Queen: Queen: Cello Solo: Instrumental Album

15 awesome solos from ABBA to Aladdin. This volume features 15 songs in a range of styles from pop and classical to film and musical theatre. The pieces have been carefully selected and arranged to provide the perfect light relief from exam practice. The songs in this collection appear in order of difficulty, for students at Grade 1 level. Each song is presented with teaching notes to help you improve your performance. The price includes fully orchestrated backing and demo tracks, available to download or stream online, and rich, playable piano accompaniments, which can be downloaded as A4-size PDFs. To help you practice, the audio tracks can be sped up, slowed down and looped using Playback .

Play the world's most dynamic and spirited classical and film music specially arranged for the Solo Piano. Includes the 'Finale' from 1812 Overture by Tchaikovsky and 633 Squadron. For Intermediate level Pianists.

This work for soprano and cello soloists SATB chorus and chamber orchestra was commissioned by the London Sinfonietta. the first performance was given in the Queen Elizabeth Hall London in March 1978 by Elise Ross ChristopherVan Kampen the London Sinfonietta Chorus and the London Sinfonietta conducted by Simon Rattle.Vocal Score. Duration c. 45mins.

Musique en vedette dans le jeu vidéo Rock Band. Solo arrangements avec accompagnement de CD pour 13 tunes du jeu vidéo hit a joué dans les sous-sols et les salles de séjour à travers le pays. Le CD comprend aussi la technologie incroyable Slowdowner où vous pouvez l'utiliser dans un PC ou un Mac et ralentir le tempo sans changer le tangage. Chansons comprennent should I Stay Or should I Go?, voulait mort ou vivant et Black Hole Sun / Violoncelle

Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Queen’s Cross Church Aberdeen. Programme note   'This short work is about conflict – expressed here by the clash of opposing musical forces. One ‘force’ an ‘arioso’ is based around the harmonic field of E and is  melodic tonal straightforward and at times emotional. It is mainly led by the first  violin. The other ‘force’ led by the double bass is strongly discordant [at first a  single note F latergradually growing to a giant cluster]. It is essentially chordal  [non-melodic] static suffocating inexorable and impersonal. Its only contrast is  getting louder or getting softer getting denser or less dense. The interruption of the opening ‘arioso’ by a single note F on the double bass is at first not very threatening and the reaction to it is one of surprise. Later as the threat increases so the reaction becomes stronger; at first one of irritation then anger. A passionate outburst on the violins follows which falls on deaf ears. Then a solo violin solo viola and solo cello all appeal in turn: still no response. Finally only fragments of the original ‘arioso’ are heard before dying away. Whereas near the