Remember The '60: Fanfare Band: Score & Parts

Fanfare Band - Grade 5

SKU: BT.DHP-1094779-020

Composed by Jan de Haan. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094779-020. Published by De Haske Publications (BT.DHP-1094779-020).

9x12 inches.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Deze compositie is geschreven ter gelegenheid van Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstukvoor het Nationaal Jeugd Fanfare Orkest in opdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback opdit Engelse kerklied nam hij als inspiratiebron en hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback“ ist ein psychologisches Phänomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plötzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phénomène psychologique. Des événements du passé, imprimés dans la mémoire long terme, resurgissent comme une réponse inconsciente et soudaine un stimulus lié une expérience antérieure.Cette œuvre a été composée l’occasion du cinquantième anniversaire de l’Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-même membre, au cours des années 1960. Jeune musicien, il éprouvait un profond respect pour le chef d’alors, Piebe Bakker (1929-2002), un homme passionné, avec un style de direction très stimulant. En revenant sur cette période, quarante ans après, Jan de Haan a revécu lesnombreuses interprétations de la pièce Deep Harmony. La mélodie scintillante - extraite d’un cantique anglais - lui est alors apparue comme un flash-back et c’est comme un éclair mental qu’il a choisi de lui redonner vie dans le passage final de cette œuvre.

Orchestra Concert Band

SKU: PR.44641256L

For Orchestra. Composed by Ellen Taaffe Zwilich. This edition: Orchestra version. Contemporary. Large Score. With Standard notation. Composed 2010. 28 pages. Duration 12 minutes. Theodore Presser Company #446-41256L. Published by Theodore Presser Company (PR.44641256L).

UPC: 680160596010. 11 x 17 inches. Key: A major.

Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall a each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements. I. Fanfare The opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall -- each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience. II. Reminiscence and Celebration The 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.
Fanfare; Reminiscence and Celebration is in 2 movements.I. FanfareThe opening of a concert hall is always an exciting event, introducing the hall to the performers and the performers to the hall — each testing the capacities of the other. I decided to have the ensemble greet and salute the new Ruby Diamond Hall with a Fanfare that includes offstage brass players in 3 different locations in the audience.II. Reminiscence and CelebrationThe 2nd movement begins in a reflective mood. As I thought about Ruby Diamond Hall, where I had performed as a teenager, I remembered people, particularly many mentors with whom I have performed here, who are gone, but whose gifts and spirits are still with us. The theater has a beautiful tradition of leaving one light bulb burning all night long for the spirits of the actors who have graced that stage. While I wanted my 2nd movement to acknowledge that sense of continuity of past and present, the piece ends in celebration of the new. Perhaps all artists feel a strong connection with the past, but we work in and for the present and we build for the future.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44011765

Composed by Jan de Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 2010. De Haske Publications #1094779. Published by De Haske Publications (HL.44011765).

UPC: 884088896621. 9x12 inches. English-German-French-Dutch.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstuk voor het Nationaal Jeugd Fanfare Orkest inopdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback op dit Engelse kerklied nam hij als inspiratiebronen hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback ist ein psychologisches Phanomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plotzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phenomene psychologique. Des evenements du passe, imprimes dans la memoire a long terme, resurgissent comme une reponse inconsciente et soudaine a un stimulus lie a une experience anterieure.Cette œuvre a ete composee a l'occasion du cinquantieme anniversaire de l'Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-meme membre, au cours des annees 1960. Jeune musicien, il eprouvait un profond respect pour le chef d'alors, Piebe Bakker (1929-2002), un homme passionne, avec un style de direction tres stimulant. En revenant sur cette periode, quarante ans apres, Jan de Haan a revecu lesnombreuses interpretations de la piece Deep Harmony. La melodie scintillante - extraite d'un cantique anglais - lui est alors apparue comme un flash-back et c'est comme un eclair mental qu'il a choisi de lui redonner vie dans le passage final de cette œuvre.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-1094779-140

Composed by Jan de Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2010. 44 pages. De Haske Publications #DHP 1094779-140. Published by De Haske Publications (BT.DHP-1094779-140).

9x12 inches. English-German-French-Dutch.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstuk voor het Nationaal Jeugd Fanfare Orkest inopdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback op dit Engelse kerklied nam hij als inspiratiebronen hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback“ ist ein psychologisches Phänomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plötzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phénomène psychologique. Des événements du passé, imprimés dans la mémoire long terme, resurgissent comme une réponse inconsciente et soudaine un stimulus lié une expérience antérieure.Cette œuvre a été composée l’occasion du cinquantième anniversaire de l’Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-même membre, au cours des années 1960. Jeune musicien, il éprouvait un profond respect pour le chef d’alors, Piebe Bakker (1929-2002), un homme passionné, avec un style de direction très stimulant. En revenant sur cette période, quarante ans après, Jan de Haan a revécu lesnombreuses interprétations de la pièce Deep Harmony. La mélodie scintillante - extraite d’un cantique anglais - lui est alors apparue comme un flash-back et c’est comme un éclair mental qu’il a choisi de lui redonner vie dans le passage final de cette œuvre.

Brass Band - Grade 5

SKU: BT.DHP-1094779-130

Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2009. 56 pages. De Haske Publications #DHP 1094779-130. Published by De Haske Publications (BT.DHP-1094779-130).

9x12 inches.

A flashback is an interesting psychological phenomenon: a seemingly random trigger can bring back long-forgotten memories from the subconscious mind. The composer underwent a similar experience before writing this piece. He was asked to write a piece for The National Youth Fanfare Band in the Netherlands, one which he heard perform many years ago. All of a sudden he remembered Deep Harmony, a piece frequently programmed back then. He used his own flashback-experience as an inspiration to weave an old English hymn into his new composition, much like a musical flashback. The right idea at the right moment, as this piece will prove!

Een flashback is een psychologisch fenomeen: een hedendaagse belevenis roept zomaar uit het niets herinneringen uit het verleden op. Zo verging het ook Jan de Haan, toen hij een muziekstuk voor het Nationaal Jeugd Fanfare Orkest inopdracht kreeg. Het is het orkest waarin hij zelf ooit speelde. Plotseling viel hem het werk Deep Harmony in, een werk dat hij destijds vaak had gespeeld. Zijn flashback op dit Engelse kerklied nam hij als inspiratiebronen hij verwerkte het in dit nieuwe muziekstuk. De juiste inval op het juiste moment, zoals nu iedereen kan horen!

Ein Flashback“ ist ein psychologisches Phänomen: Eine Erfahrung weckt scheinbar aus dem Nichts die Erinnerung an lang Zurückliegendes. So ging es auch Jan de Haan, als er ein Stück für ein Jugendauswahlorchester der Niederlande, in dem er selbst einst mitspielte, schreiben sollte. Plötzlich fiel ihm ein damals oft programmiertes Stück namens Deep Harmony ein und er nahm diesen Flashback als Inspiration, dieses englische Kirchenlied in seinem neuen Werk zu verarbeiten. Der richtige Einfall im richtigen Moment, wie das Resultat beweist!

Le flash-back est un phénomène psychologique. Des événements du passé, imprimés dans la mémoire long terme, resurgissent comme une réponse inconsciente et soudaine un stimulus lié une expérience antérieure.Cette œuvre a été composée l’occasion du cinquantième anniversaire de l’Orchestre de Fanfare National des Jeunes des Pays-Bas, une formation talentueuse, dont Jan de Haan fut lui-même membre, au cours des années 1960. Jeune musicien, il éprouvait un profond respect pour le chef d’alors, Piebe Bakker (1929-2002), un homme passionné, avec un style de direction très stimulant. En revenant sur cette période, quarante ans après, Jan de Haan a revécu lesnombreuses interprétations de la pièce Deep Harmony. La mélodie scintillante - extraite d’un cantique anglais - lui est alors apparue comme un flash-back et c’est comme un éclair mental qu’il a choisi de lui redonner vie dans le passage final de cette œuvre.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani and more. - Grade 2.5

SKU: CF.YPS252

Composed by Travis Weller. Yps. Set of Score and Parts. 16+4+8+8+4+4+6+4+4+4+8+8+6+6+6+4+6+4+2+4+2+4+24 pages. Duration 2 minutes, 18 seconds. Carl Fischer Music #YPS252. Published by Carl Fischer Music (CF.YPS252).

ISBN 9781491161357. UPC: 680160919949.

A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first, there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This lesson is fixed to the composer's office door: Today is the greatest day of your life, if you want it to be. Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it? The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice - do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon.
A new day. A new event. A new opportunity. We look forward to these things and the potential they hold. We live our lives looking forward, but we understand them looking backward (a thought of Danish philosopher Soren Kierkegaard). We do not always know what the future may hold, but we must remember: first,  there are no guarantees beyond the time and opportunity we are given to do good. Second, change around us is inevitable. Finally, and the most important aspect, we have choices. This  lesson is fixed to the composer's office door: “Today is the greatest day of your life, if you want it to be.” Why not look forward to the Promise on the Horizon and the possibilities for greatness that lie within it?The opening motif of this concert fanfare is purposely inquisitive as the piece seeks to establish its first steps. The subtle shift at measure 37 and again at measure 69 are reminders of the challenges that await us during the journey. Here again it is a matter of choice – do we choose to let circumstances define us, or do we define the circumstances? The section at 93 is a resounding answer that we will move barriers, overcome obstacles and keep our vision looking forward. The piece builds toward an exciting conclusion from measure 127 onward. The piece reinforces several basic rhythmic patterns in 6/8 time. As a number of these rhythms are repeated, it provides an easy opportunity for the entire ensemble to grow more comfortable performing in this meter. While it is a fanfare-type piece, remind young musicians to play with lightness and precision, rather than intensity in volume. Maintaining this style of articulation and accuracy helps the rhythms in 6/8 time maintain their buoyancy. It is vital that each musician listens for the melody and balances their part, especially in moments where the melody is passed between sections. If vibes are not available, a second bell set can be employed in its place. It is hoped that this piece is an uplifting way to open your next concert, and a meaningful opportunity for you to discuss the power of making positive choices with your students in the ensemble (as a reminder, regular practicing of their instrument is a positive choice). Wishing you and your ensemble well as you look to the Promise on the Horizon. .