Progressive Solos - Book 2: Organ: Instrumental Album

Par DAVIS JANET. Un superbe texte pédagogique pour banjo à cinq cordes traitant la 5e par les frettes 22e. Inclus sont des chapitres sur les patrons de rouleau, accords, chansons, licks, des progressions de corde, organisant des chansons, improvisation, style mélodique, style chromatique, style chromatique, back-up et bien plus encore ! Egalement inclus est une abondance de grande Janet Davis onglets solos. Ecrit en tablature. Les deux CD inclus dans ce package contient 144 pistes en stéréo pour accompagner le livre. Ecouter et jouer avec Janet Davis qu'elle explique et joue chaque exercice. / Niveau : Intermédiaire à Avancé / Bluegrass - Technic / Tablatures / Banjo Tablatures à 5 Cordes

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

If you're a blues guitarist who wants to know how the legends build their solos then this book is for you! Rockin' Blues Licks gives you more than 50 cool licks that sound great over each portion of the blues progression.They are presented in two-measure chunks ? organized by where they fall in a standard 12-bar blues progression ? so you can enrich your blues vocabulary and assemble your own solos with actual licks as played by 15greats including: Jeff Beck Eric Clapton Jerry Garcia Buddy Guy Warren Haynes Jonny Lang Keith Richards Muddy Waters and more! All licks are authentic note-for-note quotes. The CD features recorded demos of all examples plus fast medium

The 2 000 licks in this book are organized into 36 chapters. These chapters explore the different pitches rhythms techniques and methods of phrasing found in blues and blues-influenced guitar solos and fills. Use these licks to deliver heavy yet ear-catching riffs. These can be played along with the 43 backing tracks included on the 3 CDs that come with this book. They are all written in the key of a C blues while the backing tracks are played in the keys of E A D G C F and Bb. A handy table is included that shows how to transpose up or down from C to other blues keys. The backing tracks (performed by a live band in a studio) are all in the 12-bar bluesform but the licks do not necessarily have to be played over specific chords in the progression.

The most complete guide to jazz/blues soloing ever written! This comprehensive book details the sounds elements and approaches that make the blues such an integral part of the jazz vocabulary. Moving from blues progressions tofingerboard organization to phrasing essential blues scales riffs lick development and an array of advanced concepts and devices including substitute scales & extended super arpeggios are covered. Throughout this process 38solos over 100 music examples and hundreds of licks are featured. Written in notation and tablature.