SKU: HL.1422507
UPC: 196288199564. 6.75x10.5 inches.
Maroon 5 is best known for their lively and accessible pop rock, but Mac Huff saw an opportunity to highlight this early (2002) hit in pure and unadulterated vocal jazz--the results of which are simply stunning! With opportunities for multiple soloists throughout, this sunny jazz-fusion chart shines!
SKU: WD.080689588365
UPC: 080689588365.
Introducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-along music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!
SKU: WD.080689705021
UPC: 080689705021.
SKU: WD.080689505676
UPC: 080689505676.
SKU: WD.080689801723
UPC: 080689801723.
SKU: GI.G-018000
[Category].
Before the implementation of the new translation of The Roman Missal, the Mass of Redemption enjoyed a high level of popularity in parishes across the country and beyond. With the advent of the new translation, this Mass has become even more popular. Steve Janco rewrote the Gloria for the new translation and his through-composed setting is energetic and bright, bringing a sparkle to the new text. The Mass is written in the bright key of D major, bringing a joyful quality to the celebration of Sunday Mass, especially during the Christmas and Easter seasons, as well as the Sundays of Ordinary Time. Set for cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, and handbells), the choral writing is in two parts (SA/TB) with optional third voice, often a soprano descant, at climaxes in various sections. Music directors agree that the simple choral arranging makes this a setting appropriate for parishes that do not have the musical “forces†to sing many of the more vocally complex Mass settings. Mass of Redemption brings the choir, musicians, and assembly together in a symphony of praise and thanksgiving for the great gift of redemption in Christ—a wonderful setting to raise hearts and voices to God at Sunday Mass. Join the hundreds of parishes that have made Mass of Redemption a musical staple and a reliable setting of the Mass. Parishes simply never grow weary of singing this setting!  Highlights: Highly popular among parishes before the implementation of new texts, now even more widely used! Written in the key of D major, bringing jubilance to the celebration of Mass. A variety of options for instrumentation with simple choral arrangements—ideal for smaller choirs. A delightful setting for the Christmas and Easter seasons and ideal for Sundays during Ordinary Time.  .
SKU: CA.3140103
ISBN 9790007295042. German/English. Text: Franck, Salomon.
Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, represents the final stage of a multi-layered version history, beginning with the cantata Alles, was von Gott geboren BWV 80a, probably composed for Oculi Sunday (the third Sunday in Lent) 1716. As no cantatas were performed during Passiontide in Leipzig, if Bach wanted to re-use the cantata he had to rewrite it for another Sunday or feast day. Reformation Day suggests itself, as Bach had also incorporated the hymn Ein feste Burg ist unser Gott into the Oculi cantata (as an instrumental cantus firmus in the opening movement and in the final chorale). The first version of the Reformation cantata Ein feste Burg ist unser Gott BWV 80b (Carus 31.080/50) was simply expanded by the addition of chorale movements, then the movements of the Oculi cantata, slightly altered, were included in the cantata in the form known today as BWV 80.Only the text of the Oculi cantata Alles, was von Gott geboren BWV 80a survives today. However, the early version of the cantata can easily be extrapolated from the two later versions. This first published reconstruction to date, by the renowned Bach scholar Klaus Hofmann, represents a welcome addition to the small repertoire of Bach cantatas for Passion Sundays.
SKU: CA.3140105
ISBN 9790007295059. German/English. Text: Franck, Salomon.
SKU: CA.3140111
ISBN 9790007298166. German/English. Text: Franck, Salomon.
SKU: CA.3140114
ISBN 9790007298197. German/English. Text: Franck, Salomon.
SKU: CA.3140149
ISBN 9790007297121. German/English. Text: Franck, Salomon.
SKU: CA.3140113
ISBN 9790007298180. German/English. Text: Franck, Salomon.
SKU: CA.3140112
ISBN 9790007298173. German/English. Text: Franck, Salomon.
SKU: CA.3140119
ISBN 9790007296889. German/English. Text: Franck, Salomon.
SKU: CA.3140100
ISBN 9790007295028. German/English. Text: Franck, Salomon.
SKU: WD.080689619175
UPC: 080689619175.
What better way to share Easter Sunday with your choir and congregation than by singing out the testimonies of those who encountered Jesus firsthand? Throughout Jesus’ ministry, people experienced divine appointments with Him that left them amazed and in awe. Presented by the Simply Word Series, this is the retelling of those testimonies in an inspiring new Easter Musical, WE ARE WITNESSES, from Word Music & Church Resources. The best-selling Simply Word Series is dedicated to constructing musicals perfect for every choir and creating experiences your congregation will never forget. As part of this popular series, WE ARE WITNESSES, arranged and orchestrated by Daniel Semsen, will give your choir over-the-top, dynamic SATB sounds, delivered via accessible vocal part-writing, punctuated and enhanced by the use of brilliant CD Accompaniment Tracks, DVD Accompaniment Tracks, and orchestrations. Created by Kenna Turner West, and featuring new songs co-written with Kenna by esteemed writers such as Tony Wood, Lee Black, Jason Cox, Don Koch and more, WE ARE WITNESSES is sure to be a unique, refreshing, and profoundly meaningful experience for your choir and congregation, as you use these anointed songs and compelling narrative testimonies to share the Gospel of Christ with your community. God has raised this Jesus to life, and we are all witnesses of it. Acts 2:32 (NIV) CLICK HERE to learn what's in the Promotional Media Kit!
SKU: WD.080689577178
UPC: 080689577178.
Caleb’s mom has offered to host this year’s Sunday School Christmas party at their home. Sounds great, but... Caleb’s mom, Mrs. Marlin, is a legendary, no-nonsense, better get it right math teacher who has had most of the kids from church in her math class at school. Convinced that his mom's penchant for turning everything into a math lesson will take the fun out of the evening, Caleb does his best to allay everyone's fears that the party might get hijacked by a math quiz! During the course of the evening, Mrs. Marlin shares the Christmas story as only a math teacher could; the songs tell the story...Countdown, What Sense Does a Census Make?, Treegonometry, He Can Count on Me, and It All Adds Up with Joy to the World!. Christmas by the numbers never sounded so good!! COUNTING DOWN TO CHRISTMAS, created by Ali Carlson, is the newest release from Simply WordKidz, the best-selling, easy-learn-easy-sing children's series from Word Music & Church Resources. Simply WordKidz means no hassle, easy to learn, easy to sing, and easy for you to produce! Even more importantly, it will be easy for your church to fall in love with this fun and funny, warm and memorable Christmastime celebration for kids choir. Casting:
SKU: CA.3118800
ISBN 9790007181567. Language: German/English.
The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia.
SKU: CA.3118803
ISBN 9790007187293. Language: German/English.
The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800.
SKU: CA.3118813
ISBN 9790007210052. Language: German/English.
The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.
SKU: CA.3118849
ISBN 9790007210090. Language: German/English.
SKU: CA.3118811
ISBN 9790007210038. Language: German/English.
SKU: CA.3118814
ISBN 9790007210069. Language: German/English.
SKU: CA.3118805
ISBN 9790007210014. Language: German/English.
SKU: CA.3118807
ISBN 9790007242381. Language: German/English.