Format : Score and Parts
SKU: ST.MB52
ISBN 9790220215568.
Brahmsian in outlook yet flavoured with Irish flair and imagination, these songs reveal hidden aspects of a composer whose reputation, in all its diversity, is still to be fully revalued. One complete song-cycle, A Fire of Turf, is included, together with Three Ditties of Olden Times. Three Songs to Poems by Robert Bridges, Songs of Faith Set II, The Clown's Songs from Twelfth Night and 20 other individual songs.
SKU: BR.CHB-16003
ISBN 9790004413302. 7.5 x 10.5 inches. German.
The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and piano for two hands. Brahms made this arrangement himself in November 1874 after the conductor Hermann Levi, who had initially been commissioned, had rejected it. Brahms had previously immersed himself in the pieces again for the four-hand version without voice op. 52A, so that he was now able to create the new arrangement in a few days. Here, Brahms explicitly intended the voices no longer as ad libitum, since the vocal parts are not completely incorporated in the piano part any more. In the spring of 1875, this version was published by Simrock, but it could not prevail against the popular original version and was presumably mainly performed in a domestic setting. The present edition would like to invite musicians to rediscover, practically test and perform a still little-known form of the Liebeslieder op. 52. The musical text follows the new Brahms Complete Edition, on which the informative preface is also based.
SKU: FP.FSC05
ISBN 9790570504169.
Cyril Scott’s music is currently the subject of major revival, having lain largely ignored for much of the 20th Century. Once described as 'the father of modern British music' by Eugene Goossens, and admired by Claude Debussy, Richard Strauss, Igor Stravinsky and his lifelong friend Percy Grainger, he composed four hundred works including: four Symphonies, three Operas, two Piano Concertos, four Oratorios, Concertos for Violin, Cello, Oboe and Harpsichord, several Overtures, Tone Poems, many Chamber works and innumerable songs.There is a story that when Bernard Shaw commented to Elgar on the (then) daring harmonies of his Second Symphony Elgar replied 'You mustn’t forget, it was Cyril Scott started all that!'.'a pioneer of British piano music, producing more piano works in the period 1903-1914 than any other British composer and any other international one, with the exception of Scriabin... (He) was a key figure before World War I in helping Britain to break away from musical conservatism and the prevailing Germanic influences.' (Lisa Hardy, The British Piano Sonata 1870-1945).
SKU: LM.27907
ISBN 9790230979078.
P'tit lutin - Marionnette - Tcha-Tcha - Ressort - Pirouette - Hard'Folie - Balade - Staccato-Chinois - En fanfare - Noctambule - Rock - Pied de nez - Paso Doble - Priere - Adagio en forme de choral - Slow - Melopee - Clair de lune - Chant du soleil - Soldats de plomb - Drapeaux - Batignolles - Rouli-Roula - Valse triste - Tourbillon - En revant - Octobre - Secret - Delire clownesque - Cauchemar - Cadence - Berceuse.
SKU: HL.4003385
UPC: 884088885083. 9.0x12.0x0.147 inches.
As implied by the title, the meter of 5/4 is an important structural component of this creative and energetic work for band. After the intense opening statement, a brief lyric and calm middle section builds to a full ensemble climax before returning to the fast main theme. Blending extended jazz-like harmonies with an exciting rhythmic drive, this piece is sure to stir the interest of players and listeners alike. Dur: 4:25.
SKU: LM.27760
ISBN 9790230977609.
Le furet paresseux qui se moquait de ses poursuivants! - Le chat qui avait enfin perdu sa mere Michel! - Le coquelicot timide qui revait - Un mari, un Rousselle, un Dagobert... confusions!
SKU: HL.49008170
ISBN 9790001123099. 9.25x12.0x0.108 inches.
'Jazzuite', as the name implies, is a sequence of short pieces, inspired by jazz styles. With their compelling rhythms and intriguing harmonies these compositions are aimed at intermediate students and adult learners alike. Introduction * Week-End * Lychee * The et chocolat * Kaleidoscope * The Lizard Rag * Criss-Cross * Bitter-sweet * L'ecrevisse dans la crevasse.
SKU: LO.15-4081H
ISBN 9780787789718.
This original work from Ed Hogan speaks of the sacred gift of music and the intrinsic longing to fill the world with song. Written from the perspective of overcoming adversity, this piece dwells on the hope that unity through song will prevail. As an expert orchestrator, Ed has written additional instrumentation for chamber orchestra.
SKU: HL.233290
12.0x9.25x0.467 inches. English.
John Luther Adams' The Light That Fills the World for Chamber Ensemble (6 players). Duration: 13 minutes. The Light That Fills the World was written in late winter and early spring when - following the long darkness of winter - the world is still white and filled with new light. If the unrelenting texture of this music embodies stasis, I hope its prevalent tone evokes the ecstatic. The title of the piece is borrowed from an Inuit song which sings of the close relationship between beauty and terror, risk and revelation. - John Luther Adams, Fairbanks, Alaska, August 1999 Includes Score and parts plus spiral-bound keyboard part.
SKU: HL.346713
UPC: 840126925029. 5.0x5.0x0.15 inches.
The 2020 Netflix documentary Miss Americana, chronicling several years of superstar Taylor Swift's personal and public life, received rave reviews when it debuted in 2020. This song, which plays over the end credits of the film, was praised for raising awareness of the prevalence of gun violence in America.
SKU: DZ.DZ-4319
ISBN 9782898522369.
The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements. The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.La Suite pour guitare vise à mêler tradition et modernité à travers lâutilisation dâun langage à lâempreinte néobaroque.Lâutilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées dâun Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer lâexpérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans lâorganisation du matériau musical.
SKU: HL.49033305
ISBN 9790001137911. UPC: 884088408053. 9.0x12.0x0.202 inches.
String Quartet No. 5 consists of two contrasting movements. The first movement, being present, immediately leads to an atmosphere of high emotional tension. The prevailing atmospheric elements of the music are dramatic and passionate, alternating with each other like a kaleidoscope. In contrast to that, a second theme is intoned three times - an invitation, a memory of the existence of another world, a light-house which illuminates the twilight in which we live so often. But this invitation remains unheard. The first movement concludes with dissonances in the upper register - a cry of utter desperation.The second movement, so distant ... yet so near, is the calm, unhurried vocal section of the quartet. A forgiving, loving look at a world tortured by grief and contradictions. Gradually, the singing becomes more personal, more emotional and more dramatic. The rhythmic figure of a funeral march in the recapitulation of the second movement is a gesture of loss. Eventually, the quartet loses itself in an atmosphere of light-filled grief. Peteris Vask.
SKU: LM.27281
ISBN 9790230972819.
TRADITIONNEL : Greensleeves - Joshua Fit the Battle Of Jericho - Nobody's Knows the Trouble I've Seen - AZNAVOUR / GALL : La Mamma - BARBELIVIEN / MEHDI : Mademoiselle chante le blues - BETTI / HORNEZ / SEELEN : C'est si bon - BOCCHERINI : Menuet - BRAHMS : Danse hongroise n. 7 - CHOPIN : Polonaise heroique - DELIBES : Valse lente (Coppelia) - DVORAK : Humoresque - GAINSBOURG : La Javanaise - HASSLER : Prelude varie - HEUMANN : Feelin' The Blues - That's Real Boogie - KARAS : Le Troisieme homme - LAI / SIGMAN : Love Story - LEGRAND / MARNAY : Les Moulins de mon coeur (L'Affaire Thomas Crown) - MANCINI : Baby Elephant Walk (Hatari) - PUCCINI : Nessun Dorma - REVAUX / FRANCOIS / THIBAUT / ANKA : My Way (Comme d'habitude) - ROSSINI : La Danza.
SKU: KN.52875S
Solo space is reserved for soprano sax and flugelhorn in this lyrical ECM-ish kind of chart. Legato phrasing should prevail, and paying attention to good blend and balance will pay big dividends. Duration ca. 7:45.
SKU: HL.14035519
ISBN 9780711996878.
These seven pieces can be performed as a complete work, as they appear in the score. They can also be performed as free-standing pieces. Total duration 20 minutes. These seven piano pieces were written as an attempt to go into the tradition of romantic and impressionist character pieces, like Grieg's Lyrical Pieces or Debussy's Preludes: small, relatively simple pieces with a motto, and usually with one prevailing sentiment, like a musical short story.
SKU: HL.49020849
ISBN 9783254001917. 5.75x8.75x0.932 inches. German.
Being the result of lectures held by the author in America, this book keeps the promise made in the title: to show the composer in his world, portray him in his workshop and describe the disputes he has to overcome with himself, with the idea, the 'material', the fashion, the audience. Hindemith examines the conditions under which it is possible for an artist to do creative work.A new music theory is emerging, developing out of elementary components in a generally comprehensible and clear way while discussing in particular the technical side of composing. In this juxtaposition of creative artist and environment, the severe and critical statements on prevailing conditions result from the high sense of responsibility which, in Hindemith's opinion, has to define the path of the musician.