Präludium Und Toccata

Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Instrumentation : Orgue / Editions : Baerenreiter Verlag Descriptif : Praeludium, Fantasie, Toccaten, Fugen, Ricercar, Ciaconnen

Wie bereits in seiner Jazz-Partita über Lobe den Herren (Schott, ED 21913) kombiniert Peter Wittrich auch in dieser Komposition wieder Jazz-Elemente mit traditioneller Orgelschreibweise. Nun danket all ist mit seinem gemäßigten Schwierigkeitsgrad gleichermaßen für das Konzert und für den liturgischen Einsatz geeignet. Das Rock-Prélude und die Toccata in ?Funk', als erster und letzter Satz, sind typische Eingangs- bzw. Auszugssätze, mit denen ein feierlicher Rahmen gesetzt werden kann. Kontrastierend und eher meditativ in ihrer Grundstimmung verhalten sich der 2. Satz mit typischem Walking-Bass und Blues-Elementen sowie der 4. Satz, im typischen Groove des Jazz-Waltz auf einem Orgelpunkt über g. / Orgue

WORKS FOR ORGAN OR KEYBOARD FANTASIAS AND RICERCAR 1. Fantasia Chromatic (Dorian mode) 2. Fantasia (Dorian) 3. Fantasia (G Dorian) 4. Fantasia (G Dorian) 5. Fantasia (A Phrygian) 6. (Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian) 7. Fantasia (F Ionian) 8. Fantasia (Mixolydian) 9. Fantasia (Mixolydian) 10. Ricercar (Aeolian) 11. Fantasia (Aeolian) 12. Fantasia ut sol fa mi (Ionian; 1st version) 13. Fantasia (Ionian; 2nd version) ECHO FANTASIAS 14. Fantasia (Dorian) 15. Fantasia (Ionian) 16. Fantasia (Aeolian) 17. Fantasia (Ionian) 18. Fantasia (Ionian) 19. Fantasia (Ionian) TOCCATAS 20. Toccata (Dorian) 21. Toccata (Aeolian) 22. Toccata (Aeolian) 23. Toccata (Dorian) 24. Toccata (G Dorian) 25. Toccata (G Dorian) 26. Toccata (G Dorian) 27. Toccata (Mixolydian) 28. Toccata (Mixolydian) 29. Toccata (Aeolian) 30. Toccata (Ionian) 31. Toccata (Ionian) 32. Toccata (Ionian) WORKS FOR ORGAN PRELUDE AND CHORALE VARIATIONS 33. (Praeludium; F Ionian) 34. Ach Gott vom Himmel sieh darein: (3 variations) 35. Allein Gott in der Höh sei Her (4 variations by Swelinck, 5 by Andreas Düben, 2 by Petrus Hasse [I], 6 by Gottfried Scheidt) 36. Allein zu dir, Herr Jesu Christ (1 variation) 37. Christe qui lux es et dies (3 variations) 38. Da pacem, Domine, in diebus nostris (4 variations) 39. Dies sind die heilgen zehn Gebot (2 variations) 40. Durch Adams Fall ist ganz verderbt (2 variations) 41. Erbarm dich mein, o Herre Gott (6 variations) 42. Es ist das Heil ulns kommen her (2 variations) 43. Es spricht der Unweisen Mund wohl (1 variation) 44. Herr Christ der einig Gottes Sohn (2 variations) 45. Herzlich lieb hab ich dich, o Herr (4 variations) 46. Ich ruf zu dir, Herr Jesu Christ (4 variations) 47. Nun freut euch, lieben Christen gemein (Was kann uns kommen an, Es ist gewisslich an der Zeit; 3 variations 48. Nun freut euch, lieben Christen gemein (original chorale melody; 3 variations) 49. Nun komm der Heiden Heiland (3 variations) 50. O lux beata trinitas (2 variations) 51. Psalm 116 (J'ayme mon Dieu, car lors que j' ay crie'; 4 variations) 52. Psalm 140 (O Dieu, donne moy delivrance; 4 variations) 53. Puer nobis nascitur (4 variati 54. Vater unser im Himmelreich (4 variations) 55. Wie nach einem Wasserquelle (Ainsi qu' on oit le cerf bruire, Freu dich sehr, o meine Seele; 1 variation) 56. Wir glauben all an einen Gott (4 variations) 57. Wo Gott der Herr nicht bei uns hält (2 variations) WORKS FOR KEYBOARD VARIATIONS ON SECULAR SONGS 58. Est-ce Mars (7 variations) 59. Ich fuhr mich vber Rheine (6 variations) 60. Mein junges Leben hat ein End (6 variations) 61. More palatino (4 variations) 62. Soll es sein (8 variations) 63. Unter der Linden grüne (4 variations) 64. Von der Fortuna werd' ich getrieben (3 variations) VARIATIONS ON DANCE TUNES 65. Balletto del granduca (5 variations) 66. Paduana Lachrimae colorirt 67. Passamezzo (6 variations) 68. Pavana Hispanica (4 variations by Sweelinck, 4 by Samuel Scheidt) 69. Pavana Philippi (2 variations) SUPPLEMENT 70. Capriccio 71. Fantazia op de Fuga van M: Jan Pieters. Fecit Dr. Bull 1621 15 Decemb. (Fantasia on a Fugue of Sweelinck, by John Bull, 1621) 72. Toccata (G Dorian; fragment) 73. Praeludium pedaliter (another version of No. 33)

Volume 4 of the Barenreiter Urtext Edition of Handel's Keyboard Works. This volume concentrates on another selection of miscellaneous suites and pieces for solo Piano edited by Terence Best. Suite C-dur HWV 443 Partita G-dur HWV 450 Prélude d-moll HWV 563 Prélude e Capriccio G-dur HWV 571 Ouverture (Ouverture Entrée Chaconne) g-moll HWV 453 Preludio d-moll HWV 564 Allegro C-dur HWV472 Chaconne F-dur (für zweimanualiges Cembalo) HWV 485 Suite d-moll HWV 448 Suite d-moll HWV 449 Sonatina d-moll HWV 581 Allemande a-moll HWV478 Fuga F-dur HWV 611 Chaconne g-moll HWV 486 Partita c-moll HWV 444 Suite c-moll HWV 445 Prélude-Allegro a-moll HWV 576 Air g-moll HWV 467 Toccata g-moll HWV 586 Sonatina g-moll 583 Sonata g-moll HWV 580 Concerto G-dur HWV 487 Air B-dur HWV 471 Preludium F-dur HWV 567 Preludium f-moll HWV 568 Prélude g-moll HWV 573 Prélude E-dur HWV 566 Air g-moll (für zweimanualiges Cembalo) HWV 466 Air B-dur (für zweimanualiges Cembalo) HWV 470 Impertinence g-moll HWV 494 Air und zwei Doubles F-dur HWV 465 Allegro d-moll HWV 475 Courante h-moll HWV 489 Anhang: Air c-moll HWV 458 Sonatina a-moll HWV 584 Aria c-moll HWV459 459

Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue