Schirmer's Library of Musical Classics Vol. 1655 2 Pianos 4 Hands-Rachmaninov's First Concerto with the orchestral accompaniment arranged for a second piano.Please note: two scores needed to perform.
SKU: BT.DHP-1145600-130
English.
Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoff’s Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoff’s musical signature. An outstanding and very spectacular title! Philip Harper heeft hiermee een magnifieke transcriptie van het energieke derde deel van Rachmaninovs pianoconcert nr. 3 in d-klein gecreëerd. Dit deel bestaat uit variaties op een thema uit het eerste deel van het concert. De laatste noten zouden Rachmaninovs muzikale handtekening worden. Een geweldig, spectaculair stuk! Philip Harper schuf eine fantastische Bearbeitung des schwungvollen 3. Satzes aus Rachmaninows Klavierkonzert Nr. 3 in d-Moll. Dieser Satz besteht aus Variationen über ein Thema aus dem 1. Satz des Konzertes. Die Schlusstöne sollten Rachmaninows musikalisches Erkennungszeichen werden. Ein außergewöhnlicher, fantastischer Titel! Philip Harper a créé une transcription formidable de l’énergétique troisième mouvement du Concerto pour piano no.3 en ré mineur de Rachmaninoff. Ce mouvement comprend des variations sur un thème du premier mouvement de ce concerto. Les dernières notes deviendront la signature musicale de Rachmaninoff. Un morceau exceptionnel et très spectaculaire !
SKU: BT.DHP-1145600-030
Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoffâ??s Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoffâ??s musical signature. An outstanding and very spectacular title! Philip Harper heeft hiermee een magnifieke transcriptie van het energieke derde deel van Rachmaninovs pianoconcert nr. 3 in d-klein gecreëerd. Dit deel bestaat uit variaties op een thema uit het eerste deel van het concert. De laatste noten zouden Rachmaninovs muzikale handtekening worden. Een geweldig, spectaculair stuk! Philip Harper schuf eine fantastische Bearbeitung des schwungvollen 3. Satzes aus Rachmaninows Klavierkonzert Nr. 3 in d-Moll. Dieser Satz besteht aus Variationen über ein Thema aus dem 1. Satz des Konzertes. Die Schlusstöne sollten Rachmaninows musikalisches Erkennungszeichen werden. Ein auÃ?ergewöhnlicher, fantastischer Titel! Philip Harper a créé une transcription formidable de lâ??énergétique troisième mouvement du Concerto pour piano no.3 en ré mineur de Rachmaninoff. Ce mouvement comprend des variations sur un thème du premier mouvement de ce concerto. Les dernières notes deviendront la signature musicale de Rachmaninoff. Un morceau exceptionnel et très spectaculaire !
SKU: CA.2335200
ISBN 9790007144548. Text language: Russian/German.
Sergei Rachmanioff's Sacred Concerto W molitwach neussypajuschtschuju Bogorodizu (The Theotokos, ever-vigilant in praying) was composed in 1893 for four-voice mixed choir. It was his first contribution to the repertoire of the Russian Orthodox Church. The text is derived from the Feast of the Dormition of the Virgin Mary, the counterpart to the Roman Catholic Assumption Day. In accordance with the standards of the Orthodox Church, Rachmaninoff set it a cappella. This new edition presents the original church Slavonic text in Latin transcription, as well as in a singable German translation. It also contains an English pronunciation table.
SKU: CA.2335205
ISBN 9790007144531. Text language: Russian/German.
Sergei Rachmanioff's Sacred Concerto W molitwach neussypajuschtschuju Bogorodizu (The Theotokos, ever-vigilant in praying) was composed in 1893 for four-voice mixed choir. It was his first contribution to the repertoire of the Russian Orthodox Church. The text is derived from the Feast of the Dormition of the Virgin Mary, the counterpart to the Roman Catholic Assumption Day. In accordance with the standards of the Orthodox Church, Rachmaninoff set it a cappella. This new edition presents the original church Slavonic text in Latin transcription, as well as in a singable German translation. It also contains an English pronunciation table. Score available separately - see item CA.2335200.
SKU: AP.36-A241901
UPC: 660355021398. English.
Written between the autumn of 1900 and April 1901, Sergei Rachmaninoff's Concerto for Piano No. 2 remains one of the composer's most enduringly popular pieces and cemented his reputation as composer of concerti. It also served as confirmation of the end of Rachmaninoff's three-year bout with clinical depression and writer's block that stemmed, in part, from the poor reception by critics of his first symphony in 1897. Instrumentation: Solo Piano: 2.2.2.2: 4.2.3.1: Timp.Perc: Str (9-8-7-6-5 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.294841
UPC: 888680943677. 9.0x12.0x0.026 inches.
This arrangement uses the main themes of the second and third movements of Rachmaninoff's Piano Concerto No. 2. It opens with the haunting Adagio sostenuto. At measure 16, the third movement's rhapsodic main theme is introduced and developed. At measure 57, we return to the Adagio melody with the Moderato theme merging and dominating until measure 74 when the work closes with the initial theme. The Moderato theme is among the most beloved melodies of the 20th Century. Both themes in Rach 2 were featured in several movies. In first position for young people, this musical setting demonstrates the fluid relationship of 3 triplets against 2 eighth notes and the development of a long melodic line.
SKU: FH.VC5
ISBN 978-1-55440-541-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Concerto in D Major, op. 213 - Mendelssohn, Ludwig- First Movement: Allegro moderatoConcertino No. 1 in F Major - Breval, Jean-Baptiste arr. L.-R. Feuillard- First Movement: AllegroSuite in G Major - Matz, Rudolf- Fourth Movement- Fifth MovementSonata in G Major - Bach, Johann Christoph Friedrich arr. Hugo Ruf- First Movement: AllegrettoSonata in C Major - De Fesch, Willem arr. Jason Noble- First Movement: Largo- Second Movement: VivaceSonata - Marcello, Benedetto arr. Alfred Piatti- First Movement: Largo- Second Movement: AllegroSonata in F Major, RV 41 - Vivaldi, Antonio arr. Kathleen Wood- First Movement: Largo- Second Movement: AllegroConcert Repertoire:O Canto Do Cysne Negro - Villa-Lobos, HeitorFrogs Dancing on Water Lilies - Mustonen, OlliLangsam, op. 102, no. 2 - Schumann, RobertWhen Music Sounds - Coulthard, JeanWie einst in schoener'n Tagen, op. 64, no. 1 - Popper, DavidBourree, op. 24 - Squire, William HenryNotturno, op. 59, no. 1 - Goltermann, GeorgScherzo and Trio - Reger, MaxLamento - Faure, GabrielLied - Rachmaninoff, SergeiUnaccompanied Repertoire:Capriccio No. 5 - Matz, RudolfRicercar No. 3 - Gabrielli, DomenicoSuite in C Major - Matz, Rudolf- Fourth Movement: Sarabande- Seventh Movement: GigueSuite No. 1 in G Major - Bach, Johann Sebastian- Third Movement: Courante.