Sing, Sing, Sing String Bass/Drums

Introducing New T3N Harmonic Chimes. The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the author's new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning./ Méthode / 5-String Banjo

Pop Trios for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3-4. Alternate passages and notation are included to suit instrumental ranges. With no page turns required, the songs and measures are consistent which makes finding rehearsal points quick and convenient. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. / Violoncelle

Here is a rousing flag-waving medley that's red white and blue through and through! Combine your choirs with concert band and strings (optional) for a concert finale that will bring your audience to its feet. Includes:America the Beautiful; My Country 'Tis of Thee (America); Yankee Doodle Boy; and You're a Grand Old Flag.

Set of parts for The Black Waters for String Trio by Peter Bruun. Score: WH31595 Programme note The initial and prevailing theme is from the song 'Det Fagreste Træ' with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

In the spirit of Early American folk tunes here is an original work for strings that is spirited and fun to play. Another John Moss creation that will appeal to directors who seek well-crafted music for their younger groups. Dur: 0 083333333333333329

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.”In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility¦ Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways. The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.” In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / 5-String Banjo

Best Loved Stringquartets. A popular genre in the 18th century, divertimenti offered listeners a lighthearted diversion at social functions. Mozart wrote these three pieces for string quartet in Salzburg in 1772. The three-movement Italian-style compositions require only wind parts to assume another form, hence their common description as the Salzburg Symphonies. Students, teachers, and professional string players will prize this authoritative collection of three divertimenti plus three additional quartets by the ever-popular composer. This convenient single-volume version is the least expensive edition available of these works, and its sturdy binding allows pages to remain open on music stands, promising years of use and enjoyment.

For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'

Colin Evans. Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment. The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco.