from the 18th - 19th Century Instrumentation : piano Description : The new edition of this well-known educational album has been revised in such a way that it is even more suitable for use in music lessons. Some lesser known pieces have been removed, while Satie's well-known 'Gymnopédie No. 1', which has proven popular in lessons, has been added. The anthology is presented in a chronological order. Contenu : Baroque: G.F. Handel: Sonata in C major - CD. Scarlatti: Sonata in A minor - Sonata in G minor - F. Couperin: Le Petit-Rien - Pre-Classical: B. Galuppi: Sonata No. 2 in C major - C.P.E. Bach: Sonatina No. 3 in A minor - G.A. Benda: Sonatina in C minor - D. Cimarosa: Sonata in G major - J.C. Bach: Sonata in G major, Op. 5/3 - Classical: W.A. Mozart: Andantino in E flat major - J. Haydn: Sonata in A major - M. Clementi: Sonatina in F major, Op. 8/4 - Romanticism: F. Schubert: Waltz, Op. 127/5 - F. Mendelssohn-Bartholdy: Andante sostenuto, Op. 72/2 - F. Chopin: Valse, Op. posth. - M. Reger: Improvisation, Op. 18/1 - Z. Fibich: Sonatina in D minor - E. Satie: Gymnopédie No. 1 Date de parution : 17/09/1985 Nombre de pages : 96 Format : New Edition portrait
SKU: BT.EMBZ14968
Hungarian-English-German-French.
Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classic piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones. Correct interpretation of the pieces is facilitated by added performance and fingeringmarks. Learning is helped along by clear presentation of the score, carefully placed page turns, and by inspiration from colour images showing the keyboard instruments of the 1720-1820 period for which the pieces were written. The most notable of them is the giraffe piano, after which the collection is named. Im Lehrstoff für Anfänger und fortgeschrittene Klavierschüler auf Mittelstufenniveau sind Sonatinen unverzichtbar. Sie sind technisch und musikalisch einfacher und vor allem kürzer als die großen klassischen Klaviersonaten, zugleich kann man an ihnen gut die Grundelemente des klassischen Stils, das Verhältnis von Melodie und Begleitung, eine klare, stilgetreue Vortragsweise und die richtige Formgebung üben.
In den zwei Bänden des Giraffenklaviers haben wir die beliebtesten und auch für den Unterricht am meisten geeigneten Sonatinen zusammengestellt. Im 1. Band befinden sich leichte, im 2. mittelschwere Stücke. Den richtigen Vortrag der Stücke unterstützt der Herausgeber mit Hilfe von Artikulations- und Vortragszeichen sowie Fingersätzen. Über das klare Notenbild und die sorgsam gewählten Stellen zum Umblättern hinaus machen farbige Bilder von zeitgenössischen, zwischen 1720 und1820 gebauten Tasteninstrumenten, für die auch Stücke des Bandes geschrieben wurden, ihre Aneignung zu einem besonderen Erlebnis. Das eigentümlichste unter ihnen war das auf dem Umschlag abgebildete Giraffenklavier, das dem Album auch seinen Namen gab.
SKU: BT.EMBZ14967
Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classical piano sonatas, they are technically and musically simpler and typically shorter. However, they still convey the basic elements of Classical style: the relation of melody to accompaniment, articulation, stylistically authentic playing, and correct interpretation. For the two volumes of Giraffe Piano, the most favoured and instructive of the sonatinas have been chosen. Volume 1 contains simpler pieces and Volume 2 is compromised of moderately difficult ones. Correct interpretation of the pieces is facilitated by added performance and fingeringmarks. Learning is helped along by clear presentation of the score, carefully placed page turns, and by inspiration from colour images showing the keyboard instruments of the 1720-1820 period for which the pieces were written. The most notable of them is the giraffe piano, after which the collection is named. Im Lehrstoff für Anfänger und fortgeschrittene Klavierschüler auf Mittelstufenniveau sind Sonatinen unverzichtbar. Sie sind technisch und musikalisch einfacher und vor allem kürzer als die großen klassischen Klaviersonaten, zugleich kann man an ihnengut die Grundelemente des klassischen Stils, das Verhältnis von Melodie und Begleitung, eine klare, stilgetreue Vortragsweise und die richtige Formgebung üben.
In den zwei Bänden des Giraffenklaviers haben wir die beliebtesten und auch für den Unterricht am meisten geeigneten Sonatinen zusammengestellt. Im 1. Band befinden sich leichte, im 2. mittelschwere Stücke. Den richtigen Vortrag der Stücke unterstützt der Herausgeber mit HIlfe von Artikulations- und Vortragszeichen sowie Fingersätzen. Über das klare Notenbild und die sorgsam gewählten Stellen zum Umblättern hinaus machen farbige Bilder von zeitgenössischen, zwischen 1720 und1820 gebauten Tasteninstrumenten, für die auch Stücke des Bandes geschrieben wurden, ihre Aneignung zu einem besonderen Erlebnis. Das eigentümlichste unter ihnen war das auf dem Umschlag abgebildete Giraffenklavier, das dem Album auch seinen Namen gab.
SKU: HL.49006671
ISBN 9790001072236. UPC: 888680031053. 9.0x12.0x0.227 inches.
This collection of easy pieces for piano has been selected to progress students towards an intermediate level. The pieces can be used, depending on the pianist, as an addition to piano study, in conjunction with additional exercise literature, or simply as a collection of pieces to enjoy at home.
SKU: HL.50487625
ISBN 9790080134528. 9.0x12.0x0.117 inches. Hungarian, English, German. Philipp Georg Telemann; Magda Csurka.
Each book in series presents a composer trough a selection of brief pieces. The first volumes help the young pianist to become acquainted with the music of Handel, Haydn, Mozart, Beethoven, Schubert, J. S. Bach and Weber. Most of the works are dance movements, although some sonatinas or sonatas have also been included. All the books contain a variety of compositions easy to play but of undoubted musical value. The selection is the work of four well-known music pedagogues, Magda Csurka, Gabor Kovats, Andras Hera and Jozsef Sarmai.
SKU: HL.50487481
ISBN 9790080131657. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Friedrich Georg Handel; Gabor Kovats.
SKU: HL.50487603
ISBN 9790080133958. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Carl Maria von Weber; Ferenc Andras Hera; Jozsef Sarmai.
SKU: AP.0040B
ISBN 9781576239896. UPC: 029156616842. English.
The piano music of the Viennese Classical master Wolfgang Amadeus Mozart is the focus of this book. The selections represent many of his Sonatinas, Minuets, Sonatas, and Variations, as well as a few shorter works from his vast repertoire. The pieces include fingerings and expression marks for a perfect performance. The selections cover a variety of Mozart's writing styles and feature works from his younger years to later in his life. 36 selections on 176 pages.
SKU: HL.50511453
ISBN 9790080131640. UPC: 073999114539. 9.0x12.0x0.103 inches. Wolfgang Amadeus Mozart; Gabor Kovats.
SKU: CF.YAS13F
ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.
IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: HL.50511503
ISBN 9790080134955. UPC: 073999567793. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Francois Couperin; Magda Csurka.
SKU: HL.50511525
ISBN 9790080135433. UPC: 073999329988. 9.0x12.0x0.115 inches. Robert Schumann; Magda Csurka.
SKU: HL.50511303
ISBN 9790080132678. UPC: 073999919417. 9.0x12.0x0.082 inches. Edvard Grieg; Ferenc Andras Hera; Jozsef Sarmai.
SKU: HL.50511307
ISBN 9790080131978. UPC: 073999675429. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Sebastian Johann Bach; Magda Csurka.