Format : Sheet music
SKU: HL.48187423
UPC: 888680843700. 9.0x12.0x0.171 inches.
Regrouped by Joseph Canteloube, this book is the fourth series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features six songs: I. Jou l'pount d'o Mirabel (Au pont de Mirabel) / At the Mirabel bridge II. Oi Ayai III. Pour l'enfant / For the child IV. Chut, Chut / Shh, Shh V. Pastorale / Pastoral VI. Lou Coucut (Le coucou) / The Cuckoo Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: HL.48187328
UPC: 888680828943. 9.0x12.0x0.155 inches.
Regrouped by Joseph Canteloube, this book is the second series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features five songs: I. Pastourelle / The Shepherdess II. L'Antouenou (L'Antoine) / Antoine III. La Pastroueletta e lou Chibalie / The Shepherdess and the Horse-rider IV. La Delaissado (La delaissee) / The neglected V. Deux Bourrees / Two Bourrees: a. N'ai pas ieu de mio (Je n'ai pas d'Amie) / I don't have a Friend b. Lo calhe (La Calle) Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: CA.240803
ISBN 9790007170806.
What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? A vocal score has been published which contains all of the the songs in the new Carus book of lovesongs in easily playable accompaniments. For many of these songs choral settings by famous composers such as John Dowland, Thomas Morley, Thomas Tallis or Thoinot Arbeau have been adopted, wherever possible, in their original form. In addition, well-known and familiar original settings by Beethoven, Brahms, Benjamin Britten, and other composers will be found in this collection. Songs with entirely new accompaniments have also been included, resulting in a collection of lovesongs offering a distinctive stylistic variety suitable for many different occasions. Score available separately - see item CA.240800.
SKU: PR.114419240
UPC: 680160684762. 9 x 12 inches.
This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It's written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.This three-movement work is adapted from my Woodwind Quintet No. 3 (2008), which was originally a four-movement piano duet (2007) and a symphonic wind ensemble work (2007), arranged here for a saxophone ensemble, for premiere at the 18th World Saxophone Congress held in July 2018 in Zagreb, Croatia. The authentic folk music from China West has amazed and inspired me in the creation of this work, which has the folk music elements drawn from the folk songs Du Mu and Amaliehuo of the Zang People; Ashima of the Yi People; as well as Dou Duo and the Lusheng ensemble music of the Miao People. It’s written for soprano, alto, tenor, baritone, and bass saxophones with possible multiple players for all parts.
SKU: CA.240800
ISBN 9790007171391.
What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music.
SKU: WD.080689518171
UPC: 080689518171.
“Train up a child in the way he should go, and when he is old, he will not depart from it.” Proverbs 22:6 (KJV) This familiar scripture, taken from Proverbs, is an easy segue into the concept behind Psalms & Psongs, from Christy and Daniel Semsen. One of the most powerful things we can do for our kids is to be sure they are grounded in a strong scriptural foundation. Teaching our kids God’s Word – in this case, the Psalms – is so important to how we apply that wise, scriptural directive to “train up a child.”Make it FUN—one of the most important ways to get kids excited about learning scripture is to make it fun…and make it easy! A great way to do that is by creating new, modern songs inspired by the Book of Psalms that kids will be eager to sing! Christy and Daniel Semsen have created a wildly-fun, musically-engaging project that brings the Psalms to life in a fresh, new way for young worshippers. Perfect for Kids Choir, Children’s Church and Children’s Worship services, you can also use it as a tremendous teaching tool to help your kids connect with the scriptures and learn some of the wonderful words and Biblical concepts found in the Psalms. With the downloadable Bible lessons and activity book this will become one of the most valuable kids ministry tools to come your way in a long time. Available with a brilliant, super-fun, high-energy DVD accompaniment that can be used as a performance track for Kids Choir concerts or use as a sing-along tool in your next kids’ service, you’ll be sure to love this fast-paced, musically-innovative project from creators Christy and Daniel Semsen and your friends at WordKidz!
SKU: HL.48187381
UPC: 888680845988. 0.111 inches.
Regrouped by Joseph Canteloube, this book is the third series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect ?Occitan?, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. It features five songs: I. Lo Fiolaire (La fileuse) / The Spinner II. Passo pel prat (Viens par le pre) / Come through the field III. Lou Boussu (Le Bossu) / The huntchback IV. Brezairola (Berceuse) / Lullaby V. Malurous qu'o uno fenno - Bourree (Malheureux qui a une femme) / Unfortunate thus who has a wife Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from the Auvergne inspired by the area his family was from..
SKU: BT.ALHE31170
French.
Composed by Joseph Canteloube, Bá lèro is part of the first series out of five, from Songs from the Auvergne. It is the most famous song of the series, and this edition was written for Soprano Solo, Tenor Solo and SATB. The lyricsare in local dialect _x001A_Occitan_x001A_and have the French translation below, they consist of questions asked to the bá lèro. The piece is introduced by the SATB singing slowly and in a contemplative way, with a strict tempo. The Sopranosolo then starts with the lyrics, followed by an SATB transition towards the Tenor solo. The piece is then replayed with no introduction and different lyrics to finish with all the voices in perfect harmony. Joseph Canteloube(1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series 'Songs from the Auvergne' inspired by the area his family was from.
SKU: BT.ALHE30377
Regrouped by Joseph Canteloube, this book is the fourth series from the set Songs from the Auvergne. This edition, written for Voice and Piano, contains lyrics in local dialect _x001A_Occitan_x001A_, with the French translation below. Somedirectives are given to obtain the correct pronunciation of the language. It features six songs: I. Jou l'pount d'o Mirabel (Au pont de Mirabel) / At the Mirabel bridge II. O Aya III. Pour l'enfant / For the child IV.Chut, Chut / Shh, Shh V. Pastorale / Pastoral VI. Lou Coucut (Le coucou) / The Cuckoo Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for the series Songs from theAuvergne inspired by the area his family was from.
SKU: ST.MB93
ISBN 9790220223396.
This is the first complete edition of the rounds, canons and songs from Ravenscroft's four principal publications: Pammelia, Deuteromelia, Melismata and A Briefe Discourse. Thomas Ravenscroft (c.1582-c.1635) was a collector, editor and theorist as well as a composer, whose work was esteemed in his own lifetime and is valued today for its insights into the popular music of the period. Rounds and canons in this collection are all presented in resolved form, and the variety of subjects includes drinking songs, hunting songs and four songs in West Country dialect, as well as Latin-texted material. It is hoped that performers may be inspired to breathe new life into a repertoire that sheds fascinating light on a hitherto neglected area of Elizabethan music-making.
SKU: HL.14003615
8.25x11.75x0.052 inches.
Two Shakespeare Songs were written in 1989-1990. Cry, Cock-a-Doodle-Doo was written first, and is scored for Soprano Voice and Piano. It takes its text from a song by Ariel in The Tempest. The Witches' Song is for solo Soprano, with the text coming from Macbeth. Both are dramatic works which allow the performer to showcase her virtuosity; either would be a perfect audition piece or both could be combined as complementary items on a recital programme.
Alison Bauld (b. 1944) is an Australian-born composer and writer who lives and works in London. Her compositions are distinguished by their dramaticstructure, partly inspired by musical theatre. She has also written a three-volume tutor for keyboard and composition.
SKU: HH.HH452-SSC
ISBN 9790708146599.
Three Imaginary Folksongs was requested by the Concerts Society of Liverpool Metropolitan Cathedral for their concert season celebrating the 50th anniversary of the opening of the Cathedral. The composer was asked specifically for a work which would highlight the much-admired talents of the principal clarinet, Jacqueline Thomas. The title is unambiguous. Taking three different approaches, each of which has a modal starting point, the three ‘folksongs’ from imaginary places, were developed in styles which reflect the work of earlier folksong-inspired composers. The first performance took place at Liverpool Metropolitan Cathedral at a concert that not only celebrated the Cathedral’s 50th birthday, but also Stephen’s 70th.
