Scott Joplin for Guitar

A Breeze From Alabama - Anoinette - Augustan Club Waltz - Bethena - A Concert Waltz - Bink's Waltz - Cleopha - Country Club - Ragtime Two-Step - Easy Winners - Elite Syncopations - Eugenia - Euphoric Sounds - Felicity Rag - Gladiolus Rag - Harmony Club Waltz - Leola - Two-Step - Lily Queen - March Majestic - Original Rags - Palm Leaf Rag - Pleasant Moments - Reflection Rag - Rosebud March - Roseleaf Rag - Scott Joplin's New Rag - Searchlight Rag - Solace - A Mexican Serenade - Something Doing - Sugar Cane - Swipesy Cakewalk - The Cascades - A Rag - The Chrysanthemum - The Combination March - The Entertainer - The Favorite - The FigLeaf Rag - The Great Crush Collision March - The Heliotrope Bouquet - The Kismet Rag - The Magnetic Rag - The Maple Leaf Rag - The Nonpareil - The Paragon Rag - The Peacherine Rag - The Pine Apple Rag - The Ragtime Dance - The Silver Swan - The Stoptime Dance - The Strenuous Life - The Sunflower Slow Drag - The Sycamore - A Concert Rag - The Weeping Willow - Wall Street Rag

Arrangement: Chiaro Giovanni (De). Par CHIARO GIOVANNI DE. The piano rag is musical form unlike any other. Although melodious, ragtime's excitement and appeal derives from its syncopated rhythms. Ragtime music achieved notoriety through its greatest composer, Scott Joplin (1868-1917). At an early age he studied with an old German musician who introduced him to the piano and music theory. While still in his early teens he earned his way playing piano in the honky-tonks of villages and towns in the Mississippi Valley. He was intrigued with the folk music of his people and the 'jig piano' style of the self-taught pianists with whom he worked. Take a musical journey through Scott Joplin's prolific career and perform these time-honored ragtime piano pieces as they are transcribed here for solo guitar. Written in standard notation only with fingerings and historical/ performance notes. / Niveau : Intermédiaire / Ragtime - Solos / Recueil / Guitare Classique

The Piano rag is musical form unlike any other. Although melodious ragtime's excitement and appeal derives from its syncopated rhythms. Ragtime music achieved notoriety through its greatest composer >ScottJoplin/strong> (1868-1917). At an early age he studied with an old German musician who introduced him to the Piano and music theory. While still in his early teens he earned his way playing Piano in the honky-tonks of villages andtowns in the Mississippi Valley. He was intrigued with the folk music of his people and the jig Piano style of the self-taught pianists with whom he worked.Complete Works Of Scott Joplin For Guitar allowsyou to take a musical journey through Scott Joplin's prolific career and perform these time-honored ragtime Piano pieces as they are transcribed here for solo Guitar. Written in standard notation only withfingerings and historical/ performance notes.

 Scott JOPLIN (1867 ou 1868-1917) est un pianiste afro-américain dont les compositions ont fait le tour du monde, Il a composé les Ragtimes les plus connus, dont le célèbre ' Entertainer's Rag ' qui a servi pour le film de George Roy HILL, avec Paul NEWMAN et Robert REDFORD, ' l'Arnaque ', en 1973,MAPLE LEAF RAG est aussi très connu, et, l'ayant joué au piano, je me suis amusé à en faire une version pour guitare solo, qu'il m'arrive toujours de jouer,Il y a quelques années, j'ai composé une suite pour flûte et guitare, ' PORTS D'ATTACHE ', qui contient onze pièces illustrant différents pays, dans un style marquant chacun de ceux-ci dans la mémoire collective, Pour les Etats-unis, l'idée m'est venue d'un Ragtime dans le style de Scott JOPLIN, tant il est vrai que ce génie a marqué l'histoire de la musique Nord-Américaine, J'en propose donc ici, comme un hommage à Scott JOPLIN, la version solo pour guitare de NEWPORT ( pour chaque pièce de ' PORTS D'ATTACHE ', j'avais choisi le nom d'un port de chaque pays ), / Guitare

Les grands morceaux de ragtime de début du 20ème siècle ont été écrits pour la plupart pour piano, mais beaucoup de traduire superbement pour la guitare, et David Laibman va vous montrer comment. / Guitare

Fifteen famous Scott Joplin rags including 'The Entertainer' and 'Maple Leaf Rag'. Although easy to play you'll get the authentic rhythm.

20 Easy Pieces from 3 CenturiesInstrument : 2 guitarsNombre de Pages : 72The duos compiled in this edition will give guitarists the opportunity to pay attention to the dialogue, i.e. to practice ensemble playing with a keen ear. Duet playing is one of the most valuable and most important parts of the education, training and development of a musician. This collection contains a number of less known classical and Romantic pieces which are worth discovering. On the other hand, it also contains 'evergreens' such as Por una Cabeza by the king of tango, Carlos Gardel - which can be heard in no less than 15 films, including Schindler's List (Itzhak Perlman played the violin) and Scent of a Woman (Al Pacino danced) - as well as one of Scott Joplin's unforgettable ragtimes: The Strenuous Life. The dialogue style of the compositions suggests that parts should be exchanged ad libitum within individual works in the case of repetition.Content : E. Bayer: Ländler, op 37/1 und 2 from Sechs Ländler - F. Brand: Valse, op. No. 2 from XII Valses - F. Carulli: Allegretto, op. 69/3 from Choix de 24 Ariettes connues - Andantino, op. 69/2 from Choix de 24 Ariettes connues - Duo, op. 90/1 from Trois Petits Duos Nocturnes - Duo, op. 128/1 from Trois Petits Duos Nocturnes - Largo, op. 69/1 from Choix de 24 Ariettes connues - Rondo from Trois Petits Duos Nocturnes, op. 90/3 - E. Donato: A Media Luz - Tango Milonga - D. Fortea: Sonata - C. Gardel: Por una Cabeza - Tango Canción - C.W. Glover: The Rose of Tralee - Irish folk song - C. Gomes: Quem Sabe - A. Hume: Flow gently, sweet Afton - Scottish folk song - S. Joplin: The Strenuous Life - A Ragtime two step - E. Nazareth: Atrevedinha - Polka - W. Neuland: Galopade - Divertissement, op. 6/6 from Six Divertissements - P. Pettoletti: Andante from Mes Souvenirs - Divertissements, op. 6 - Pastorale from Mes Souvenirs - Divertissements, op. 6

Learn to play classical guitar and open up a brand new world of musical knowledge with this exciting method from Alfred Music. Beginners of all ages with no prior experience can start their journey to a lifetime of musical enjoyment. Alfred's Teach Yourself to Play Classical Guitar begins with the fundamentals of the classical guitar. You will start by learning about parts of the guitar, how to hold and tune it, caring for your instrument, and standard music notation and TAB. You will then move right along to playing different notes, scales, and great classical pieces. Important techniques are taught such as the free and rest strokes, right- and left-hand positions, sitting properly, efficient finger movement, and more. The DVD includes video lessons and performances for everything in the book, and also includes the TNT 2 audio player that lets you adjust the tempo, and isolate parts. The CD features audio performances of every exercise and song. It plays in your CD player or you can download the tracks to your PC. The DVD and CD feature internationally renowned classical guitarist and educator Martha Masters. Upon completion of the book, you will be able to read music and play beautiful classical pieces by some of the great classical masters, including Bach, Vivaldi, Mozart, and Scott Joplin! Be your own teacher, and let Alfred Music be your resource every step of the way. / Guitare

Fifty well-known pieces from the classical repertoire, written in full standard notation with TAB and recorded on the included CD. This collection is invaluable for all guitarists looking to expand their classical guitar repertoire. Pieces range form easy to intermediate levels. Composers include Bach, Beethoven, Brahms, Chopin, Dvorak, Grief, Handel, Mozart, Schubert, Tchaikovsky Verdi and even Scott Joplin.

Recueil de 132 pièces progressives pour guitare seule.

Media Type : DVD Musical Genre : Classic Internationally renowned classical guitarist David Leisner plays a live concert program with some pieces that are well-known and others that may be new to guitarists. One of the discoveries is the Sonata in b minor by Wenzeslaus Matiegka (1773-1830), an unduly neglected composer that Leisner calls the Beethoven of the guitar. It's a great addition to the guitar repertoire. Another discovery is Leisner's own Nel Mezzo: Sonata, which Soundboard magazine called an original and profoundly personal work...powerful, angry and moving music. Now played quite a bit, the music of Johann Kaspar Mertz (1806-1856) was virtually unknown when Leisner recorded and published some of his music almost 30 years ago. Here, two of Mertz's pieces display the passionate Romanticism of this music. The classics include the sublime Prelude, Fugue and Allegro by J. S. Bach, two delightful Rags by Scott Joplin in Leisner's arrangements, and a dazzling encore of Etude No. 12 by Villa-Lobos. Leisner introduces each piece informally and is interviewed during intermission by Andrew Dickenson. The interview covers a number of topics in depth, including some of Leisner's secrets about easing physical tensions while playing the guitar, and his thoughts about the music he's playing and about composition.

Internationally renowned classical guitarist David Leisner plays a live concert program with some pieces that are well-known and others that may be new to guitarists. One of the discoveries is the Sonata in b minor byWenzeslaus Matiegka (1773-1830) an unduly neglected composer that Leisner calls 'the Beethoven of the Guitar'. It’s a great addition to the Guitar repertoire. Another discovery is Leisner’s own Nel Mezzo: Sonata whichSoundboard magazine called 'an original and profoundly personal work...powerful angry and moving music'. Now played quite a bit the music of Johann Kaspar Mertz (1806-1856) was virtually unknown when Leisner recordedand published some of his music almost 30 years ago. Here two of Mertz’s pieces display the passionate Romanticism of this music. The classics include the sublime Prelude Fugue and Allegro by J. S. Bach two delightful Rags byScott Joplin in Leisner’s arrangements and a dazzling encore of Etude No. 12 by Villa-Lobos.Leisner introduces each piece informally and is interviewed during intermission by Andrew Dickenson. Theinterview covers a number of topics in depth including some of Leisner’s secrets about easing physical tensions while playing the Guitar and his thoughts about the music he’s playing and about composition.