Richard Wagner Felix Mendelssohn Bartholdy: Two Famous Wedding Marches: Wind

For Brass Quintet-Deux marches nuptiales pour Quintette de Cuivres : Marche nuptiale extraite de l?opéra Lohengrin (Wagner) - Marche nuptiale extraite du Songe d?une nuit d?été (Mendelssohn).Instrumentation : 2 Trompettes Sib Cor en Fa/Mib Trombone en Ut BC Tuba en Ut BC ou Basse Mib TC.

Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36 – in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigratedMendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music. This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version. The full score and vocal score (BA9071-90) include the German and English texts of the oratorio. The vocal score is by Mendelssohn. Urtext edition representing the latest musicological research Includes all numbers from the original version for the first time Vocal texts in German and English Straightforward Piano reduction

Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction

Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction

Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction

2-5 Octaves of Handbells-Combined into one edition are both traditional wedding tunes The Bridal Chorus and The Wedding March either of which can be rung by 2 to 5 octave handbell choirs. Each piece is arranged in a classic style that follows the original compositions closely.

Violin with piano accompaniment-This book contains the best-known and most beautiful wedding classics. Filled with music from the great composers from different eras from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces - a fine aid for studying! Also includes a piano part which is also suitable for organ (manuals only).

Celebrations - Piano Pieces for Special Occasions ed. by Karin Daxböck, Martina Schneider and Veronika Weinhandl - illustrated by Martina Schneider Whatever the Festive Heart Desires At almost every important feast or celebration, there's a piano on hand ' but where's the sheet music'! This is where Martina Schneider's 'Feste' comes to the rescue. Whether for birthdays, weddings, anniversaries, Christmas, departures ' this collection has very easy music for every occasion: 'Happy Birthday,' the big wedding marches, Verdi's triumphal march, a brief fanfare, 'Jingle Bells,' 'Amazing Grace,' 'Auld Lang Syne' and much more, everything the heart and guests desire, either for piano solo or piano with another instrument. The piano gets its moment of glory, and every feast will turn into an unforgettable event. Table des matières 1. Patty S. Hill/Mildred Hill Happy Birthday 2. Traditional Hoch soll er/sie leben 3. Werner Gneist Viel Glück und viel Segen 4. K. Daxböck/M. Schneider/V. Weinhandl Flourish 5. Felix Mendelssohn Bartholdy Wedding March from 'A Midsummer Night's Dream' 6. Richard Wagner Bridal Chorus from 'Lohengrin' 7. Marc-Antoine Charpentier Rondeau from 'Te Deum' 8. Giuseppe Verdi Grand March from 'Aida' 9. Johann Strauß On the Beautiful Blue Danube 10. Scott Joplin The Entertainer 11. Traditional Gaudeamus igitur 12. Eduard Ebel Leise rieselt der Schnee 13. Traditional Maria durch ein Dornwald ging 14. Traditional Kling, Glöckchen, klingelingeling 15. James Lord Pierpont Jingle Bells 16. Traditional O Tannenbaum 17. Traditional O du fröhliche 18. Josef Mohr/Franz Xaver Gruber Stille Nacht 19. Felix Mendelssohn Bartholdy Hark! The Herald Angels Sing 20. Traditional, arr. Carsten Gerlitz Amazing Grace 21. Traditional Good Night, Ladies 22. Traditional Auld Lang Syne 23. Fred Strittmatter/Quirin Amper. jr. Wer hat an der Uhr gedreht