Rumba - Afro Cuban Conga Drum Improvisation, Vol.2 (BROOKS CLIFFORD)

Essential Cuban Conga Rhythms. Par CRUZ TOMAS. II vise à deux catégories distinctes de lecteurs : les joueurs 1) intermédiaires qui sont prêts pour un éventail plus large de rythmes pour étudier et utiliser dans des situations de jeu direct - et congueros 2) expérimentés qui ont digéré Volume I et maintenant tenter de comprendre les racines de la cubaine moderne conga style. Après avoir assimilé le matériel dans le Volume I, l'étudiant doit être capable de jouer base Son Montuno, Salsa, Chachachá et Boléro. Volume II passe à la rumba, Iyesá, 6/8, Changüí, Afro, Mozambique, Pilón, Songo, Merengue, Bomba, Cumbia et autres rythmes qu'un conguero professionnel sera censé savoir. Chaque rythmique est accompagné d'un article qui reflète sur son histoire et son rôle dans la big picture de musique latine et offrant des recommandations écoute. Comme le Volume I, il utilise la méthode de DVD étape par étape. Un appendice spécial de 8 pages explique le sujet souvent infuriatingly complexe de ' clave ' avec un niveau sans précédent de clarté et de perspicacité. / Niveau : Intermédiaire / Latin American - Methods / Méthode / Conga

Par SALLOUM TREVOR. Trevor Salloum: Afro-Cuban Rhythms combines two of the renowned author's popular previous editions. This Gig Savers book has been specially designed for the intermediate to advanced level percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. This section includes information on Clave, Tumbao for one and two drums, Rumba columbia, Conga (Havana), Conga (Matanzas), Conga (Santiago) and much more. Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arar , Abaku (Havana), Abaku (Matanzas), Gag and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion./ Recueil / Percussions

A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drums. CLAVE and TUMBAO. Traditional bass tumbao examples Cascara paila and bell ride patterns. SONGO. Drumset orchestrations Funfified slap songo tumbaos Songo style jam. GUAGUANCO. Conga patterns on the drumset combining traditional and hybrid bass lines with rumba and funk. AFRO-CUBAN 6/8 6/8 patterns as a vehicle for other rhythmic possibilities and diferent time feels CHA-CHA-CHA. Adaptability to rock Spap cha-cha-cha playing a backbeat. MOZAMBIQUE. Mozambique in rock and funk context. Lincoln Goines is one ofNew York's most respected and recorded bassists. His concept of the bass as a rhythm instrument and his ability to incorporate traditional Latin lines with ideas drawn from percussion patterns can be heard on recordings with well known Latin-jazz artists Dave Valenting Michel Camilo Gato Barbieri Paquito D'Rivera Tania Maria and Eliane Elias. Lincoln is also known for his contemporary jazz-funk playing with John Scofiel Mike Stern and Bob Berg. Bobby Ameen has made a life study of Afro-Cuban rhythms and combines this knowledge with his own powerful drumming style to create a highly original funk/Afro-Cuban amalgam. Robby's ability to complement a Latin rhythm section can be heard on recordings with Ruben Blades Dave Valentin Dizzy Gillespie Kip Hanrahan and Eddie Palmieri among many others. Robby has also worked with Paquito D'Rivera Gato Barbieri Willie Colon and Paul Simon. Includes separate pull-out in Spanish.