SKU: BT.EMBZ13186
Vivaldi's composition published in this edition is, according to our present state of knowledge, the only work of the composer for 2 flutes and basso continuo. Its copy in an alien hand is held at the Library of the University of Lund, Sweden, in the collection of the German composer Joseph Martin Kraus (1756-1792). According to Ryom's catalogue the piece survives in the hand of one Vivaldi's contemporaries. Das vorliegende Werk ist nach unserem gegenwärtigen Wissen die einzige Komposition Vivaldis für zwei Flöten und Basso continuo. Seine von unbekannter Hand stammende Kopie ist in der Bibliothek der Universität von Lund, Schweden in der Sammlung des deutschen Komponisten Joseph Martin Kraus (1756-1792) zu finden. Nach Aussage des Ryom-Verzeichnisses ist das Werk in der Handschrift eines Zeitgenossen Vivaldis erhalten.
SKU: HL.50510436
ISBN 9790080131862. UPC: 073999863185. 8.0x11.25x0.075 inches. Antonio Vivaldi; Pal Nemeth; Mikael Miklos Spanyi.
Vivaldi's composition published in this edition is, according to our present state of knowledge, the only work of the composer for 2 flutes and basso continuo. Its copy in an alien hand is held at the Library of the University of Lund, Sweden, in the collection of the German composer Joseph Martin Kraus (1756-1792). According to Ryom's catalogue the piece survives in the hand of one Vivaldi's contemporaries.
SKU: UT.FL-8
ISBN 9790215315976. 9 x 12 inches.
Sonata IX per 2 Violini, Flauto Dolce e Basso Continuo; Sonata XVI per 2 Flauti Dolci, 2 Tromboni e Basso Continuo; Canzone X per 2 Violini, 2 Flauti, Trombone, Fagotto e Basso Continuo
SKU: UT.CSS-72
ISBN 9790215322202. 9 x 12 inches.
Sonata I a 6 per 2 Cornetti (Violini), 2 Trombe (Cornetti), 2 Tromboni e Basso Continuo; Sonata II a 5 per 2 Cornetti (Flauti Dolci), 2 Violini, Fagotto e Basso Continuo
SKU: BT.EMBZ13924
The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.
SKU: HL.50511981
ISBN 9790080139233. Bach (23 x 30,2 cm) inches. Johann Ludwig Krebs; Eniko Gyenge.
The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sachsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of the consistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.
SKU: BT.EMBZ13923
SKU: HL.50511982
ISBN 9790080139240. Bach (23 x 30,2 cm) inches. Johann Ludwig Krebs; Eniko Gyenge.
SKU: HH.HH447-FSP
ISBN 9790708146544.
Sonata 5, in A major, is the only work in the set to feature the ‘classic’ three-movement design in its symmetrical Fast–Slow–Fast configuration. Its opening Vivace makes considerable demands on the flautist’s technique, and the accompanist, too, has some lively interventions. A short Andante, in A minor, recaptures the style of the slow movement of an operatic sinfonia. High spirits return in the concluding Allegro comodo, which manages to be frothy and substantial at the same time. Sonata 6 is in G minor, traditionally a key for serious utterances. Its muscular opening Largo packs in a wealth of interesting rhythmic designs and articulations for the flautist. The influence of violinistic style is clearly seen in the Allegro that follows. The finale is composite: its ‘frame’ is an Affettuoso in minuet rhythm, but its ‘core’ is a Poco Allegro in G major with the character of a second minuet. Despite its outward charm, this movement retains much of the heft of the first two movements.
SKU: HH.HH448-FSP
ISBN 9790708146551.
In Sonata 7, in D major, Balicourt opens with a suave, intricately rhythmic Adagio. The following Presto, with its delightful interplay between flute and bass, including both octave doubling and stretto imitation, is the most skittish movement to emerge from the composer’s pen. The finale is a ‘sandwich’ movement, in which a Minuetto encloses a duple-metre Cantabile in D minor. Although the minuet could be said to exemplify one of those ‘easy’ movements referred to in Balicourt’s prospectus for subscribers, its complex, prescribed ornamentation requires sensitive handling. Sonata 8, in E minor, is strategically placed as the final work in the set, being one of the longest as well as the most conservative; adopting the traditional four-movement configuration, it continually harks back to the grand Handelian style. An eloquent Andante ushers in a Presto containing many, slightly academic, contrapuntal touches and much chromaticism. The subsequent Largo is only five bars long: its plain melodic line in minims and crotchets is the skeleton around which the flautist is expected to weave an elaborate embroidery. For the finale Balicourt introduces, in effect, a new version, in triple metre, of the second movement. The fact that all four movements are in E minor heightens the sense of unity, which is expressed very concretely through their sharing of some thematic material.
SKU: HH.HH536-FSP
ISBN 9790708185505.
These sonatas by English Baroque composer and flautist Lewis Granom are notable not only for their melodic writing, which shows great independence of thought, but also for their technical advances -- Granom pushed the boundaries of flute technique further than ever before.