Sarabande and Gigue

SKU: HL.49043977

ISBN 9783795754952. German. Bernhard Mark; Karin Schliehe.

These dance melodies for two treble recorders create an insight into life in the Renaissance and Baroque eras and take us on a musical journey to times long past. Very popular and quite common in their day, the allemandes, sarabands, chaconnes, gavottes, and gigues have remained popular throughout the centuries. Staying true to the historical style, the pieces have been arranged according to dance types and not to the level of difficulty.

SKU: BT.EMBZ20018

Hungarian-English-German-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

SKU: DZ.DZ-4319

ISBN 9782898522369.

The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.
The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements.
The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.

La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.
L’utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.
Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical.

SKU: LM.24450A

ISBN 9790230931014.

CORELLI : Sarabande - Gavotte - Gigue - SENALLIE : Allegro - Festing : Sonate - Gigue - BARRIERE : Aria - Allegro.

SKU: HL.49004312

ISBN 9790001044813. UPC: 884088073527. 7.25x10.75x0.09 inches.

SKU: BR.EB-8937

ISBN 9790004186046. 0 x 0 inches.

Given that hardly any printed collections of new keyboard music were offered in Germany in the first decades of the 18th century, Christoph Graupner's eight Partien auf das Clavier , published in 1718, marked a new beginning. The suites are arranged according to an ascending sequence of notes and generally follow the scheme Allemande - Courante - Sarabande - Gigue, but this order is repeatedly broken, also by movements that are rather unusual for a suite. The focus is on the characteristics of the individual movements and the joy of playing with figures typical for the movement or instrument, as well as on challenging playing techniques, such as hand changes in runs (passaggi), wide-ranging chord breaks and the use of the thumb, which was not very common at the time. In this respect, Graupner's suites offer not so much a formal advancement, but rather an expansion of the demands of playing technique. Although several CD recordings of these suites already exist, this volume constitutes the first modern Urtext edition. Complementing her scholarly activities, the editor Genevieve Soly provides important impulses on performance practice in the preface, especially on the execution of the passaggi and the ornamentation, thus opening up the view on her activity as a harpsichordist.

SKU: AP.1-ADV7040

ISBN 9783892213796. UPC: 805095070408. English. Transcribed by; ed. Trent Kynaston.

Six Suites for Violoncello Solo by Johann Sebastian Bach has been transcribed and edited by Trent Kynaston. Titles include: Prelude * Allemande * Courante * Sarabande * Minuet I * Minuet II * Gigue * Prelude * Allemande * Courante * Sarabande * Minuet I * Minuet II * Gigue * Prelude * Allemande * Courante * Sarabande * Bourree I Bourree II * Gigue * Prelude * Allemande * Courante * Sarabande * Bourree I Bourree II * Gigue * Prelude * Allemande * Courante * Sarabande * Gavotte I * Gavotte II * Gigue * Prelude * Allemande * Courante * Sarabande * Gavotte I * Gavotte II * Gigue.