860-72) available for hire

A Cantata Inspired by Spirituals-This major sacred work is musically inspired by traditional spirituals and tells of the ministry passion and resurrection of Jesus through familiar repurposed tunes narration and scriptures. Two endings are provided one for Holy Week and one with a jubilant Easter finale making this a versatile and inspiring work for a variety of Spring programming. From the rhythmic vitality of “Ride On King Jesus” to the languishing strains of “They Crucified My Lord ” from the stately dignity of “Give Me Jesus” to the festive joy of “Great Day ” this work delivers both ministry and artistry. Whether presented with Brant Adams'inspired orchestrations or with Piano alone you will find A Journey to Hope a unique and effective cantata experience. Songs include: 'Prelude'; 'The Call to Faith'; 'The Call to Follow'; 'Peace for the Journey'; 'Ride On King Jesus'; 'Come to the Welcome Table'; 'Gethsemane'; 'Jesus Walked to Calvary'; 'They Crucified My Lord'; 'Great Day! The Lord Is Risen!' Full orchestration: Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba hp pno timp perc 1-2 vn 1-2 va vc db) available as a Printed Edition and on CD-ROM. Consort orchestration: Score and Parts (fl 1-2 cl tpt 1-2 tbn perc kybd strings) available on CD-ROM.

Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale

B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.

Ce livre et son CD vont vous aider à choisir la musique pour votre mariage, que vous ayiez pris des leçons de piano depuis votre enfance ou que vous chantiez sous la douche. Contient trente morceaux pour chaque partie de la cérémonie, ainsi que des trucs et astuces pour que ce jour soit parfait. / Variétés Internationale / Partition CD /

Cent classiques adaptés pour le pianiste de niveau intermédiaire, avec des oeuvres allant de Mozart à Albeniz.
/ Classique / Arrangeurs : Manhire, Wilson / Palmer, Lynn / Partition / Cartonné / Plat de carton /

29 easy and enjoyable works for recorder and piano from four centuries that includes both original pieces for recorder, as well as arrangements of many popular melodies by famous classical composers, such as Mozart's The Bird Catcher's Aria or Für Elise by Beethoven. Many of these pieces are suitable for students in their second year of lessons. The pupils can play along with the accompanying CD or with easy piano accompaniment. / Flûte A Bec Soprano Et Piano

23 Easy Pieces for Trumpet and Piano. Par . Le présent volume comporte 23 pièces faciles pour trompette et piano, issues des répertoires baroque, classique et romantique. Ces courtes pièces sont bien adaptées à des élèves, filles et garçons, entre la 2e et la 3e années de cours. Les accompagnements de piano sont conçus de manière à pouvoir être aussi exécutés par des élèves, afin de pouvoir amener au jeu d'ensemble. Ces pièces conviennent ainsi totalement aux auditions dans les écoles d'enseignement général et les écoles de musique, de même qu'à tout type de présentation en public. Les enregistrements ont été faits volontairement dans des tempi modérés afin de faciliter aux jeunes musiciens leur participation au piano. À côté de quelques ?uvres moins connues, on trouvera beaucoup de pièces fort appréciées des élèves, comme par exemple des thèmes des Quatre Saisons de Vivaldi, de la Musique pour les Feux d'Artifice de Haendel, de la Flûte Enchantée de Mozart, de la 9e Symphonie de Beethoven, ou de Hänsel et Gretel de Humperdinck. Ce recueil d'arrangements faciles a notamment pour objectif de permettre un accès nouveau aux chefs-d'?uvre constituant la base du répertoire de concert, et de transmettre le plaisir de la musique classique. / Niveau : Très facile - facile / Date parution : 2023-10-31/ Recueil / Trompette et Piano