Schubert Franz - Symphony No 2 Bb Major D 125 - Orchestra

Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, tant au niveau des partitions qu'au niveau des enregistrements. / Classique / Partitions CD / Broché / Mozart, Wolfgang Amadeus / Schumann, Robert / Dvorak, Antonin / Beethoven, Ludwig Van / Haendel, Georg Friedrich / Schubert, Franz / Brahms, Johannes / Vivaldi, Antonio / Chopin, Frédéric :

Sur l'origine de la grande symphonie en ut majeur de Franz Schubert (1797-1828) est une grande partie été intriguée. Il a probablement commencé en 1825 avec la composition et la 1826 Symphonie dédié la Gesellschaft der Musikfreunde de Vienne, l'informatique mais / Orchestre

Description Everybody's Favourite Series No.7. A collection of classical piano duets. Includes works by Beethoven, Mendelssohn, Schubert and Rubinstein. Songlist Anitra's Dance (Peer Gynt Suite Op.46 No.1) [Grieg, Edvard] Aragonaise (Le Cid) [Massenet, Jules] Berceuse (Jocelyn) [Godard, Benjamin] Country Gardens Entr'acte (Thomas) Funeral March (Sonata No.2 In B Flat Minor Op.35) [Chopin, Frederic] Humoresque [Dvorak, Antonin] Hungarian Dance No.5 [Brahms, Johannes] Largo [Handel, George Frideric] Londonderry Air March Militaire [Schubert, Franz] Melody In F Op.3 No.1 [Rubinstein, Anton] Minuet [Mozart, Wolfgang Amadeus] Minuet In G [Beethoven, Ludwig Van] Norweigan Dance Op.35 No.2 [Grieg, Edvard] Poet And Peasant Overture [Suppe, Franz Von] Polonaise A Major (Chopin) Romanze (Schumann) Rondo Alla Turca (Sonata In A K.331) [Mozart, Wolfgang Amadeus] Serenade [Schubert, Franz] Sextette (Donizetti) Sonatina [Weber, Carl Maria von] Song Of India (Sadko) [Rimsky-Korsakov, Nicolay] Spring Song [Mendelssohn, Felix] Symphony No.8 In B Minor 'Unfinished' [Shubert, Franz] Traumerei (Kinderscenen) Op.15 No.7 Turkey In The Straw Turkish March [Beethoven, Ludwig Van] Waltz [Gounod, Charles]

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / 2 Violons, Alto Et Violoncelle