SKU: HL.48184596
UPC: 888680906054. 9.0x12.0x0.233 inches.
??Part of the Organ collection by J. S. Bach, this 4th Volume Complete Organ Work - Six Sonatas in Trio form was composed in the 18th century. This volume is now translated in English and French and features the annotation of Marcel Dupré, a French organist, to help the performer get the most of the sheet music. This fourth book contains the six following pieces: - Sonata ? E flat major - Sonata ? C minor - Sonata ? D minor - Sonata ? E minor - Sonata ? C major - Sonata ? G major The preface of these Six Sonatas in Trio form is well written, with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. This volume can be used by intermediate players and above. ?.
SKU: FZ.50163
ISBN 9790049501637. 21.00 x 29.70 cm inches.
This facsimile of an original by Andre Cheron is part of our Facsimusic collection. Trio sonatas for two flutes with continuo bass - Opus I. Ces sonates peuvent se jouer aussi avec des violons et des hautbois - Premier Oeuvre. Edition : Paris, Boivin, 1727. These trio sonatas are among the finest of all those published during the first half of the XVIIIth century. These trio sonatas may be played using 2 flutes, or 2 oboes, or 2 violins and continuo bass. Performance with oboe, violin and organ continuo sounds particularly well. Publication in separate parts: premier dessus - second dessus - continuo bass. At the end of the continuo part the avertissement pour le chiffre gives the meaning of the figures used. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5012
ISBN 9790230650120. 24.00 x 33.00 cm inches.
This facsimile of an original and the manuscript by Antonio Vivaldi are part of our Dominantes collection. Sonata per oboe solo del Sr Vivaldi, RV 53. Trio sonata en G. B. oboe primo. Oboe secundo et basso del Singr Vivaldi, RV 81. Suonata a violino, oboe, et organo obligato. Di D. A. V, RV 779. Presentation by Michel Giboureau: hints about the score Details of performance - Restoration of the scores. Two unique old copies, and a signed manuscript. Library of Dresden and Lundo. This volume will be followed by two others collections of Vivaldi's chamber music with oboe. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Sachsische Landesbibliothek of Dresden (Germany). - Library of University of Lund (Sweden). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: KU.GM-301A
The Albinoni trio sonatas are smashing, with each sonata more beautiful than the last. The violin parts share the melodies, and neither they nor the cello part venture too high, but are full of interesting tonalshifts and rhythmic variations. These are suitable for intermediate...players, and canbe played without a keyboard.--Sarah Freiberg, for STRINGS (March 2011)
SKU: KU.GM-301B
The Albinoni trio sonatas are smashing, with each sonata more beautiful than the last. The violin parts share the melodies, and neither they nor the cello part venture too high, but are full of interesting tonal shifts and rhythmic variations. These are suitable for intermediate...players, and can be played without a keyboard.--Sarah Freiberg, for STRINGS (March 2011)
SKU: AP.12-MPT300307
English.
Theory of Music Made Easy, Grade 7 by Loh Phaik Kheung takes students through the topics required for the ABRSM Grade 7 exam by consolidating information covered in the preceding books and tackling new subjects in an organized and logical way. It introduces the topics of melodic decorations, writing for keyboard, harmonizing and writing melodies, and writing for orchestral instruments. Topics include: Suspensions and retardations * harmonizing a melody by figuring a given bass line * rewriting a chorale passage in the style of J.S. Bach * rewriting a passage in the style of Corelli's Trio sonatas * continuation of a given solo instrumental part above a given keyboard accompaniment * melodic compositions in more modern styles * writing a melody based on the given chord progression * general exercises.
