6 Sonatas for Piano and Violin Op. 10 (b)

for Piano and Violin-A collection of Mozart's early Viennese Sonatas for Violin and Piano edited by Eduard Reeser. This accurate and authoritative Barenreiter Urtext edition is suitable for both study and performance.

6 Sonatas for Violin and Piano (Harpsichord)-Les six sonates pour violon de Bach virent le jour vraisemblablement entre 1717 et 1723 alors qu?il était maître de chapelle à la cour de Köthen. Ne se contentant manifestement plus d?accompagner la partie soliste d?une partie de basse continue Bach écrivit entièrement la partie de clavecin sur le modèle de la sonate en trio baroque. Ce faisant il traçait le chemin menant à la sonate en duo selon la conception moderne. Il fallut attendre 50 ans après la mort du compositeur avant que ces sonates paraissent en version imprimée. La transmission des différentes sonates peut parfois s?avérer problématique à cause du manque de documents autographes parvenus à la postérité. Certainessont parfois disponibles dans plusieurs versions. Celles-ci sont reproduites en annexe du présent volume de l?édition Urtext.

Here are two of the greatest sonatas for violin and piano by Ludwig van Beethoven. Cornerstone of chamber literature the ?Spring? sonata in F major and the ?Kreutzer? in A major share an enduring passionfrom violinists and listeners and are an essential element of every serious violinist's repertoire. This deluxe edition includes three CDs with a complete performance of each piece by virtuoso violinist Mario Hossen a stereobackground track played by the internationally renowned pianist Sung-Suk Kang and a -20% slow-tempo version of each accompaniment for ease of practice. Also features a newly engraved authoritative music book containing the soloviolin part edited by Mario Hossen printed on high-quality acid-free ivory paper.

Violin Sonatas Volume II-Volume II of Ludwig van Beethoven’s Sonatas for Piano and Violin includes Violin sonatas No. 6-10 - Beethoven wrote 10 sonatas for Violin and Piano in total (No. 1-5 can be found inVolume I of this edition). Out of these 5 sonatas Violin Sonata No. 9 (commonly known as the ‘Kreutzer Sonata’) is the most widely known because of its demanding Violin part unusual length of slightlyless than 40 minutes (with the other four averaging at ca. 23 minutes) and emotional scope - while the first movement is predominantly furious the second is meditative and the third joyous and exuberant. This Urtextedition provides you with a clear and accurate representation of the composer's original intentions. Two copies of the Violin score are included as separate inserts as well as a preface in German English and French.

Instrumentation: Vln—Pf Editor: Eisen ISMN: M-57708-560-9 Format: Sheet Music Details: Contents: Sonatas K296, K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler). Contents: This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen, one of the mostdistinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasiesof Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface, '...the notion that the classical style represents a model of symmetry, balance and clarity is for the most part an 19th-centuryfiction...it has little to do with Mozart's actual practice, which is based primarily onvariety of both content and articulation.' So in this new edition, alternative readingsfound in parallel passages are preserved, rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respectedin the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis conscious that there is no single 'Urtext' for this music. On the contrary, hebelieves that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of thisedition to indicate how far this freedom of musical expression can extend, and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.

This edition is the first Urtext-edition of Mendelssohns sonatas for violin an piano. Including early sonatas in F-Major (1820) as well as the sonata in f-Minor (1823) which the 14-year-old composer

Barenreiter Urtext Edition containing six of Mozart's early sonatas for Violin and Piano or Keyboard KV.26-31.

pour violon et piano. This volume in the series ?Les éditions originales Durand ? Salabert ? Eschig? contains a selection of sonatas for violin and piano composed between the end of the 19th century and the beginning of the 20th. The original engravings are reproduced, giving musicians a valuable record of how these major works were first published, whether in the composer?s lifetime or posthumously.

En Vol. 2 de la sonates pour violon, par Robert Schumann, le Wiener Urtext édition présente la Sonate F.A.E. composée conjointement par Schumann, Brahms et Albert Dietrich, ainsi que la version éditée, avec les mouvements de Brahms et de Dietrich remplacé, comme troisième Sonate de violon de Robert Schumann. La présente édition est basée sur l'édition publiée en 2002 dans la nouvelle édition complète de Schumann et donc sur les plus récentes conclusions musicologiques. Dans le cas de la Sonate F.A.E., c'est surtout une question de légers changements dans les domaines de la dynamique et l'articulation. Dans le cas du troisième Sonate de violon de Schumann, la présente édition diffère plus significativement la première édition, publiée en 1956 et la nouvelle édition légèrement révisée de 1988. L'ordre des mouvements moyens dont l'exactitude ne peut être clairement déterminée jusqu'à maintenant a été modifiée, par rapport aux éditions précédentes, en raison des documents nouvellement trouvées. En outre, la répétition de la première section de la partie moyenne noter... / Violon Et Piano

When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, the editors at that time increasingly saw to the works' easy playability. Fortunately, the sonatas nevertheless found their way into the repertoire of the violinists.This is a practical edition in two volumes based on the text of the Weber Complete Edition. / Violon Et Piano