Sonata C Major, Op. 2-10

The Classical Piano Sheet Music Series includes compilations of intermediate-level pieces, with an easy-to-use coil binding so the music lays flat, ensuring smooth page turns. This volume includes: LUDWIG VAN BEETHOVEN:Contradance in C Major, WoO 14, No. 1 · Ecossaise in G Major, WoO 23 · German Dance in G Major, WoO 8, No. 6 ·German Dance in C Major, WoO 8, No. 7 · German Dance in B-flat Major, WoO 13, No. 2 · Minuet in G Major, WoO 10, No. 2 ·Sonatina inG Major, Anh. 5, No. 1 MUZIO CLEMENTI: Sonatina in C Major 36, No. 1 · Sonatina in C Major, Op. 36, No. 3 ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 · Sonatina in C Major, Op. 168, No. 3 JAN LADISLAV DUSSEK:Sonatina in G Major, Op. 20, No. 1 FRANZ JOSEPH HAYDN: Allegro from Sonata in C Major, Hob. XVI/1 · Arietta from Variations in E-flat Major, Hob. XVII/3 FRIEDRICH KUHLAU: Sonatina in C Major, Op. 55, No. 1 · Sonatina in C Major,Op. 55, No. 3 WOLFGANG AMADEUS MOZART: Adagio for Glass Harmonica, K. 356 (617a) · Allegro from Sonata in C Major, K. 545 (Sonata facile) · Andantino in E-flat Major, K. 236 (588b) · Contradance in G Major, K. 15e · Funeral Marchfor Signor Maestro Contrapunto, K. 45a · German Dance in C Major, K. 605, No. 3 · Piece for Clavier in F Major, K. 33B · Rondo in C Major, K. 334 (320b)

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Sonata F Major op. 10/2 pour Piano. Ce sont les éditions Wiener Urtext qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano / Partition

In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano

for Violoncello and Piano-Camille Saint-Saëns' Sonata For Violoncello And Piano No. 2 In F Op. 123. Henle urtext edition with marked and unmarked string part. After Camille Saint-Saëns' firstCello sonata of 1872 (HN1057) gained fast popularity the publisher requested a second sonata for this scoring. It was only in March 1905 in the mild climate of Algeria that Saint-Saëns finally relented andcomposed a large sonata with four movements.  Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought itsthird movement the “Romanza” was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this the work is still overshadowed by the first sonata not leastbecause the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.

This collection features a wide selection of original works from the Renaissance, Baroque and Modern eras arranged for two cellos. Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing.This collection is ideal for use as teaching material, or for playing at home or in a concert with a friend. / 2 Violoncelles

Par HAENDEL GEORG FRIEDRICH. / Répertoire / 2 Violons ou Flûtes Traversières ou Hautbois et Ba

Par HEINICHEN JOHANN DAVID. / Répertoire / 2 Flûtes Traversières ou Flûte Traversière et Viol

Par CORELLI ARCANGELO. / Répertoire / 2 Flûtes à Bec Alto ou Flûtes Traversières et Bass

Compositeur : Beethoven, Ludwig van Instrumentation : Piano solo Editeur Musicologique : Wallner, Bertha Antonia Couverture Reliée Contenu : Sonata G major op. 31,1 Sonata [Tempest] d minor op. 31,2 Sonata [Hunting] E flat major op. 31,3 Sonata g minor op. 49,1 Sonata G major op. 49,2 Sonata [Waldstein] C major op. 53 Sonata F major op. 54 Sonata [Appassionata] f minor op. 57 Sonata [A Thérèse] F sharp major op. 78 Sonata [Sonatina] G major op. 79 Sonata [Les Adieux] E flat major op. 81a Sonata e minor op. 90 Sonata A major op. 101 Sonata [Hammerklavier] B flat major op. 106 Sonata E major op. 109 Sonata A flat major op. 110 Sonata c minor op. 111

Nos. 16-32-The entire corpus of Beethoven's piano sonatas is contained in this two-volume work - 32 sonatas in all. Volume 2 contains the seventeen sonatas from Beethoven's second and third periods including the popular Waldstein Appassionata and Hammerklavier. Nos. 16-32. Schenker edition.

Volume 1Sonata in G minor after BWV 1001AdagioFugaSicilianaPresto Partita in A minor after BWV 1002AllemandaDoubleCorrenteDoubleSarabandeDoubleTempo di BoreaDouble Sonata in A minor after BWV 1003GraveFugaAndanteAllegro Sonata in A minor after BWV 1003 alternative version in a scordaturaGraveFugaAndanteAllegro Partita in D minor after BWV 1004AllemandaCorrenteSarabandaGigaCiaccona Sonata in C major after BWV 1005AdagioFugaLargoAllegro assai Partita in F major after BWV 1006PreludioLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue Suite in C major after BWV 1007PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in A minor after BWV 1008PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in G major after BWV 1009PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in B flat major after BWV 1010PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in A major after BWV 1010 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in G minor BWV 1011/995PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in D major after BWV 1012PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Suite in C major after BWV 1012 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Partita in A minor after BWV 1013AllemandeCorrenteSarabandeBourée Angloise Volume 2 Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in E minor (BWV 996)Præludio (Passaggio, Presto)AllemandeCouranteSarabandeBouréeGiga Suite in C minor (BWV 997)Fantasia (Prelude)FugueSarabandeGigaDouble Prelude, Fuga and Allegro in E flat major (BWV 998)PreludeFugaAllegro Prelude in C minor (BWV 999)Prelude Fuga in G minor (BWV 1000)Fuga Partita in E Major (BWV 1006a)PreludeLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue APPENDIX I: TABLATURES FROM BACH’S CONTEMPORARIES Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte IreIIde Gavotte en RondeauxGigue Suite in C minor (BWV 997)FantasiaSarabandeGiga Fuga in G minor (BWV 1000)Fuga APPENDIX II: SACRED WORKS WITH OBBLIGATO LUTE PARTS AND RELATED WORKS Aria: Komm, süßes KreuzLiuto Arioso: Betrachte, meine Seel’Liuto / Luth / Le Luth Doré