Ragtime Guitar Solo

Chaque guitariste a besoin d'une solide collection de pièces classiques pour réaliser avec succès lors des mariages, soirées privées, restaurants et autres lieux. Le grand livre de la Classical Guitar Solos dans TAB est votre billet pour jouer l'une de ces occasions avec la facilité. Avec plus de 150 arrangements pour guitare solo des pièces les plus connues classiques, cette collection comporte à la fois la notation musicale standard et tablature pour rendre l'apprentissage des morceaux rapides et faciles. Il comprend des compositions de diverses parties du monde et de nombreuses périodes de l'histoire de la musique --- de la Renaissance au ragtime. Avec plus de 400 pages de musique, vous serez prêt pour chaque concert solo qui vient à votre rencontre. / Guitare

Parlor Gems A Treasury of 19th Century Music for Classical Guitar. In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland.Stefan produced Ton's first solo album Famous Ragtime Guitar Solos in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975 Ton's second solo album Guitar Instrumentals To Tickle Your Fingers was releasedcontaining transcriptions and arrangements of novelty rags early jazz and popular tunes of the 1930s and 1940s.In 1980 Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar this time with a repertoire covering jazz blues contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town Hot Guitar Solos. Ton also participated in several anthology projects i.e. Novelty Guitar Instrumentals I Got Rhythm Masters of Ragtime Guitar The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm.

This is a challenging set of three lessons presenting a variety of tunes from string band rags to classic rags to novelty instrumentals. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Two New Orleans standards are presented in this lesson. Both are played in the key of C with a style that combines an alternating bass with single-string runs and counterpoint lines. Mabel's Dream was popularized by the King Oliver Band. High Society is a well known Mardi Gras instrumental. LESSON TWO: Two rags are presented in this lesson. We begin in a dropped D tuning with the classic rag Powder Rag. This is followed by an arrangement of the 1928 Dallas String Band recording of Dallas Rag. This combines alternating bass with counterpoint techniques and single-string runs. LESSON THREE: One of Rev. Davis's most popular show instrumentals was Soldier's March. It has sections played in the keys of F and C and is a challenging guitar solo that takes the listener from early morning to lights out in the day of a soldier. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Par GROSSMAN STEFAN. Over 50 fingerpicking guitar solos in notation and tablature in country blues, Delta blues, ragtime blues, Texas blues and bottleneck styles. An extremely comprehensive blues solo collection. 2 CD's included. / Niveau : Débutant à Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins enseigne une dizaine de solos Big Bill de plus grands guitaristes et les arrangements. Chaque morceau est enseigné phrase par phrase, puis utilise l'écran partagé afin que vous puissiez étudier attentivement ce que chaque main est fait.Détaillées onglet / musique livrets sont inclus sous forme de fichiers PDF sur les deux DVD. On y trouve aussi des images rares de Big Bill, ainsi que des titres bonus audio d'enregistrements Big Bill de des airs sur cette leçon.Big Bill Broonzy (26 Juin, 1903 - Août 15, 1958) était un chanteur américain de blues incroyable, compositeur et guitariste. Sa carrière a commencé dans les années 1920 quand il a joué le country blues au public la plupart du temps noirs. A travers les années 1930 et 1940 il a réussi à naviguer d'une transition dans le style d'un son plus urbain de blues populaire auprès du public blanc. Dans les années 1950 un retour à ses traditionnelles folk-blues des racines fait de lui un des figures de proue du renouveau folk américain émergent de la musique et une star internationale. Il était l'un des bluesmen premiers à en tournée en Europe et ses performances et les dossiers ont influencé guitares folk de John Renbourn, Martin Carthy, Stefan Grossman et Davey Graham au rock guitaristes comme Eric Clapton (qui a enregistré plusieurs chansons Big Bill sur son CD Unplugged) à Ron Wood des Rolling Stones qui a dit: '. aléatoire Guitare Big Bill était l'un des premiers morceaux que j'ai appris à jouer, mais même à ce jour je ne peux pas jouer tout à fait raison' / Guitare

Be the entertainer with this fun set of ragtime standards arranged for the solo guitar by Allan Jaffe. Includes Rags of all kinds and a complete guide to performing these highly characteristic pieces. You can even hear the tunes before you play using the accompanying CD of demonstration tracks.