Format : Score
SKU: FZ.5390
ISBN 9790230653909. 24.00 x 33.00 cm inches.
This facsimile of an original by Pietro Antonio Locatelli is part of our Dominantes collection. X Sonate, VI a violino solo e basso, e IV a tre. Opera Ottava. Edition: Amsterdam, l'Auteur, undated (=1744). Presentation by Nicolas Fromageot: Bibliography - Comparison of the first and second editions - Hints about the score. A copy deposited at the University of Leiden by the composer himself. The preface contains a comparison with the second Dutch edition and the French edition. Facsimile of the copy preserved at the library of the university of Leiden. Edition in separated parts: first violin part, with the bass, in full score for the first six sonatas and without the bass for sonatas VII to X - second violin part (sonatas VII to X) - continuo bass (sonatas VII to X). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Library of the University of Leiden (Netherlands). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CY.CC2391
Marcello's Six Sonatas have become a mainstay of the Trombone literature. This masterful Audio-CD edition of Sonatas 1-6 performed by Professor Mike Hall of Old Dominion University accompanied by Rebecca Bell on Harpsichord and Christopher White on Bass is an amazing display of musicianship, style and beautiful technique. This CD is a must for the serious Trombonist, performer. The mp3 sample is of two movements from Sonata #1 of the album. The sheet music from this album of Sonatas 1-3 and 4-6 are available in the sheet music section of our site under Trombone & Piano and are reasonably priced.
SKU: FZ.790
ISBN 9790230607902. 24.00 x 33.00 cm inches.
This facsimile of an original by Francesco Saverio Geminiani is part of our Dominantes collection. Edition de 1739, Londres, 1739. Edition de 1716, Londres, 1716. This second edition was revised by the composer, and his ornamentation has been completed and explained. The original 1716 edition is reproduced as an appendix. Presentation by Nicolas Fromageot : Bibliography of opus I Differences between the editions (1716, 1739) Figuring of the continuo bass Hints on performance Notation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: ST.C507
ISBN 9790570815074.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 1: Op. 6 nos. 1-4. Four Sonatas: C, G minor, B flat and D minor.The fourth movement from Sonata in D minor (Op. 6 No. 4) was selected by ABRSM for Violin Grade 5, 2012-2015.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C507Edited by Michael TalbotGrade 5Former Spartan Press Cat. No.: EMA106.
SKU: BA.BA10889
ISBN 9790006577415. 31 x 24.3 cm inches.
Schubertâ??s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life.All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents. A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website.The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price!
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5027300
ISBN 9790007298456.
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable†pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.
SKU: ST.C508
ISBN 9790570815081.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 2: Op. 6 nos. 5-8. Four Sonatas: F, A minor, D and E minor.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C508Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA107.
SKU: ST.C506
ISBN 9790570815067.
The Opus 5 Sonatas were first published in Amsterdam in 1716. The first four are for solo violin and continuo and appear in this volume. Numbers 5 and 6 are ‘Trio Sonatas’ for two violins and continuo. The order we have adopted pays tribute to Professor Michael Talbot’s legendary edition, first published by European Music Archive (EMA101),now sadly unavailable. Editorial suggestions are shown in square brackets.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C506Sonata in A, Op.5 no.2 (RV30)Sonata in B minor, Op.5 no.4 (RV35)Sonata in Bb, Op.5 no.3 (RV33)Sonata in F, Op.5 no.1 (RV18)Edited by Timothy RobertsABRSM and Trinity Grade 6Former Spartan Press Cat. No.: EMA101.
SKU: ST.C509
ISBN 9790570815098.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 3: Op.6 nos. 9-12. Four Sonatas: G, C minor, A and B flat.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C509Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA108.
SKU: FG.55011-248-3
Kuula wrote his two sonatas while still in his early twenties. The F Major Sonata is from 1906 and bears no opus number; the Sonata E Minor Op. 1 dates from 1907. This is the first edition of the F Major Sonata, which was forgotten for almost a century and found again in the 1990s.
SKU: FZ.4897
ISBN 9790230648974. 24.00 x 32.50 cm inches.
This facsimile of an original by Wolfgang Amadeus Mozart is part of our Dominantes collection. Edition: Vienne, Torricella, (undated=1784). Presentation by Norbert Kaltz: General remarks (Origin of the edition and the dedication Sonatas). Particular remarks (Sonate I, Sonate II, Sonate III). Torricella's original edition is very legible. The violin part of the third sonata is published as a separate part. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - Library of the University of Basel (Switzerland). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50527
ISBN 9790049505277. 22.00 x 30.00 cm inches.
This facsimile of an original by Simon Le Duc is part of our French classical music collection. Second livre de sonates pour le violon (avec basse continue) - Oeuvre IV. Edition : Paris, Le Duc, s. d. (=c. 1771). Presentation: Saskia Salembier - Departement de musique ancienne Conservatoire National Superieur de Musique et de Danse de Paris. This book contains some of the most beautiful sonatas for violin and continuo from the end of the XVIIIth century. All violinists should be familiar with them. In addition, they are excellent for the study of late XVIIIth century ornamentation. Quality engraving, very legible. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FL.FX071434-4
A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. There is a mysterious anguish which floats throughout this brillant fourth movement. The agitation and feverishness of your playing should reflect this latent anguish. At the conclusion, which refers to the first movement, avoid accenting the quaver in the Barcarolle rhythm which risks making the phrasing too heavy.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.
SKU: FL.FX071434-2
A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. In this second movement of the sonata, the articulations should be carefully pronounced to remain clear and intelligible in spite of the tempo. Use a light homogeneous staccato across the whole range and don't force the sound when the dynamics are loud; you will achieve like that an ample sound which is well balanced with the piano.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.
SKU: IM.3939
Taken from the composer's 12 violin sonatas, this soulful, four-movement work is now available for two cellos.