La Serenata in G Major

Par ANDERSON LEROY. Serenata est la première des nombreuses rencontres que Leroy Anderson faite avec de la musique latino-américaine. La musique commence dans une tonalité mineure, puis les déplacements brusquement dans la major offrant une mélodie de grande richesse./ Répertoire / Brass Band

Music Minus One Flute-A charming program of easy familiar classics orchestrated for a full symphony orchestra and minus the solo melody part your flute. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel and a second performance in full stereo minus the soloist. Includes: J.S. Bach - Air on a G String Beethoven - Minuet in G major Schumann - Träumerei Schubert - Serenata Raff - Cavatine Mozart - Minuet Divertimento Godard - Berceeuse Dvorak - Humoresque Brahms - Hungarian Dance. Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn

There are composers about whom nothing or only little is known who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the 19th century and died after the turn of the century. Carvelli is supposed to have been a hornist in the area of Torino/Milan and played at the world premiere of Verdi's 'Falstaff'. The only extant work is his 'Serenata Napolitana' a delightfully catchy and melodious little piece ideal as a little performance piece for lessons or as an encore as a special treat after a major sonata programme.

The Level 5 Performance Book from the Faber Piano Adventures series provides a collection of effective pieces to be used in conjunction with the Lesson Book.However teachers will find that the creative appealing pieces in this book make an ideal supplement with many other piano methods as well. Contents include: Allegro in A major • Appalachian Trail • Bearcat Boogie • Come Back to Sorrento • The Danube Waves • Gypsy Prayer • Mazurka in G Minor • Poetic Theme and Variations • Simple Gifts • St. Anthony's Chorale • The Swan • and more.

for String Orchestra. Par NISHIMURA YUKIKO. Flowing in the Wind inspires imagination and memories about a carefree time or place. The legato bow strokes and intricate harmonies, surround the listener with a beauty and sense of well-being. Yukiko Nishimura weaves harmonies in the orchestra within C Major, while placing rests for the musicians as the wind blows throughout the music.Flowing in the Wind expresses a season full of hope and joy through simpler rhythms, minimal time changes, mostly first position (except cello), and some divisi at a Level 3. Students will love the sounds and colors they create as an orchestra, while they practice and perform Flowing in the Wind, a beautiful addition to your library. / Date parution : 2022-11-29/ Répertoire / Orchestre de Cordes

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Par KOZELUCH JOHANN ANTON. / Répertoire / Flûte Traversière, Cor, Violon, Alto et Violoncell

Par KOZELUCH JOHANN ANTON. / Répertoire / Flûte Traversière, Cor, Violon, Alto et Violoncell