Solo Suite

[Suiten, Sonaten, Capriccios und Variationen] / Classique / Editeur : Georg von Dadelsen / Doigtés : Hans-Mart / Partition / Relié toilé / Edition Urtext

[Englische Suiten BWV 806-811] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Relié toilé / Edition Urtext

[Englische Suiten 1-3 BWV 806-808] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

[Englische Suiten BWV 809-811] / Classique / Editeur : Rudolf Steglich / Doigtés : Hans-Martin / Partition / Broché / Edition Urtext

Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo

Suites Nos. 1 2 3 and 4-The Eight Great Suites is perhaps Handel's best-known and finest collection of keyboard works. Each of the four suites included here is written in full. This edition includes an informative introduction and a textual notes section. Set for the ABRSM Harpsichord examinations grades 5-7.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition French Suites BWV 812-817 qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 72. / Piano / Partition

Rooted in the Norwegian Folk tradition the piano music of Edvard Grieg offers spirited rhythms novel harmonies and a refined lyrical sense. Included in this volume are the perennial favorites Peer Gynt Suites Nos. 1 and 2 in Grieg's own piano arrangement and the Holberg Suite as well as a rich selection of other pieces.Reproduced from authoritative editions published by C.F. Peters.

Une sublime variété de morceaux de célèbres musiques de spectacle, de classiques du jazz et de blues, de thèmes de film, de grands standards et de morceaux classiques arrangés pour le pianiste en solo. Convient aux pianistes de niveau standard cinq...

Peaceful Classical Piano Solos. Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. Includes pieces from some of the greatest classical composers of all time: Bach, Beach, Beethoven, Chopin, Coleridge-Taylor, Debussy, Mozart, Schumann and many more. Some pieces have been transposed and simplified for ease of playing.

für 3 Fagotte allein, auch für Solofagott oder 2 bis 3 Fagotte mit Begleitung des Pianoforte. Par WEISSENBORN JULIUS. / Répertoire / Basson et Piano Solo

Par ALBENIZ ISAAC. The Albeniz 'Alhambra' suite for the piano. The Albeniz 'Alhambra' suite for the piano./ Répertoire / Piano